Arcadian
by George Wolf
Nicolas Cage has become such a mythic figure in film culture that each new outing tends to bring questions.
Is this the unhinged “rage in the Cage?” Arthouse Cage? Mass appeal or self effacing Cage?
You can file Arcadian under “understated Cage leading a YA leaning creature feature.”
He stars as Paul, who’s living in a remote farmhouse with his twin teenage sons in a dystopian future. By day, the men follow a careful routine of security and sustenance. Because at night, there are visitors that really want to come in.
The exact details of the invasion are a little sketchy, but never elusive enough to derail our interest in the family’s survival.
Thomas (Maxwell Jenkins) is the impulsive, romantic brother, and his visits with Charlotte (Sadie Soverall) at the farm down the road have been keeping Thomas out dangerously late. His twin Joseph (Jaeden Martell) is the introspective thinker. Joseph has been studying patterns of the nightly attacks and believes the creatures have been testing, and planning.
He’s right.
Director Benjamin Brewer isn’t trying to reinvent anything here. He teams with producer-turned-screenwriter Michael Nilon for an unassuming horror thriller than benefits greatly from an impressive cast and a frightening creature design.
I don’t want to give anything away, but these bad boys have one specific trait that will get your attention right quick.
These themes aren’t new. There will be peril, bloodshed, and sacrifice as the creatures get smarter and the young begin to take on responsibilities of adulthood and cherish the things that matter. But thankfully, that familiarity doesn’t breed pandering. Brewer is also able to land some solid thrills, while the three younger co-stars provide impressive support for Cage’s elder statesman grace.
Ultimately, Arcadian doesn’t feel that much like a stereotypical “Nicolas Cage movie.” And the film is better for it.
