Tag Archives: Christie Robb

Give the Devil His Due

November

by Christie Robb

Imagine a world in which Bergman’s Seventh Seal made it with Burton’s Edward Scissorhands and you kinda get a sense of Rainer Sarnet’s November.

Based on the Estonian novel Rehepapp by Andrus Kivirähk, the movie is set in a sort of fairy-tale-ish undefined time period. Estonian peasants scrape out a substance-level existence while German aristocracy exploits their labor and flaunts an unattainably extravagant lifestyle before them.

Not surprising, then, that some of them strike a deal with the devil.

You see, the peasants can manufacture a kratt to do manual labor for them and steal treasure. A kratt is a creature made out of bones, sticks, and bits of rusty household implements, brought to life by giving drops of blood to the devil. (And in this movie, kratts talk and are charmingly bananas and look an awful lot like they were designed by Vincent Price’s character in Edward Scissorhands.)

At the center of the film lies the unrequited love of two peasants. Liina (Rea Lest) is hopelessly in love with Hans (Jörgen Liik). Hans has the hots for the daughter of the local German baron. Lina and Hans each try to capture the attention of their beloved while communing with ghosts, employing the services of kratts and witches, managing lycanthropy, evading the plague, circumventing arranged marriages, and avoiding starvation during the impending long winter.

The movie is a mismatch of comedy, romance, fantasy, political theory, and philosophy all shot in exquisite black and white. Somehow it comes together, like the kratts, in a way that seems fresh, bizarre, and interesting.

 

 

No Shoes, No Pants, No Problem

Peter Rabbit

by Christie Robb

Once upon a time there were four little rabbits, some gatecrashing, a tense dude named McGregor, and a pervasive lack of pants. But Will Gluck’s Peter Rabbit is a bit of a departure from Beatrix Potter’s twee kids’ books.

And you might think, ugh, not another attempt to lengthen and embellish a piece of classic literature beyond all reason (looking at you, Peter Jackson). But hold on. This (cotton) tale takes place somewhat after the events in Ms. Potter’s books. Both Peter’s (James Corden) parents are dead and there’s a new McGregor in town, Domhnall Gleeson (perhaps most familiarly known now as the strident General Hux from the Star Wars saga).

Gleeson’s McGregor is an acutely type A city slicker who longs to immediately sell his recently inherited country estate in order to reinvest the profits in a business venture back in London. Until he meets the animal lover/bunny portraitist Bea (Rose Byrne) who lives in the Pinterest-worthy cottage next door.

This gets Peter’s invisible knickers in a twist for two reasons: 1) restricted access to the tantalizing McGregor garden, and 2) a rival for the affections of Bea who, in the absence of his own rodent parents, has become personage he invests with a significant amount of maternal affection.

The conflicts escalate in cartoon violence that’s kinda Home Alone by way of the Odd Couple. And, as you might expect, it is an absolute delight to see Gleeson rant in nearly Shakespearean cadences about the antics of an anthropomorphized rabbit.

(To be honest, I’d probably pay the price of a movie ticket to see Gleeson take exception to piece of burnt toast.)

Like Gleeson, the supporting cast is also a delight. Margot Robbie, Elizabeth Debicki, and Daisy Ridley stand out as Peter’s siblings Flopsy, Mopsy, and the devil-may-care Cotton-tail.

If you want to get all highbrow about it, the entire movie can be read as a metaphor for a kid’s struggle to accept a new romance in the life of a primary caregiver. And if you want to be honest, it bears as much resemblance to its source material as my 4-year-old’s picture of me does to the Mona Lisa.

But there’s enough beautiful animation, fun 90s and early 00s songs, and Easter-egg jokes for parents in case the kids decide they really like this movie and you have to watch it 400 times.

I Don’t Want to Go Out – Week of December 18

Get excited, people. What may turn out to be the best film of 2017 is available this week on DVD, as is undoubtedly the most polarizing and discussed flick of the year, mother! Get you some!

Click the film title for the full review.

Dunkirk

(DVD)

mother!

