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And the 2013 COFCA Award Winners Are….

Gravity pulls in top prize at 12th annual Central Ohio Film Critics Association awards

 

(Columbus, January 2, 2014) Alfonso Cuarón’s Gravity has been named Best Film in the Central Ohio Film Critics Association’s 12th annual awards, which recognize excellence in the film industry for 2013.  The film also claimed two other awards.  Cuarón was honored as Best Director.  Director of Photography Emmanuel Lubezki won for Best Cinematography.

 

Columbus-area critics recognized these screen performers: Best Actor Chiwetel Ejiofor (12 Years a Slave); Best Actress and Breakthrough Film Artist Adèle Exarchopolous [Blue is the Warmest Color (La vie d’Adèle)]; Best Supporting Actor James Franco (Spring Breakers); Best Supporting Actress Jennifer Lawrence (American Hustle); and Actor of the Year Matthew McConaughey for his exemplary body of work in Dallas Buyers Club, Mud, and The Wolf of Wall Street.

 

Other winners include: American Hustle for Best Ensemble; The Wolf of Wall Street’s Terence Winter for Best Adapted Screenplay; Her’s Spike Jonze for Best Original Screenplay and Arcade Fire for Best Score; Best Documentary The Act of Killing; Best Foreign Language Film and Best Animated Film The Wind Rises (Kaze tachinu); and Short Term 12 as Best Overlooked Film.

 

Repeat COFCA winners include: Jennifer Lawrence (2012 Best Actress for Silver Linings Playbook); Matthrew McConaughey (2012 Actor of the Year for Bernie, Killer Joe, Magic Mike, and The Paperboy); James Franco (2010 Best Actor for 127 Hours); and Emmanuel Lubezki (2011 Best Cinematography for The Tree of Life).

 

Founded in 2002, the Central Ohio Film Critics Association is comprised of film critics based in Columbus, Ohio and the surrounding areas. Its membership consists of 20 print, radio, television, and internet critics. COFCA’s official website at www.cofca.org contains links to member reviews and past award winners.

 

Winners were announced at a private party on January 2.

 

Complete list of awards:

 

Best Film

1. Gravity

2. Her

3. American Hustle

4. Frances Ha

5. The Wolf of Wall Street

6. 12 Years a Slave

7. Inside Llewyn Davis

8. Before Midnight

9. Upstream Color

10. Nebraska

 

Best Director

-Alfonso Cuarón, Gravity

-Runner-up: Spike Jonze, Her

 

Best Actor

-Chiwetel Ejiofor, 12 Years a Slave

-Runner-up: Matthew McConaughey, Dallas Buyers Club

 

Best Actress

-Adèle Exarchopolous, Blue is the Warmest Color (La vie d’Adèle)

-Runner-up: Brie Larson, Short Term 12

 

Best Supporting Actor

-James Franco, Spring Breakers

-Runner-up: Jared Leto, Dallas Buyers Club

 

Best Supporting Actress

-Jennifer Lawrence, American Hustle

-Runner-up: Lupita Nyong’o, 12 Years a Slave

 

Best Ensemble

-American Hustle

-Runner-up: The Wolf of Wall Street

 

Actor of the Year (for an exemplary body of work)

-Matthew McConaughey, Dallas Buyers Club, Mud, and The Wolf of Wall Street

-Runner-up: Jennifer Lawrence, American Hustle and The Hunger Games: Catching Fire

 

Breakthrough Film Artist

-Adèle Exarchopolous, Blue is the Warmest Color (La vie d’Adèle) (for acting)

-Runner-up: Brie Larson, Don Jon, Short Term 12, and The Spectacular Now (for acting)

 

Best Cinematography

-Emmanuel Lubezki, Gravity

-Runner-up: Hoyte Van Hoytema, Her

 

Best Adapted Screenplay

-Terence Winter, The Wolf of Wall Street

-Runner-up: John Ridley, 12 Years a Slave

 

Best Original Screenplay

-Spike Jonze, Her

-Runner-up: Destin Daniel Cretton, Short Term 12

 

Best Score

-Arcade Fire, Her

-Runner-up: Steven Price, Gravity

 

Best Documentary

-The Act of Killing

-Runner-up: Stories We Tell

 

Best Foreign Language Film

-The Wind Rises (Kaze tachinu)

-Runner-up: Blue is the Warmest Color (La vie d’Adèle)

 

Best Animated Film

-The Wind Rises (Kaze tachinu)

-Runner-up: Frozen

 

Best Overlooked Film

-Short Term 12

-Runner-up: Mud

 

COFCA offers its congratulations to the winners.

 

Previous Best Film winners:

 

2002:  Punch-Drunk Love

2003:    Lost in Translation

2004:    Million Dollar Baby

2005:    A History of Violence

2006:    Children of Men

2007:  No Country for Old Men

2008:  WALL·E

2009:  Up in the Air

2010:  Inception

2011:  Drive

2012:  Moonrise Kingdom

 

For more information about the Central Ohio Film Critics Association, please visit www.cofca.org or e-mail info@cofca.org.

