Tag Archives: Much Ado About Nothing

Countdown: Best Underseen Films of 2013

Today we pay tribute to the most fabulous movies that no one saw in 2013. If you, too, missed them, don’t be too hard on yourself. Some were hard to find, some had such short runs that if you blinked, you missed them in theaters. But here’s your chance to make amends. Seek these out as part of your new year’s resolution to watch something awesome. They are sometimes bloody, sometimes poignant, sometimes funny, always intriguing, fresh and memorable. We give you the most tragically underseen films of 2013.

5. Only God Forgives

Nicolas Winding Refn’s follow up to Drive offers a nightmarish, polarizing vision of the revenge thriller. The near-silent Ryan Gosling leads a cast of misfits and miscreants (and worse) through a bloody piece of nastiness in Bangkok. It’s a visual, aural feat of wonder creating a dreamlike hellscape. The one-dimensional characters and lurid story guarantee you will either love it or hate it, but you will not forget it easily.

4. Much Ado about Nothing

Joss Whedon proves he can do basically anything as he spins the Bard’s classic comedy. Giving Shakespeare a modern-day treatment trips up many great filmmakers, but Whedon takes it in stride, employing a game cast to create a playful, satisfying romp.

3. Mud

The forever underseen filmmaker of extraordinary talent Jeff Nichols follows up his bewilderingly wonderful Take Shelter with this Huck Finn style tale. Matthew McConaughey excels as the man-child fugitive befriending a couple river rats interested in adventure. The result is a lovely journey of lost innocence and a vanishing American lifestyle.

http://www.youtube.com/watch?v=Pv30J05U2nI

2. Fruitvale Station

Ryan Coogler’s impressive feature debut offers a powerful and superbly acted account of the tragic death of 22-year-old Oscar Grant. Michael B. Jordan’s revelatory lead performance deserves to be in the Oscar conversation.

http://www.youtube.com/watch?v=hMrAH_rO_fM

1. Ain’t Them Bodies Saints

No one saw this movie, which is a tragedy given all the film has to offer. The aching romantic drama boasts exceptional performances from Casey Affleck, Rooney Mara and Ben Foster as well as understated writing and exquisite photography. It’s an overlooked gem of rare beauty – one worth finding.

http://www.youtube.com/watch?v=JjR3DLatrFg

For Your Queue: What’s With All the Ado?

Let’s class up the queue this week with a double dose of the Bard. One of the very best films of 2013, Much Ado About Nothing, drops today. 

Writer/director Joss Whedon (The Avengers, Toy Story, The Cabin in the Woodsagain shows his storytelling instincts are dead on, regardless of the genre. Shakespeare’s classic comedy about love and deception is given a present-day makeover, employing a game cast of Whedon favorites to create a playful, satisfying romp.
The wordplay is frenetic, some of the most clever Shakespeare produced, but there are also very funny stretches that rely heavily on physical comedy. The cast delivers with a gleeful enthusiasm, and Whedon adds amusing touches such as having one pivotal scene set amid snorkeling, giving it a new, Wes Anderson-esque hilarity.
Artfully filming in black and white, Whedon doesn’t shrink from the play’s dark corners, while giving the wonderfully comedic aspects a new, updated energy.

Pair that with the 2011 tribute/mystery/historical fiction Anonymous. The film takes the eons-old theory that Bill Shakespeare did not pen all those plays and turns it into a political thriller that entertains at every turn. The fact that this layered, historically savvy costume drama was directed by bombast master Roland Emmerich (Independence Day, 2012, White House Down) may have you believing in another anonymous helmsman.

Countdown: Saving Your Summer

After Earth, The Lone Ranger, Pacific Rim – it’s hard not to see the summer of 2013 as a moviegoing bust. But if you think it’s been a weak season, it probably just means you missed the shiniest gems of the year.  Voila: The countdown meant to save your summer movie experience. Here are the top 5 best of the season’s movies. You may have missed these, but you might still have time to catch them.

5. Crystal Fairy & the Magical Cactus

A mind expanding road trip works better than expected, as does this mostly improvised, funny and insightful flick.

4. The Way, Way Back

Sam Rockwell steals this one as the Bill Murray-esque role model to an awkward teen going through a tough time. Smart, uproariously funny and brimming with excellent performances, this is a true summer movie, and one not to be missed.