(DVD)

The Lego Ninjago Movie

The Plumber

by Christie Robb

It’s entirely possible that I should not be allowed to own a home.

Perhaps my husband and I should have purchased a relatively easy starter home in the suburbs—something built this century. Instead, we bought a house that is nearly 100 years old with all the associated wear and tear that comes with age, and with a few bonus quirks courtesy of previous owners that were into DIY projects.

One of these quirks is the bathroom floor. For some reason, it sits nearly two inches higher than every other floor on that story. The bathroom is located on the second floor, directly across from the stairs, making for the occasional moment of terror when you get up to pee in the middle of the night and exit the bathroom forgetting about the extra two inches, stumble, and nearly pitch yourself down the stairs.

The house is also located in an older neighborhood, which is great in terms of walking destinations: coffee shop, taco place, single-screen movie theatre/bar. But the neighborhood also experiences a little bit of petty crime.

My husband’s car, for example, has been broken into several times, despite the booty being limited to (at best) a window scraper and (at worst) his used, sweaty gym clothes. The least lucrative theft was our City of Columbus-provided trashcan. It was exactly the same as every other un-stolen trashcan on our block, except for the gaping hole in the lid.

Which made it the worst trashcan on the block.

I guess there is no accounting for the thought process of petty thieves.

Recently my mother noticed that the toilet in our one and only bathroom was a bit wobblier than normal. She began a campaign of nagging me to call a plumber lest the wax ring seal around the base degrade and a whole mess of sewage infiltrate the floor of the bathroom and become a shit fountain into the kitchen sink directly below.

She had a point.

I called Bob the plumber and asked if he could check out the wobbly toilet and also deal with a slow drain in the kitchen sink that had stopped responding to my liberal application of liquid drain un-clogger.

Bob agreed and provided a window of time during which he’d come over. Anytime from noon until five PM.

Sigh. Even the cable guy thought this was poor scheduling.

That day it was bitter cold and had started to snow in the early afternoon. As I was home waiting, I felt compelled to shovel the walkway. But I convinced myself that as soon as I started to do so, the plumber would call to give me the half-hour heads up that he was coming and in my bundled up state I’d miss the call.

I failed to shovel the snow. Instead, I puttered around cleaning up the house, figuring that if I seemed to respect and care for my home, the plumber invited into it would respect it as well.

Bob pursed his lips at the sight of the two-inch elevation of the bathroom floor.

“How long have you owned this house?” he asked.

I reassured him that, although I have had the house for eight years, most of its quirks were due to the previous owner. I just haven’t bothered to fix them.

He plunked some dye into the toilet tank and suggested we check out the kitchen sink to give the dye a chance to potentially bleed out all over the floor and alert us to a leaking sewage issue.

I uttered a brief internal prayer and led Bob downstairs.

Standing over the kitchen sink, Bob used his cell phone as a flashlight and looked down the drain. He asked me how I used the garbage disposal.

I blinked.

It’s a garbage disposal. I reassured him that I used it for the usual disposal of the stray kitchen scraps that aren’t easily scraped off a plate.

It’s not like I used it to get rid of the bodies or anything.

He looked at me with suspicion and launched into a lecture about how you should really never use your garbage disposal for anything and if you do to make sure you run hot water through it for like solid ten minutes after. Then he opened the cabinet door under the sink and showed me a rusty connection where the garbage disposal motor meets the drain pipe.

“Yeah, this is about to become shrapnel,” he said, poking at the rust. “One day you are going to turn this baby on and the coupling will break and fly out into the kitchen.”

“Oh good,” I mumbled, imagining rusted metal shearing into my toddler’s face. She’s basically the perfect height.

I directed the plumber to the other side of the sink. The one with the problem.

He turned on the water and waited for it to slowly drain, then peered at it with his flashlight to reveal some brownish sludge. Bob told me I could have just dealt with it myself with a five-dollar plastic thing they have at the hardware store.