 

The complete list of members and their affiliations:

 

Richard Ades (Columbus Free Press); Kevin Carr (www.7mpictures.com, FilmSchoolRejects.com); Bill Clark (www.fromthebalcony.com); John DeSando (90.5 WCBE); Frank Gabrenya (The Columbus Dispatch); James Hansen (Out 1 Film Journal); Nicholas Herum (Columbus Underground; Movies Hate You Too); Brad Keefe (Columbus Alive); Kristin Dreyer Kramer (NightsAndWeekends.com, 90.5 WCBE); Joyce Long (Freelance); Rico Long (Freelance); Hope Madden (Columbus Underground and MaddWolf.com); Paul Markoff (WOCC-TV3; Otterbein TV); David Medsker (Bullz-Eye.com); Lori Pearson (Kids-in-Mind.com, critics.com); Mark Pfeiffer (Reel Times: Reflections on Cinema; WOCC-TV3; Otterbein TV); Melissa Starker (Columbus Alive, The Columbus Dispatch); George Wolf (Columbus Radio Group and MaddWolf.com); Jason Zingale (Bullz-Eye.com); Nathan Zoebl (PictureShowPundits.com).

Countdown: Best Films of 2013

10. Blue is the Warmest Color

The engrossing and immersive romantic drama may be best known for its NC-17 rating, but the beauty and heartbreak in this loose narrative make it one of the best films of 2013. Adele Exarchopoulos provides among the strongest performances onscreen this year in a love story that is as emotionally explicit as it is sexually frank.

9. Stories We Tell

Sarah Polley proves her mettle as a documentarian with a private story that becomes universal, entertaining and genuinely moving. Through a profoundly personal investigation, Polley looks at the validity of those comfortable truths that live in every family, and it’s all clever, fascinating, funny stuff. Polley has quickly become a filmmaker you cannot ignore, and it is a testament to her own storytelling skill that even as she turns her focus inward, you can’t help but look at your own world in a different way.

http://www.youtube.com/watch?v=ytq4VZ2Nyxg

 

8. The Wolf of Wall Street

Director Martin Scorcese’s three hour showcase of unchecked hedonism is a terrifically frenzied, wickedly funny ride. Leonardo DiCaprio is electric as Jordan Belfort, the real life Wall Street wizard who made millions before the Feds brought him down for rampant securities fraud. This is no hand-wringing reflection on the wages of sin, just a swaggering, appropriately superficial and completely entertaining lesson in the American dream.

7. Nebraska

The great Alexander Payne exceeds admittedly high expectations with this gracefully restrained father/son journey. The Oscar favorite will no doubt pull in a nomination for its lead, an unforgettable Bruce Dern, but the entire ensemble – June Squibb as Dern’s spitfire of a wife, in particular – beautifully convey the spite, regret, hilarity and insanity of family. Wistful and rambunctious, the film packs a dramatic punch but still leaves you smiling.

6. Gravity

Alfonso Cuaron redefines SciFi with a jaw-dropping interstellar adventure – undoubtedly this year’s most surprisingly tense action flick. He untethers a novice astronaut in outer space, and his audience with her, in the most intimate and epic journey of the year. His stunning directorial achievement reminds us of why people started making movies in the first place.

5. Her

Though it won’t hit many theaters until January, this film is too magnificent to be relegated to the category of afterthought. Spike Jonze has written and directed this year’s most poignant love story, cast it impeccably and set it just far enough into the future to let breathe. The eternally underappreciated Joaquin Phoenix breaks your heart as the lonesome lover in a world that encourages isolation, while Scarlett Johannson – in her second excellent turn this year, following Don Jon – delivers an award worthy performance with just her voice. It’s a beautiful, imaginative, relevant image of love in the modern world.

4. Inside Llewyn Davis

The Brothers Coen offer just another nearly flawless film, this time immersing us in the tribulations of a struggling musician in the 1961 Greenwich Village folk scene. Boasting a beautifully nuanced lead performance from Oscar Isaac and populated with hilarious and touching supporting turns, the film is the brothers’ most impeccably crafted character study. It’s also another great exploration of the artistic connections possible between cinema and music, reminding us again of that Coen genius.

3. The Act of Killing

Those responsible for exterminating more than a million Indonesians during the 1965 government overthrow re-enact their savagery for Joshua Oppenheimer’s camera in the most surreal and riveting documentary of this year, or perhaps any other. You simply cannot believe what you are seeing. The film is absolutely not what you expect it to be, regardless of what those expectations may be. It is essential viewing.

2. American Hustle

With a dream ensemble, wickedly sharp writing and an explosive pace, director David O. Russell gives us a con movie that explodes with heart and humor. Jennifer Lawrence and Bradley Cooper erupt while Christian Bale, Amy Adams and Jeremy Renner anchor a very human, impossibly captivating comedy/drama.