 

3. Much Ado about Nothing

Joss Whedon gives another reason for nerds to rejoice. He mines the Bard for the humor he intended, and puts together a house party that looks like an absolute blasts.

2. Stories We Tell

Sarah Polley directs a documentary that unveils a family secret, and in doing so provides fascinating insights into how families work, and how we all – including filmmakers – rework reality to suit our needs.

1. Fruitvale Station

Newcomer Ryan Coogler astonishes with his feature directorial debut, witnessing the devastating true story of Oscar Grant. We predict Oscars.

http://www.youtube.com/watch?v=TtBPTARJcLo

Weekend Countdown: Best films..so far..in 2013

The year’s half over. What were the  best films so far? Well, #1 opens this week at the Gateway. Have a look!

 

5. Evil Dead

Fede Alvarez remakes Sam Raimi’s beloved indie splatter fest with the right amount of respect (to the original), humor, and more than enough gore. This infectious bloodletting surprises even the most ardent fan of the original with ingenious twists, solid performances, and a script doctored brilliantly by Oscar winner Diablo  Cody.

 

4. This Is The End

Seth Rogan’s posse gathers for an end of the world party to lampoon their own images and spin a hilarious yarn about celebrity, the rapture, and Michael Cera’s cocaine habit. Jonah Hill’s demon possession is inspired comedy, but the film’s a clever, weirdly good-natured laugh riot from start to finish.

 3. Much Ado about Nothing

Thank God for nerds. Joss Whedon turns his considerable skill to breathing new life to Shakespeare, with the second big party on the list. Mining the Bard’s comedy for actual laughs, Whedon stacks his cast with hyper-talented buddies, and a scene-stealing Nathan Fillian alone is worth the price of admission.

 

2. Mud

Writer/director Jeff Nichols follows up his flawless (and criminally underseen Take Shelter) with another exquisite film. This coming of age tale about a boy, a disappearing way of life, and a fugitive named Mud charms and surprises.

http://www.youtube.com/watch?v=Pv30J05U2nI

 

1. Stories We Tell

A fascinating, thoroughly entertaining documentary from Sarah Polley.  While laying bare the secrets in her own family history, Polley expertly speaks to all families, and the questionable truths in which we often take comfort.

 

Runners up: Star Trek Into Darkness, Before Midnight, Frances Ha, World War Z, To the Wonder, The Bling Ring, How to Make Money Selling Drugs  and The Iceman. Happy viewing!

Ado Worthy

 

By George Wolf

 

Okay, so Joss Whedon can write and/or direct TV shows, animated classics, horror homages, superhero blockbusters, you name it. Wouldn’t it be funny if he took a stab at Shakespeare?

It is funny, and thoroughly entertaining.

With Much Ado About Nothing, Whedon again shows his storytelling instincts are dead on, regardless of the genre. Shakespeare’s classic comedy about love and deception is given a present-day makeover, employing a game cast of Whedon favorites to create a playful, satisfying romp.

Bringing the bard into a modern setting can be tricky, whether on stage or screen, and admittedly, it does take a few minutes to get used to hearing “by my troth” being bandied about a stylish kitchen. Hang in, and it won’t take long for you to fall for Whedon’s ensemble.

The wordplay is frenetic, some of the most clever Shakespeare produced, but there are also very funny stretches that rely heavily on physical comedy. The cast delivers with a gleeful enthusiasm, and Whedon adds amusing touches such as having one pivotal scene set amid snorkeling, giving it a new, Wes Anderson-esque hilarity.

Amy Acker (TV’s Angel, The Cabin in the Woods) and Alexis Denisof (Angel/The Avengers) shine as the adversarial would-be lovers Beatrice and Benedict, while Nathan Fillion (Serenity) nearly steals the movie as the easily offended inspector Dogberry. These actors, like nearly all in the cast, have a history with Whedon, and the mutual comfort level gives the entire adaptation a breezy, confident feel.

Artfully filming in black and white, Whedon doesn’t shrink from the play’s dark corners while giving the wonderfully comedic aspects a new, updated energy.

Turns out, Shakespeare fits Whedon about as well as Thor’s hammer or Sheriff Woody’s boots.

 

Verdict-4-0-Stars