I could feel myself turning red. As he poked around in the drain with the five-dollar plastic thing that he had taken out of his pocket, I tried to explain that the slow drain wasn’t something I normally would call a plumber about, but that since he was already coming out and as I have a toddler and wasn’t planning a trip to the hardware store anytime soon…

Bob interrupted. “Did you know this basket strainer isn’t right?”

I attempted to assess how important it was for me to know what a “basket strainer” is and what constitutes a correct one. I figured Bob was describing the plastic thing that sits in the drain on that side and attempts to prevent food from washing down the non-garbage disposal side of the sink.

“What, like the weave of the mesh is too large or something? The other day a chunk of potato fell down that side and I really don’t think that should have been able to—“

Bob interrupted and pointed at the strainer. “No. It’s for a completely different sink.”

I peered at it. Now that he mentioned it, the color of the sink and the color of the strainer didn’t exactly seem to match.

“Huh,” I muttered. “Previous owners, I guess.”

Bob launched into a series of stories about hapless homeowners of older houses. At first, this seemed designed to reassure me. Like, all older homes have their issues and it’s ok. Then Bob started telling me about a lady who never drained her water heater and ended up with it falling apart due to it being filled up with layers of sediment.

I, never having heard of draining one’s water heater, gulped. Bob read my face and said that after we were done with the toilet, he would check out my water heater. My heart rate accelerated as I pictured my basement. The place where we had shoved all the breakable lamps to baby proof the house and stashed all the furniture to make room for the baby accessories and dumped all the baby accessories to make room for the toddler kitchen sets and bookshelves.

Plus there’s all that cat shit on the floor.

We went upstairs to look at the toilet. Thankfully the floor wasn’t dyed blue, so it seemed the toilet hadn’t been leaking, at least not that badly. Bob leaned over the toilet, placed a hand on each side of the seat and jostled it back and forth.

“It shouldn’t move this much,” he said.

Duh.

“Is this your master bathroom?” he asked.

I replied that it was the only bathroom. Bob looked at me. I think he was trying to mask his pity, but he wasn’t putting a lot of effort into it.

Bob told me that if he removed the toilet he might find something unpleasant, like rotten subflooring, that might require a lot of fixing. And he hit the tile with his foot, pointing out the series of cracks in it that have only gotten worse in the eight years since we’ve owned the house.

“And I don’t trust this floor.”

I reassured him that I didn’t either, that I had always wondered why it was two inches higher than all the other floor, but that I really wanted the toilet fixed to avoid a shit fountain.

“Try to fix the toilet,” I said. “We’ll deal with what we find.”

I began simultaneously brainstorming how to fashion a makeshift toilet out of an empty bucket of cat litter and furtively googling whether “draining the water heater” is actually a thing people do or something the plumber was trying to upsell me on.

I tried not to think about what would happen financially if my husband and I found out that we’d need to gut the bathroom immediately instead of in a few years when we’d saved up the money.

I’m too old and uncoordinated to earn extra money on the pole.

Bob removed the toilet. “Actually it’s not as bad as I thought,” Bob started.

“Oh, wait.”

Moving the toilet itself off to the side, he shined the cellphone flashlight into the hole over which the toilet once stood.

“Look at this,” he directed in a derisive tone.

I looked and narrowed my eyes in concern. I had no idea what I was looking at. I wished my husband was home. Not because he knows anything more about plumbing than I do, but just for moral support and an extra memory to recall what terms we need to google later.

I still don’t know what was actually wrong. Something about flanges, diameter of holes, plaster and screws that were supposed to secure things that ended up being purely decorative.

Bob tutted and suggested various creative solutions for dealing with whatever the problems were. For the next hour or so he walked back and forth to his van, getting parts, trying them out, failing, going to get a different part, repeat, leaving the front door open every time with just the screen door closed.

I’ve got the type of screen door that has a glass cover I can pull up over the screen in the winter. Except it’s a little bit broken and we can’t pull up the glass to cover the top two inches of screen. So every time Bob left, frigid air would blow into the house.

After about the seventh time he came in, Bob noticed and said, “Your screen door is broken.”

I bowed my head in shame.