1. 12 Years a Slave

Intimate storytelling and flawless acting come together to eliminate the distance of time and create a powerful, visceral, unforgettable cinematic and human experience. Director Steve McQueen has created a film that makes all others set during the shameful American history of slavery seem almost precious. His film is a profound and brutal experience, and an awe-inspiring feat of moviemaking. There is no close second in a list of the best films of 2013.

2013 Central Ohio Film Critics Assoc. Awards Nominees

 

The Central Ohio Film Critics Association (COFCA) is pleased to announce the nominees for its 12th annual awards.  Winners will be announced on the evening of January 2nd, 2014.

Founded in 2002, the Central Ohio Film Critics Association is comprised of film critics based in Columbus, Ohio and the surrounding areas. Its membership consists of 20 print, radio, television, and internet critics. COFCA’s official website at www.cofca.org contains links to member reviews and past award winners.

Note on the nominees: ties in the nomination round produced six nominees in the Best Director, Best Cinematography, and Best Documentary categories.

The 2013 Central Ohio Film Critics Association awards nominees are:

 

Best Film

-12 Years a Slave

-American Hustle

-Before Midnight

-Frances Ha

-Gravity

-Her

-Inside Llewyn Davis

-Nebraska

-Upstream Color

-The Wolf of Wall Street

 

Best Director

-Alfonso Cuarón, Gravity

-Spike Jonze, Her

-Steve McQueen, 12 Years a Slave

-Alexander Payne, Nebraska

-David O. Russell, American Hustle

-Martin Scorsese, The Wolf of Wall Street

 

Best Actor

-Chiwetel Ejiofor, 12 Years a Slave

-Tom Hanks, Captain Phillips

-Michael B. Jordan, Fruitvale Station

-Matthew McConaughey, Dallas Buyers Club

-Joaquin Phoenix, Her

Best Actress

-Amy Adams, American Hustle

-Cate Blanchett, Blue Jasmine

-Adèle Exarchopoulos, Blue is the Warmest Color (La vie d’Adèle)

-Greta Gerwig, Frances Ha

-Brie Larson, Short Term 12

 

Best Supporting Actor

-Barkhad Abdi, Captain Phillips

-Michael Fassbender, 12 Years a Slave

-James Franco, Spring Breakers

-Jonah Hill, The Wolf of Wall Street

-Jared Leto, Dallas Buyers Club

 

Best Supporting Actress

-Scarlett Johansson, Her

-Jennifer Lawrence, American Hustle

-Lupita Nyong’o, 12 Years a Slave

-Julia Roberts, August: Osage County

-June Squibb, Nebraska

 

Best Ensemble

-12 Years a Slave

-American Hustle

-Nebraska

-Short Term 12

-The Wolf of Wall Street

 

Actor of the Year (for an exemplary body of work)

-Amy Adams (American Hustle, Her, and Man of Steel)

-Benedict Cumberbatch (12 Years a Slave, August: Osage County, The Fifth

Estate, The Hobbit: The Desolation of Smaug, and Star Trek Into Darkness)

-Leonardo DiCaprio (The Great Gatsby and The Wolf of Wall Street)

-Jennifer Lawrence (American Hustle and The Hunger Games: Catching Fire)

-Matthew McConaughey (Dallas Buyers Club, Mud, and The Wolf of Wall

Street)

 

Breakthrough Film Artist

-Lake Bell, In a World… – (for acting, directing, and screenwriting)

-Ryan Coogler, Fruitvale Station – (for directing and screenwriting)

-Destin Daniel Cretton, Short Term 12 – (for directing and screenwriting)

-Adèle Exarchopoulos, Blue is the Warmest Color (La vie d’Adèle) – (for acting)

-Brie Larson, Don Jon, Short Term 12, and The Spectacular Now – (for acting)

 

Best Cinematography

-Sean Bobbitt, 12 Years a Slave

-Emmanuel Lubezki, Gravity

-Hoyte Van Hoytema, Her

-Bruno Delbonnel, Inside Llewyn Davis

-Benoît Debie, Spring Breakers

-Shane Carruth, Upstream Color

 

Best Adapted Screenplay

-Julie Delpy, Ethan Hawke, and Richard Linklater, Before Midnight

-Scott Neustadter and Michael H. Weber, The Spectacular Now

-Billy Ray, Captain Phillips

-John Ridley, 12 Years a Slave

-Terence Winter, The Wolf of Wall Street

 

Best Original Screenplay

-Joel Coen and Ethan Coen, Inside Llewyn Davis

-Destin Daniel Cretton, Short Term 12

-Spike Jonze, Her

-Bob Nelson, Nebraska

-David O. Russell and Eric Singer, American Hustle

 

Best Score

-Arcade Fire, Her

-Thomas Newman, Saving Mr. Banks

-Mark Orton, Nebraska

-Steven Price, Gravity

-Hans Zimmer, 12 Years a Slave

 

Best Documentary

-20 Feet from Stardom

-The Act of Killing

-Blackfish

-Leviathan

-Room 237

-Stories We Tell

 

Best Foreign Language Film

-Beyond the Hills (Dupa dealuri)

-Blue is the Warmest Color (La vie d’Adèle)

-The Grandmaster (Yi dai zong shi)

-The Hunt (Jagten)

-The Wind Rises (Kaze tachinu)

 

Best Animated Film

-The Croods

-Despicable Me 2

-Frozen

-Monsters University

-The Wind Rises (Kaze tachinu)

 

Best Overlooked Film

-Mud

-Short Term 12

-The Spectacular Now

-Stoker

COFCA offers its congratulations to the nominees.

Previous Best Film winners:

 

2002:  Punch-Drunk Love

2003:  Lost in Translation

2004:  Million Dollar Baby

2005:  A History of Violence

2006:  Children of Men

2007:  No Country for Old Men

2008:  WALL·E

2009:  Up in the Air

2010:  Inception

2011:  Drive

2012:  Moonrise Kingdom

 

For more information about the Central Ohio Film Critics Association, please visit www.cofca.org or e-mailinfo@cofca.org.

 

The complete list of members and their affiliations:

 

Richard Ades (Columbus Free Press); Kevin Carr (www.7mpictures.com, FilmSchoolRejects.com); Bill Clark (www.fromthebalcony.com); John DeSando (90.5 WCBE); Frank Gabrenya (The Columbus Dispatch); James Hansen (Out 1 Film Journal); Nicholas Herum (Columbus Underground; Movies Hate You Too); Brad Keefe (Columbus Alive); Kristin Dreyer Kramer (NightsAndWeekends.com, 90.5 WCBE); Joyce Long (Freelance); Rico Long (Freelance); Hope Madden (Columbus Underground and MaddWolf.com); Paul Markoff (WOCC-TV3; Otterbein.TV); David Medsker (Bullz-Eye.com); Lori Pearson (Kids-in-Mind.com, critics.com); Mark Pfeiffer (Reel Times: Reflections on Cinema; WOCC-TV3; Otterbein.TV); Melissa Starker (Columbus Alive, The Columbus Dispatch); George Wolf (Columbus Radio Group and MaddWolf.com); Jason Zingale (Bullz-Eye.com); Nathan Zoebl (PictureShowPundits.com).

 

Countdown: Best in Horror, 2013

 

At one point, it looked like 2013 was going to be a bloody banner year for horror. Remember that time? We’d already seen the magnificence of the Evil Dead remake as well as the spooktacular glory of the original The Conjuring, and we still had You’re Next, The Purge, Insidious: Chapter 2 and Carrie to go? Too bad those last few couldn’t live up to expectations.

The year did produce a handful of really excellent horror flicks, though. Here is our Top 5.

5. Byzantium

Director Neil Jordan returned to the modern day/period drama vampire yarn this year. Thanks to two strong leads, he pulls it off. Saoirse Ronan is the perfectly prim and ethereal counterbalance to Gemma Arterton’s street-savvy survivor, and we follow their journey as they avoid The Brotherhood who would destroy them for making ends meet and making meat of throats. Jordan’s new vampire drama attempts a bit of feminism but works better as a tortured love story.

4. Simon Killer

The effortlessly creepy Brady Corbet plays the title role in Simon Killer, a college kid alone in Paris after a messy break up. He’s loathsome and  cowardly and impossible to ignore as he hatches a plan with his new prostitute girlfriend – a wonderfully tender Constance Rousseau – to make some quick cash. The film draws you in like a thriller before morphing into a sinister character study that will leave you shaken.

3. We Are What We Are

Not enough people saw this gem, and even fewer saw the brilliant Mexican original, but both are essential horror viewing. The reboot takes a very urban, very Mexican tale and spins it as American gothic, with wildly successful results. From the same writing/directing team that brought forth Stake Land (if you haven’t seen it, you really should), this is one of the few Americanized versions of foreign horror to satisfy – although you may not be hungry again for a while.

2. Evil Dead

Naming #1 was a tough call because of this one, among the all time best reboots in horror history. Fede Alvarez (with some help from the Oscar winning pen of Diablo Cody) respects the source material while still carving out his own vision. Goretastic, scary, and unexpectedly surprising given how closely it aligns itself to its predecessors, the movie has it all – including more gallons of blood than any film in history. Seriously.

1. The Conjuring

James Wan mixes the percussive scares of modern horror with the escalating dread of old fashioned genre pieces, conjuring a giddy-fun spookhouse ride guaranteed to make you jump. And he did it all without FX. A game cast helped, but credit Wan for the meandering camera, capturing just what we needed to see at the exact second that it would do the most damage.

Countdown: Best Underseen Films of 2013

Today we pay tribute to the most fabulous movies that no one saw in 2013. If you, too, missed them, don’t be too hard on yourself. Some were hard to find, some had such short runs that if you blinked, you missed them in theaters. But here’s your chance to make amends. Seek these out as part of your new year’s resolution to watch something awesome. They are sometimes bloody, sometimes poignant, sometimes funny, always intriguing, fresh and memorable. We give you the most tragically underseen films of 2013.