“Oh, and I’ve nearly fallen down your front stairs every time I’ve gone out. You should probably shovel.”

Eventually, Bob decided that the best plan would be to replace the wax ring and glue the toilet directly to the floor. “This isn’t a permanent solution,” he hastened to inform.

“Do it.”

Bob started work and I retreated to the living room to send out texts to all my home-owning friends and family to ask if they’d ever had their hot water heater drained and to google what a “flange” and a “gasket” were.

Hours pass. The husband and daughter come home. We have dinner. The plumber goes on a shopping trip to the hardware store.

I’ve not had a lot of water to drink, but I’m at the point where I’m starting to consider crafting the makeshift toilet out of the cat litter bucket.

It’s almost the daughter’s bedtime and there are still drilling sounds from the bathroom. We throw on another episode of Curious George. Plumber asks for some extra towels and a box fan.

I throw on another episode of Curious George, pray that my tired daughter doesn’t have a meltdown, and cross my legs.

Another episode past bedtime, Bob says he’s done. He lurches down the stairs carrying a large trash bag and sets it on the floor.

I whip out the checkbook I use once every two years and ask for the damage report.

Bob says that since it’s so late he’s going to charge me just for the toilet job and write out an estimate for the other stuff, which is great as I never agreed to actually pay him to fix the other stuff. He mumbles about a new basket strainer and coupling for the garbage disposal.

I mention the water heater.

Bob’s face lit up.

“I forgot about that! Let’s go look at that now.”

And he immediately turned toward the basement door.

I followed behind muttering excuses about how messy it is. My heart sank when I reached the bottom of the stairs to see that the cat had, once again, pooped all over the floor.

I pointed, defeated, to the water heater.

Bob gracefully stepped over the poop and inspected the tank. I peered at the basement as if looking at it for the first time.

Hoarders, I thought to myself.

Bob turned and asked where the main shutoff for the house is located. I looked around my basement at various knobs. I knew this. At one point.

I remembered attending our home inspection, and the inspector making a big deal out of the main shutoff. Maybe it’s this one knob, I thought, looking at a blue one. But then, in my peripheral vision, I noticed a red knob. I recalled the red knob having some sort of significance. Maybe I was wrong about the blue knob.

It was something that in normal circumstances I would have likely confirmed, either by asking my husband if he remembered, or by looking up my notes from the home inspection. But at this point I was tired, wanted Bob out of my house, was and doing a pee dance, so I pointed at the red knob.

I chose poorly.

Bob informed me that the red knob was actually the shutoff for the exterior water. He twisted the knob and lectured me about how it was freezing outside and I really should turn the exterior water line off.

I squirmed, shifting my weight to the left and right.

Bob asked me if I knew where my water meter was. Now, this I do actually know, but by this point, the inside of my head was filled with static and a high-pitched whine and I was minutes from wetting myself. I just said it was outside in an attempt to lure Bob out of the house so I could go pee in my newly glued-to-the-floor toilet.

Bob turned around and pointed to the clearly visible, somewhat enormous water meter. “This is your water meter,” he said.

I nodded and wished I had done more Kegels.

Kicking the cat shit out of my way, I led Bob back upstairs. I filled out the check while hopping casually.

Bob picked up his trash bag and asked where the outside trash was. He’d just throw the bag away on his way out.

“Actually,” I said, clearing my throat and summoning the shreds of my dignity, “I don’t have a trashcan.”

I pointed at the corner of the kitchen where I’d stored several stinky bags containing kitchen scraps and disposable training pants.

Bob lowered his contractor bag to the top of the pile, releasing the smell of rotten chicken parts, and fled toward the un-shoveled front steps.

He only slipped a little bit.

100% Pure Adrenaline

Take Every Wave: The Life of Laird Hamilton

by Christie Robb

Imagine the most fun you’ve ever had in your life. Then prepare to watch a dude who is having 100 times more fun Every. Single. Day. That’s Laird Hamilton, pro surfer and quite possibly the luckiest guy alive.