5. Only God Forgives

Nicolas Winding Refn’s follow up to Drive offers a nightmarish, polarizing vision of the revenge thriller. The near-silent Ryan Gosling leads a cast of misfits and miscreants (and worse) through a bloody piece of nastiness in Bangkok. It’s a visual, aural feat of wonder creating a dreamlike hellscape. The one-dimensional characters and lurid story guarantee you will either love it or hate it, but you will not forget it easily.

4. Much Ado about Nothing

Joss Whedon proves he can do basically anything as he spins the Bard’s classic comedy. Giving Shakespeare a modern-day treatment trips up many great filmmakers, but Whedon takes it in stride, employing a game cast to create a playful, satisfying romp.

3. Mud

The forever underseen filmmaker of extraordinary talent Jeff Nichols follows up his bewilderingly wonderful Take Shelter with this Huck Finn style tale. Matthew McConaughey excels as the man-child fugitive befriending a couple river rats interested in adventure. The result is a lovely journey of lost innocence and a vanishing American lifestyle.

http://www.youtube.com/watch?v=Pv30J05U2nI

2. Fruitvale Station

Ryan Coogler’s impressive feature debut offers a powerful and superbly acted account of the tragic death of 22-year-old Oscar Grant. Michael B. Jordan’s revelatory lead performance deserves to be in the Oscar conversation.

http://www.youtube.com/watch?v=hMrAH_rO_fM

1. Ain’t Them Bodies Saints

No one saw this movie, which is a tragedy given all the film has to offer. The aching romantic drama boasts exceptional performances from Casey Affleck, Rooney Mara and Ben Foster as well as understated writing and exquisite photography. It’s an overlooked gem of rare beauty – one worth finding.

http://www.youtube.com/watch?v=JjR3DLatrFg

When the Going Gets Weird, These Guys Get Going…

Sure, you probably caught Woody Harrelson and his shaggy blond wig in Catching Fire, the number one film in the country today (and for the foreseeable future). But this weekend,Woody sneaks back into theaters as the Appalachian meth dealer/bare knuckle boxing organizer Harlan DeGroat in Out of the Furnace. Though you might not notice it at first blush, the two characters have something in common. They’re weirdos. Is that intentional, or is it difficult for Harrelson to do anything else? He’s a tremendous character actor, a welcome sight in any film, but let’s be honest. The dude’s always and forever playing weirdos.

Well, we love that about him, and today we wish to celebrate all those reliable oddballs, freaks and weird dudes. A tip of the hat to Harrelson and his effortlessly peculiar brethren: cinema’s ten best weirdos.

10. Udo Kier

Who’s Udo Kier, you may be asking? We’re sorry for your loss, because you have apparently missed out on the smorgasbord of oddballs that have made up this man’s nearly 50 year career. Between his overly large eyes, wet lips and impenetrable accent, he brings a pervy air to every role, which he’s used to great effect in hundreds of performances.

http://www.youtube.com/watch?v=Hvpz88YYego

9. Michael Shannon

Shannon’s size, his quietly observant style, his delayed nasal speaking, his judging eyes all give him a creepy quality perfect for weirdo roles. Luckily for everyone, he’s deeply talented, imbuing each of his unique characters with the fragile humanity that spawned the freaky behavior in the first place.

8. Sam Rockwell

Rockwell’s a huge talent, and with his trademark quirky charm he’s basically invented the niche of oddball leading man. There’s a childlike quality to his performances, and a laid back but somewhat scornful humor that reminds us at times of Woody Harrelson and Bill Murray. He brings a magnetic but quirky humanity to every role – drama or comedy, lead or supporting.

7. Tom Waits

That gravely, smoker’s voice, the Eraserhead-esque hairstyle, a face and body that appear to be all angles – Waits cuts an unusual onscreen image. He’s put that to fine use over the years in roles that call for something a little unusual.

6. Mickey Rourke

Back in the day, Rourke brought a uniquely smoldering charisma to roles. He was never a cookie cutter leading man, always a bit off. His current hulking appearance and years of bad decisions have thrust him into the niche of the lumbering nutjob, but you know what? He handles it with aplomb.

http://www.youtube.com/watch?v=2FokjNH7Gw8

5. Dennis Hopper

Dude! It may have been Hopper’s own bad wiring that helped him bring a little mania (sometimes a lot) to scores of roles: the wacked out hippie in Easy Riders, the wacked out zealot in Apocalypse Now, the obsessive investigator in Texas Chainsaw Massacre 2, the Southern madman in Paris Trout, the drunken father in Hoosiers. But he owns it in among the all time great freakshow performances, Frank Booth in Blue Velvet.

4. Willem Dafoe

Dafoe brings a malevolent comic ability to roles – including his supporting turn opposite Harrelson in Out of the Furnace. His performances tend toward fearless, and he contorts his own physical presence to bring out the demonic or the strangely comical – or both – in each role.

http://www.youtube.com/watch?v=mvE-_utxEzc

3. Christopher Walken

The great. Whether he’s requesting cowbell on SNL, adding a peculiar charm to a comedy, or staring down a man about to die in a drama, Walken’s staccato delivery, blank stare and musical timing ensure that every line he delivers feels  profoundly, often unsettlingly weird.