The documentary Take Every Wave: The Life of Laird Hamilton details the life of the 53-year-old adrenaline addict who, though disdainful of participating in any one-on-one competition with mere mortals, affords an ocean-front, surfing day everyday lifestyle by falling into modeling gigs with Vogue, landing roles in some bodacious surf movies, and nabbing sponsorships from choice beachwear companies.

Nice work if you can get it. (Especially if you refuse to lower yourself to auditions.)

As the movie starts, you are introduced to an aging Poseidon who trains aggressively to combat the injuries sustained in a lifetime of wipe-outs: arthritis in the hip, a fused arch in one foot, numerous shoulder injuries, and an ankle that has been crushed seven separate times. His goal is to ride a foilboard on the biggest waves of his life.

The foilboard is something Hamilton pioneered—a surfboard that hovers several feet above the water, suspended via a strut using hydrofoil technology developed by America’s Cup engineers.

But this isn’t the only novelty that Hamilton’s been into over the years. Over the course of the documentary you get to watch the glint in his eye as Laird recounts how he big-dogged his way through the line-up at some of Hawaii’s top big wave surf spots, figured out how to use industrial strength Velcro to strap himself to his surfboard (allowing for X Game-style tricks), adopted the sport of windsurfing in its infancy, and co-invented tow-in surfing. (You know, when a jet ski tows you improbably far out so you can surf a 40 to 50 foot wave that’s located directly in front of a cliff face.)

You also see the envious and sometimes irritated faces of Laird’s friends and family as they recount his sometimes douchey exploits and marvel at the fact that his body is still basically intact while some of his contemporaries sport gnarly scars and spin yarns about the times they were playing with him and almost died.

Via a mix of vintage footage, interviews, and camerawork worthy of the cover of National Geographic, Take Every Wave provides an epic escape into the radical world of an almost uncomfortably handsome and fortunate top athlete.

How I Invented Catfishing in 1991

When I was a kid in the ‘90s, we used to receive disks in the mail containing access to free hours of America Online. My father, an early adopter of the home PC would not, at first, commit to signing the family up for dial-up Internet service, but he’d gladly hand over the free disks and allow me to hole up on the living room couch with a laptop that had the approximate heft and thickness of the era’s yellow pages.

I’d slide the disk in, and after a series of clicks and high-pitched whines, be connected to a world wide web of shit I did not understand. At least until someone called the land line and I got kicked off.

Dungeon and Dragons-based chatrooms with a degree of etiquette and formatting requirement that baffled me. Rooms of people complaining about their children. And a seemingly infinite amount of rooms where people introduced themselves with details about the size and appearance of their own personal genitals (or at least what they pretended were their own personal genitals).

I’d gamely try to play along, typing by hunting and pecking, misspelling almost every word and failing to keep up with the rapid-fire conversation of experienced typists all trying to find someone to bone or to at least facilitate some sort of masturbatory fantasy.

That is, until I was banned from the Internet.

When I was in the fifth grade, my mom decided to go back to school to get her teaching degree. As part of the curriculum, she had to take a class on educational technology.

Back in the ‘90s, I guess it wasn’t common for folks to have their own computer or access to the Internet, so the good folks at the education department of Northern Kentucky University gave all the students in the class their own Macintosh Classic IIs and access to Tristate Online—a local mini version of the Web provided by the area telephone company that consisted mainly of a series of bulletin boards on various topics.

As my parents were aware of my desperation to immerse myself in cyberspace, my mom granted me permission to use her computer and access Tristate Online, provided I waited until she was done with her homework.

Big mistake.

I invented myself a new persona. I’d be 25, since that was the oldest age at which a person could still claim to be somewhat cool. I would be the older sister and roommate of the person the computer had been loaned to. I’d be lonely (this part was true) and looking for love.

And I put myself out there. I found a guy (at least I assumed it was a guy) who was in college (at least he claimed to be in college) who was also looking for someone. And we fell into a fraught series of chats conducted asynchronously via a bulletin board.