2. Crispin Glover

The thing about Crispin Glover (McFly!) is that you get the feeling this is just how he is. He’s drawn to the characters that most closely resemble his own unique personality. I’m not saying he eats cockroaches, but a romantic lead is probably not in his future, on camera or otherwise.

 

1. Nic Cage

Cage wins this contest because he appears to have trouble not being a weirdo. Channeling his inner normal guy seems to sometimes be too great a task for the actor. Those ridiculous wigs only hamper any effort to mask his natural freakishness, but we say don’t hide it, Nic! Let that freak flag fly.

Countdown: Proof Positive Matthew McConaughey Has Talent

Aside from the very rare exception, Matthew McConaughey spent the first twenty years of his career proving to us that he looked nice without a shirt. Talent shmalent. Then suddenly, the king of the romantic comedy finally gave up his throne and began acting, and here’s the nutty thing:  he’s damn good. Need proof? Read on, as we list the evidence.

10. Frailty (2001)

Spooky, languid, eerily observant, McConaughey’s performance in this underseen horror gem sets a great tone for the surprises in store.

http://www.youtube.com/watch?v=f8oZFkatI_8

9. The Paperboy (2012)

In a film this over-the-top, McConaughey anchors the insanity with an understated turn as a conflicted, good man.

http://www.youtube.com/watch?v=NZ_LBiQq8JI

8. Bernie (2011)

Jack Black is the reason to see this incredible film, but McConaughey’s turn as the baffled lawman and the film’s voice of reason is a winner as well.

http://www.youtube.com/watch?v=YJuhWKcY_6U

7. Lone Star (1996)

Not yet Hollywood’s go-to for rom-com, McConaughey impressed everyone as Buddy Deeds, the legendary lawman-in-flashback in John Sayles’s Texan mystery.

6. Tropic Thunder (2008)

Here was our first reminder in more than a decade that McConaughey could act, not to mention poke fun at himself. With that insane hair and a little lip gloss, his Hollywood agent was the stuff of dreams. “Tivo!”

5. Dazed and Confused (1993)

No matter how much you hated Matthew McConaughey by, say, 2005, you had to admit that you loved him in his early-career turnin Dazed and Confused. That performance as Wooderson, the sleazy older dude still hitting on high school girls, was just about perfect.

4. Mud (2012)

By the time Mud came out, we’d grown used to the new and improved McConaughey, a flexible talent who still managed to put his own stamp on every new and fascinating role. Here he blends childlike wildness with wily survival instincts for a piece of beautiful storytelling.

http://www.youtube.com/watch?v=KFBC8ohhVUs

3. Magic Mike (2012)

Yes, this movie blows, but it is so worth watching because of McConaughey’s positively unhinged and magnificent performance as the aging stripper-turned-entrepreneur.

2. Killer Joe (2011)

Holy shit. This movie – a kick-ass comeback for director William Friedkin – is so nuts, so dark, so Texan, that no one could possible shoulder the title role but McConaughey. Huge props to the entire balance of the cast, but just try to take your eyes off McConaughey.

http://www.youtube.com/watch?v=7M12DPZgW_E

1. Dallas Buyers Club (2013)

McConaughey may finally get the Oscar nomination he deserved at least twice in the last two years for his turn as the hard living Texan who finds himself victim of HIV and the medical industrial complex. A searingly human portrait, the performance is the best of what is becoming – at long last – a monster career.

This Week’s Countdown of Capes, Masks and Tights

We were impressed enough by the Thor sequel to begin pondering … which are the best superhero movies ever made?

10. Iron Man

Among the most inspired pieces of casting in cinematic history, indie film’s bad boy Robert Downey Jr. shoulders a blockbuster superhero flick and becomes the highest paid actor in history. He may even deserve it. Wry humor, believable bouts of self loathing and narcissism, and the intelligence to pull off the character of Tony Stark, he redefined superhero and caused a ripple effect still being felt in the genre.

9. The Incredibles

Pixar takes on the superhero with heart, humor and the kind of spot-on insight that made their image of toy life, robot romance, and elderly adventure so magnificent. Consistently fun and full of surprises and wisdom, The Incredibles rocks.

http://www.youtube.com/watch?v=eZbzbC9285I

 

8. Batman

Back in the Eighties, goth-god Tim Burton breathed new life into the superhero concept with this dark, stylish, almost campy classic. It would be nearly 20 years before Jack Nicholson’s then-iconic version of The Joker was outdone.

http://www.youtube.com/watch?v=HlsM2_8u_mk

 

7. X-Men: First Class

Michael Fassbender keeps his pants on for this inspired origins story. Writer Jane Goldman and director Matthew Vaughn, who’d done the genre proud with Kick-Ass just one year earlier, re-team to collect mutants in time to thwart the Cuban Missile Crisis. A killer cast and really clever writing mark this as easily the best X-Men movie.

http://www.youtube.com/watch?v=o8ccSiH4olo

 

6. Kick-Ass

Hey, speaking of Kick-Ass – how great was that?! In a sea of mock superhero movies, this one turned out to be fresh, a bit twisted and incredibly funny. It also delivered on action. Endearing, relentlessly entertaining, fearlessly violent yet well-meaning, the film hits on all fronts. Plus, Nicolas Cage, with his Adam West impersonation, is utterly priceless.

5. Batman Begins

Talk about a game changer. When Memento director Christopher Nolan turned his attention to the genre, well, the genre was never the same. Any hint of camp is abandoned. Dark and brooding, the film is as interested in story and character as it is in action and bat-gizmos. For the first time, an outright brilliant actor is cast in the hero’s role, and the weight of the decisions made by a vigilante crime fighter is finally felt.

http://www.youtube.com/watch?v=7zdFsoUF-Fg

 

4. Spider-Man 2

Like Superman 2 back in ’80, the second of Sam Raimi’s Spider-Man flicks ponders the ramifications of true love on superherodom. Tobey Maguire’s inherent tenderness helps the most moving scenes stick with you, in a movie that celebrates humanity in a way few films – superhero or no –  have managed to do.

 

3. The Dark Knight Rises

Finally, someone gets Cat Woman right! Nolan’s trilogy capper is a wildly satisfying, emotionally resonant, dramatically impeccable ride. Every choice is as fitting as it is surprising. He’s responsible to the source material without giving an inch of his own creative control, plumbing cultural currency and comic ethos to create a movie that leaves a mark.

 

2. The Avengers

Joss Whedon, everybody! He’s every fanboy’s dream. If there any nerdy thing this man cannot do? Buffy, Serenity, The Cabin in the Woods – hell, he even made Shakespeare hip! Plus, he wrote Toy Story – how awesome is that? And while it looked like the Avengers franchise would amount to the gathering of multiple barely interesting individual heroes, plus another Hulk debacle, it turned out to be one of the most enjoyable, well crafted, character driven and fun superhero flicks of all time. And someone finally did the Hulk justice! Well played, Mr. Whedon.

 

1. The Dark Knight

For the first – and likely last – time in history, the villain from a superhero flick earned the actor an Oscar. And it was flat out obvious, because Heath Ledger’s hauntingly perfect performance as The Joker left a blood chilling impression. And though he is the best reason to watch The Dark Knight, he’s hardly the only exceptional element the film has going for it. The emotional weight to some of the scenes will leave you breathless, and though Nolan has established a very dark view in this series, there is a single, blistering scene in this film that emphasizes the deep optimism the filmmaker and his franchise have for humanity.

This Week’s Countdown: Best Onscreen ‘Staches

The Mo-vember episode of the Studio 35 Show got us thinking ‘staches. What are the best onscreen mustaches? We chose our 10 favorites. Which big, hairy faces did we miss?

 10. Charles Bronson

Hard saying which set of whiskers is more impressive, Charles Bronson’s:

Charles-BRONSON

 

 

 

 

 

 

Or Tom Hardy in the title role for the film Bronson, so we’ll call it a tie:

bronson-trailer

 

 

 

9. Yosemite Sam

Sure, Snidely Whiplash was impressive, but when it comes to mustachioed animated gentlemen, we like the bold statement made by Sam.

yosemite_sam

 

 

 

 

8. Wilford Brimley

Our favorite cantankerous man with a mustache, Brimley and his whiskers have been making the world safe for oatmeal and extra terrestrials for generations.

5792788b1850b4ecd8b6dfc409b60bb9

 

 

 

 

 

 

 

 

 

 

7. Robert Redford

You forget how handsome the Seventies could be until you gander at the young Redford, who can even make an unruly mo’ look good.

butch-cassidy-and-the-sundance-kid-robert-redford-1969_i-G-67-6716-DIKA100Z

 

 

 

 

 

 

 

 

 

 

 

 

 

6. Mike Ditka

Best NFL ‘stache (and sweater and sunglasses). He’s our Ditka.

mike_ditka_1987_11_11

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5. Tom  Selleck

Can’t list famous mustaches without this hirsute Eighties PI.

Tom-Selleck

 

 

 

 

 

 

 

 

 

 

 

4. Burt Reynolds

Let’s be honest, the entire Eighties boom in mustaches is due to Tom Selleck and this man. Thank you?

 

burtreynolds-smokeybandit

 

 

 

 

 

 

 

 

 

 

 

 

3. The Cast of Tombstone

More facial hair per square screen inch, Tombstone makes other films seem positively unmanly.

tombstone1

 

 

 

 

 

 

 

 

 

 

 

 

2. Ron Burgundy

This mustache escalated quickly. With a mustache like this, you have to keep your head on a swivel. It stings the nostrils.

ron-burgundy

 

 

 

 

 

 

 

 

 

 

 

 

 

1. Sam Elliott

Yes, he made the countdown twice! He’s the  most impressive part of the Stache Pack that makes up the cast of Tombstone, but the manliness that is Sam Elliot’s facial hair cannot be adequately praised with only one slot on this countdown! It’d be very undude of us.

sam_elliott_the_big_lebowski

This Week’s Countdown: Halloween Picks for the Wee Ones

It’s nearly Halloween, and it turns out that children’s hunger for age-appropriate scares rivals their taste for those elusive, full size trick-or-treat candy bars. Mmmmmm … chocolatey age-appropriate scares. Well, we’re here to help stave off starvation with these new and old school viewing options.