He liked me and seemed to buy into the persona I had created despite the rather glaring evidence that I was a child, or at least someone who lacked basic spelling skills. (This was before spell check and I honestly believed that the word sugar had an h in it.)

Meanwhile, at my day job, I was an elementary school student at a Catholic school so cliquish that my only friend had been lured away from me with the promise of joining the popular girl’s group…if she was willing to hold one of the scrawny and unpopular boys down on the playground and bite his ear until it bled.

Much to my horror, she went for it, leaving me with a chip on my shoulder and a tendency to take my lunch in the nurse’s office rather than sit at a table alone.

I wanted revenge against these chicks, and the sad boy on the bulletin board seemed like the best way to do it.

I was in the middle of arranging our first date when my mom had to turn the computer back in. But I’d given out “my” address, or rather the address of the head popular girl. And “my” name, or rather, her name, and set the date for our first rendezvous.

And I went to school, eagerly awaiting the gossip of how her parents reacted to the grown man showing up at their house to pick up their fifth-grade daughter.

I was unprepared for the fact that I was going to be the kid getting in trouble.

One afternoon my mom stormed into my room and slammed the door behind her, her eyes already watering from a barely repressed desire to rage-cry.

“What did you do?” she seethed.

My eyes slanted toward the cushion under which I tended to stash bits of candy for later consumption under the covers after bedtime while reading illicit Stephen King novels.

“What?” I asked, all innocence.

“I got a call from my professor today.”

I may have quirked an eyebrow here. I can’t be sure. I don’t exactly remember at what point I developed the talent of the one raised eyebrow although I do know it was something I consciously worked at for hours in front of the bathroom mirror. Anyhow, I’m sure there was some sort of quizzical look shot in her direction.

“Some man contacted her trying to find my,” big pause here, “sister.”

“That’s weird,” I squeaked.

“As you know, I don’t have a sister.”

“Maybe they mean Kathleen?” I offered, her childhood friend.

“Apparently I have a 25-year old sister who is my roommate. This, this man was trying to find her. To. Go. On. A. Date. I had to tell my professor that the only other person who has access to my school computer is my 11-year-old.”

There was a lot of screaming and crying after this.

The downside was that I was banned from the Internet for approximately five years.

The upside was that I invented Internet catfishing in 1991.

Thanks to Rory Sheridan for the kick-ass illustration.

Fathers and Sons

The LEGO Ninjago Movie

by Christie Robb

A spin-off movie of the LEGO Ninjago television show, the new LEGO movie once again centers on the relationship of a dude and his boy.

Like the first LEGO Movie, the main story is nestled within the frame of events happening in the human world. A live-action sequence starts Ninjago when a young boy wanders into a Gremlins-esque antiques shop run by Mr. Liu (Jackie Chan). The lad seems a bit lost, possibly bullied, so Mr. Liu lets him hang out and spins a yarn about another troubled boy. Chan’s story comes to life, portrayed by LEGO minifigures, set in the island city of Ninjago.

In the animated story within a story, we are introduced to Lloyd (voiced by Dave Franco), the abandoned son of Lord Garmadon (Justin Theroux), a warlord intent on destroying Ninjago. Everyone knows who Lloyd’s dad is and they direct their anger and frustration on the son.

Thankfully, Lloyd does have some friends who happen to be part-time ninjas…just like him, who fight Lord Garmadon in supercool mechs.

Like LEGO Batman, Ninjago is more than willing to take elements of other intellectual properties and play around with them. However, where Batman came off gloriously snarky and peppered with pop culture references, having creatures like Doctor Who’s Daleks’ interact directly with baddies like Lord Voldemort, Ninjago feels like the scriptwriters put their favorite fiction in a blender and hit pulse—Star Wars, Godzilla, Power Rangers, Austin Powers, Captain Planet, Voltron, Team America World Police with a little bit of Sharknado thrown in there, too.

The resulting film is muddled—confused about what it wants to be and derivative. The philosophical frame of the first LEGO Movie and the rapid-fire in-jokes from LEGO Batman are missing, letting the adults in the audience down. There’s a sameness to the supporting characters and a dearth of fun cameos. (Although a troublingly flamboyant “Fuchsia Ninja” does pop up for a moment.)

The action is pretty run of the mill, sacrificing the opportunity for what could have been some truly great physics-defying fight sequences for mech vs mech battles that seem like commercials for (admittedly probably pretty cool) playsets.

The hero’s quest that forces father and son together comes off as somehow both rushed and ponderously slow. And the father/son drama so heavy-handed that you can almost hear Cats in the Cradle playing behind a particularly fraught conversation.

LEGO Ninjago is the weakest offering in Lego’s growing collection of colorful family drama action movies, just serving to remind me that I should probably rent one of the previous two and have a night in instead.

Adventure Day

“Christie, why are we doing this?” my companion asked.

I wiggled in my restraints a bit until I could see him in my peripheral vision. “I dunno. What’s that German word that means love-of-death?”

Then we plunged 140 feet down and attempts at conversation were superseded by screaming.

The next day, I woke up, slung my feet over the edge of the bed, toes grazing the floor for a second. I stood and just managed to avoid pitching myself out through the screen of my bedroom window as lightning bolts of pain exploded from my toes, up through my legs, and into my back.

Turns out that wearing heels, even sensible wedge sandal heels, around Kings Island all day is murder on a body that’s knocking on middle age.

As is, potentially, the fast lane pass—which allowed us to conceive a quest: to ride all 12 roller coasters in the front seat in one day.

Much had changed since the first time the companion and I had visited the park over 20 years ago. This time, mom didn’t drop me off and a pager wasn’t clipped to my waistband.

Also, the Hanna Barbera characters I remember have been replaced by the Peanuts gang. The Paramount movie-themed rides (Top Gun, Italian Job, Face/Off) have been rechristened. I can legally drink now. (Hell, my ability to drive can legally drink now.) And, somewhat crushingly, there is a 90s-themed gift shop directly on your right once you step through the turnstile.

But there is also the ability to purchase a wristband that lets you line jump. Legally.

Every. Single. Ride.

A fiendishly good idea pioneered by Disney, the “fast pass”creates a class system where spendy people can hand over a wad of cash and avoid broiling in the sun. The park gets more money and you get an opportunity to spend former line time sitting in the shade, drinking ten-dollar beers and avoiding making accidental and awkward eye contact with the teenagers groping each other in line.

Which is good, because my companion for the day was my first-ever boyfriend, with whom I once spent time in line engaging in more PDA than I can remember without going red in the face.

We started with the Vortex, the new coaster when we first got enough height on us to ride the real rides. Then the Racer, which instead of racing a backward car against a frontward car, now races a fast lane car against a regular lane car (both facing forward) and makes the economic divide a little too apparent.

At this point, my companion regressed and proceeded to taunt the teenagers riding in the second-class train.

They won. They wanted it more.

And around the park we went, pointing out the absence of beloved old attractions (RIP Screaming Eagles), lamenting the loss of the former movie soundtrack playlist, and psyching each other up for the newer, scarier rides. Mystic Timbers (16 hills and an ambitious shed experience), Diamondback (215-foot drop, flying over hills at 80 miles an hour) and Firehawk.

Firehawk required more ten-dollar beer. This thing starts you off on your back and drags you up the hill facing the clouds, before—at the apex—turning you over so all your weight is on the harness and you fly around on your belly like Superman.

This thing made me tense all my muscles in an attempt to burrow physically into the seat behind me.

“Trust the harness!” my companion screamed at me over the wind.

And I let go, soaring through the air. Maybe I’m wasn’t outstretched in languorous flight. My arms might have twisted into a shape more reminiscent of an anxious t-rex then the man of steel, but it was fun.

By the time we hit the last ride of the day, the tragically renamed Invertigo, we’d been at Kings Island for longer than the average workday. Feet were screaming. Brains had been repeatedly banged against the hard cases of our skulls. The ten-dollar beers had shaken up in my guts to the point where I was continually nauseous. We’d stopped talking and leaned against the metal bars of the first seat line, vacantly staring at the teenagers playing grab ass.