 

For the Very Young

Kiki’s Delivery Service (1989)

Hayao Miyazaki – often called Japan’s answer to Walt Disney – shares the sweetly magical tale of a budding young witch. Fun adventures befall the little witch-in-training, who becomes a baker’s courier to gain broom-flying skill. Kids will like the holiday feel, the cat and the hijinks with no worry of big scares.

For the Still Quite Wee

Wallace & Gromit in the Curse of the Were-Rabbit (2005)

This film is so utterly enjoyable, charming, and silly that you almost miss the true ingenuity and craft in the animation itself. British placticine duo Wallace – inventor and cheese lover – and his silently worried dog Gromit, take on the bunnies upsetting town gardeners. But things go all Halloweeney on them. This is the kind of film that begs to be scanned for its clever details (the town barbershop is called A Close Shave, for instance), but it’s the unselfconscious, innocent comedy and remarkable animation that make the film a stunning success.  Wallace & Gromit belong in the highest echelon of doofus and silent sidekick comedy teams, and everyone in your family has reason to see their first full length feature.

Monsters, Inc. (2001)

Honestly, this is not one of Pixar’s greatest efforts, but a second tier Pixar film still beats the pants off most anything else you and your kids might watch. The animation is stunning. (Who doesn’t, right now, want to have a fuzzy blue Sulley doll?! You? What are you, a sociopath?) A couple of best buds living in Monstropolis have to keep it under wraps that a child has infiltrated the city. She’s a serious risk of contamination – this is a real danger, actually, because children are filthy germ bags. And they’re often quite sticky. Pixar knows this, and alerts us to the potential epidemic via fuzzy monster characters.

http://www.youtube.com/watch?v=8IBNZ6O2kMk

Frankenweenie (2012)

In stellar black and white, Tim Burton animates the tale of a quiet young scientist and his undead dog. Odes to the classics of horror will entertain the parents (maybe even grandparents) in the audience, but the lovely boy/dog friendship, quirky school kids, and science-related peril will entertain the kids. Plus, Mr. Rzykurski (Martin Landau) is the most spectacular science teacher ever, as depicted in his speech to parents at the PTA meeting: Ladies and gentlemen. I think the confusion here is that you are all very ignorant. Is that right word, ignorant? I mean stupid, primitive, unenlightened.

http://www.youtube.com/watch?v=XBfcGLBJ2Uc

For The Not Too Wee

The Nightmare Before Christmas (1993)

Back in 1993, Tim Burton produced the classic goth holiday extravaganza The Nightmare Before Christmas, having handed over his own sketches and story to director Henry Selick and the world’s coolest stop-action animators. Burton’s team, including Danny Elfman on tunes, assembled a lightheartedly macabre fantasy that artfully yet cataclysmically mixed America’s two most indulgent and excessive holidays. It was inspired.

Corpse Bride (2005)

The first animated film Tim Burton directed is equal parts wholesome and gruesome, somehow effortlessly combined. A nervous groom practices his wedding vows in a forest, unwittingly awakening a bride murdered on her wedding night. She misunderstands and accepts is promise of love. The reluctant groom is ushered into the afterlife, which is more like a cool blues club than a cloudy resting place, where he is welcomed by a delightfully grisly cast of characters.

The comedy is clever, the bride’s heartbreak is often genuinely poignant, and the rotty flesh is just as natural as the pre-wedding jitters. It’s no Jack Skellington, but it is close.

Monster House (2006)

This one is likely to scare little ones, what with its super creepy sideshow circus backdrop, scary old man and a house that actually eats people. Loads of endearing and interesting characters fall upon the kinds of everyday scares that bloom in a child’s imagination. Well written, honestly spooky, and eventually quite heart tugging, Monster House was a surprise Oscar nomination back in ’06, and is still an underseen Halloween gem.

http://www.youtube.com/watch?v=DSmE-0A5B8A

Coraline (2009)

Coraline is a two-sided cautionary tale. For kids wishing for more attentive parents, be careful what you wish for. For parents disinterested in their tweens, danger lurks and lures your girls. Adapted for the screen and directed by Henry Selick (Nightmare Before Christmas), Coraline offers darkly magical visuals, quirky and creepy characters, and a surprisingly disturbing storyline. The film is clever and goth-gorgeous, but may be a little too creepy for kids under 10.

ParaNorman (2012)

“I see dead people” takes on new legs with this animated tale of the supernatural. ParaNorman celebrates cinematic horror with the story of a little boy whose closest buds are the goofy new kid and his own long-dead grandma. But Norman’s gift of seeing ghosts proves pretty beneficial when some witchy chicanery threatens the whole town. Plus, big props for including a gay couple in a family-friendly flick.