Still, when I wordlessly did the face waterfall from Face/Off at my companion, he smiled.

After the closing fireworks, mission complete, all roller coasters bested, I drove back up 71 to Columbus to my husband and daughter—a road on which every single skunk seemed to have committed suicide by car, where they were refreshing the blacktop in stretches with something that smelled suspiciously like pee, and where the sewage treatment plant on the south side was very much actively working. I sipped water, trying not to vomit, and eyed the dinner plate-sized-and- growing bruise on my right thigh under the intermittent flash of the streetlamps.

Totally worth it though, to hang out with someone whose early memories are much the same as yours. To point out the absence of something and have them fill in what was there. To have a shorthand conversation with a gesture. Feels like flying.

If we do this again, though, I’ll pre-game with a preemptive strike of Advil.

And prioritize getting matching airbrushed T-shirts.

Still Just a Rat in a Cage

Some Freaks

by Christie Robb

High school, amirite? Setting of so many movies: The Breakfast Club, Heathers, Clueless, Mean Girls… and lately, Some Freaks, written and directed by Ian MacAllister McDonald.

McDonald’s perspective on high school is bleak, lonely. The other kids whisper about you behind your back, when not being physically menacing. The adults are absent. And even your closest friends are kind of douchey, sensing your weak spots and needling them under the guise of jokes.

The action starts with a one-eyed dude named Matt (Thomas Mann), who is stalked by classmates desperate to see what’s under the eyepatch. And maybe capture a photo of the gaping hole to upload to the internet.

He’s partnered up with the new girl, Jill (Lily Mae Harrington), to dissect a fetal pig in biology. Turns out she’s related to his only friend Elmo (Ely Henry), a fast-talking wannabe popular kid who monologues about getting into his jock crush’s gym shorts, but is quick to lash out at anyone but Matt who seems clued into his sexuality.

After school, Matt and Elmo chat while playing video games on Elmo’s couch, sharing some misogynistic fat girl jokes. Then Jill walks in.

She’s living with Elmo’s family for a while. She’s fat – and the clear butt of the jokes. But she just lets it slide. Jill has clearly been putting up with this bullshit for years and has a fairly thick skin when it comes to sexism and body shaming.

With this auspicious beginning, Jill and Matt stumble into the sort of romantic relationship you have when your main reason for being there is to put a temporary patch on the gaping wound of your own loneliness and poor self-esteem.

Jill flies across country to college, but Jill and Matt take their relationship long distance with Jill sending Matt provocative selfies.

After six months, Matt flies out, step one in his plan to move in with Jill permanently. She’s lost 50 pounds, changed her formerly green hair to a sunny blonde, and traded in her punk gear for a more boho vibe. All the photos she’d sent him were taken before her transformation. He hates it.

Unwilling to let Jill change, Matt attempts to regain the status quo. A quo in which Matt was the only man who could find her attractive (besides “elderly degenerates”), and thus, had no competition. No reason to think about how he measures up to other guys.

Contrary to movies like John Hughes’s The Breakfast Club, the coming together of these teenage misfits doesn’t do much to bond them and bolster their self-esteem. Instead, each of the central characters remains isolated with their own damage, even if sometimes physically close. Their very proximity gives them increased ability to wound each other.

The climax of the film, in which each character attends a party that provides a setting for them to confront their greatest insecurities, seems a little contrived. Some characters are underwritten, making their motivations in these moments a bit confusing.

However, the film is well acted. Each member of the cast does a decent job of portraying their character as a mixture of victim and aggressor. Harrington stands out, providing emotional depth behind her wariness and verbal armor, undergoing an impressive physical transformation for the role.

Some Freaks does not provide a cheery John Hughes ending, but may be a more authentic representation of the high school experience for some.

Verdict-3-0-Stars

https://www.youtube.com/watch?v=WFtR28a6Qf8

I Don’t Want to Go Out

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Click titles for our complete reviews. And as always, please use this information for good, not evil.

 

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