Category Archives: Uncategorized

Yeah, It was Great..Really.

 

by George Wolf

 

Fifteen minutes in, The To Do List has the feel of something assembled from one. That list must have been titled “teenage girl sex comedy,” with the filmmaker checking off the elements required to get her point across.

It is the debut feature for writer/director Maggie Carey, a TV and web series veteran. Twelve years ago, in one of her first credited projects, Carey directed Ladyporn, a documentary about making porn films that center on female sexual fulfillment.

Clearly, women’s sexuality in film is an issue close to her heart, which is justifiable, but The To Do List only proves weak sex comedies can go both ways.

It is the summer before college for uptight, brainiac Brandy (Aubrey Plaza), and meeting a hot older guy at a party prompts her to make a list of sexual acts she needs to experience before finally losing the V card.

Those acts, save for one scene of She Boppin‘, aren’t overly graphic, but the language gets down and dirty.  That’s expected of a sex comedy, but alongside the cliched characters and their obvious situations, it all reaches a point of protesting too much, trying too hard to prove that a women’s point of view has been neglected in these types of films.

Not that Carey isn’t right, she is. But the best of the male centered “virgin” films, such as American Pie or Superbad, featured memorable characters that were at the very least funny and a bit unpredictable. The To Do List features none of that.

The film’s timing isn’t much help, either, as Brandy takes a lifeguard job at a pool with an older, unconventional boss (Bill Hader). That’s also a pivotal setting in The Way, Way Back, a far superior coming of age film that hit theaters just last week.

Maybe the biggest surprise is Plaza, fresh from her terrific breakout performance last year in Safety Not Guaranteed. She can’t seem to make Brandy much more than a caricature, but seeing the same fate befall the always solid Connie Britton and Clark Gregg (as Brandy’s parents) leads the trail right back to weaknesses in script and direction.

Pardon the pun, but Carey may have been trying too hard the first time.

 

Verdict-2-0-Stars

 

 

Not Too Old for This Shit

 

by George Wolf

 

RED was not a great movie, but a clever script and an extremely likable cast made it a helluva fun ride and a mildly surprising hit.

So, for RED 2, then..more of the same?

You bet, and it works just as well.

This time around, ex-CIA badass Frank Moses (Bruce Willis) is determined to stay Retired Extremely Dangerous, living the domestic life with his sweetie Sarah (Mary-Louise Parker) in the suburbs. Sarah, though, kinda liked her introduction to the spy game, so when their old buddy Marvin (John Malkovich) shows up with an invitation, she pushes Frank to accept.

And with that, we’re off to the races. Sure, they’re ridiculous races, but that hardly matters with old friends (Helen Mirren) and new friends (Catherine Zeta Jones, Anthony Hopkins) as cool as these.

Screenwriters Jon and Erich Hoeber return from part one, again providing plenty of snappy dialogue for their veteran actors, while director Dean Parisot (the underrated Galaxy Quest) has no trouble staging globe trotting action sequences or blowing things up.

Parisot is also smart enough to know that with a cast such as this, sometimes you just stay out of the way.

Malkovich and Parker are deliciously droll and often hilarious, and Mirren, well really, don’t we all want to grow up to be Helen Mirren?

Even Willis seems rejuvenated, after sleepwalking through the latest G.I. Joe and Die Hard installments. This is a tough guy character with a softer shade, and he seems to relish it.

It’s at least twenty minutes too long, and the novelty of aging asskickers may not survive future installments, but right here, right now, RED  2 pegs the fun meter early and often.

 

Verdict-3-0-Stars

 

Venus and Serena: The Movie

 

by George Wolf

 

Despite Serena’s stumble at Wimbledon this year, the Williams sisters have been making tennis history for so long, its easy to forget they were once,  just like a young Tiger Woods, wide-eyed African American phenoms attracting much curiosity from within a white-dominated sport.

The documentary Venus and Serena follows them both during the 2011 season, mixing that footage with archive video from their youth, as well as interviews with family, tennis personalities, and a curious amount of Chris Rock and Bill Clinton.

Directors Maiken Baird and Michelle Major, in their debut feature, keep things fairly by the numbers, providing a quick overview of the sisters rise to domination, and the ups and downs of the 2011 tour. What can’t be denied is the bond that Venus and Serena, born just 15 months apart, continue to share. Though the film offers few unguarded moments, glimpsing their love of karaoke, or the worry that their closeness could threaten any aspirations of marriage, is truly charming.

Any possible areas of negativity, such as Serena’s famous meltdowns, their father’s domineering ways or the racism they all faced, are briefly touched upon and then swatted away, giving no voice to anyone very far outside the Williams camp. With this type of approach, it might have been better just to focus on the 2011 season in a singular manner, without the biographical portions.  As it is, Venus and Serena seems crafted with the approval of the Williams family in mind.

Still, as Venus strives to return to form and Serena continues her assault on the title of Best Ever, Venus and Serena is a perfectly acceptable reminder of their greatness.

 

Verdict-3-0-Stars

 

 

One Sequel, Extra Minions

 

by George Wolf

 

Three years ago Despicable Me scored at the box office, thanks mainly to a funny bunch of yellow creatures who speak nothing but gibberish.

These “minions” made the film, which was fairly average otherwise, easy to like. It should come as no surprise, then, that Despicable Me 2 trots them out early and often.

At the end of part one, evil genius Gru (Steve Carell) wasn’t despicable any longer, his heart inevitably melted by three incredibly cute kids (yes I realize they’re animated but they remind me of my nieces so whatsittoya?)

This time out, Gru is recruited by special agent Lucy (Kristen Wiig) to help the good guys, in hopes that his bad guy instincts will help ferret out a villain in hiding.  

Everybody – writers, directors, most of the cast – returns from the original, but an important piece is missing. Being despicable is what made Gru a character, and taking that trait away also discards much of what makes him interesting. The love story with Lucy isn’t developed enough to fill the gap, so it’s up to the little Twinkie-looking things!

For the most part, they come through. Much like the Madagascar series continues to be  hilariously saved by the supporting lemur and penguin characters, Gru’s minions are able to provide the laughs when things start to drag. Without them, kids would be squirming and parents might be thinking of an early exit.

The sum of unequal parts, DM2 is perfectly pleasant, if unexceptional, family fare.

 

Verdict-3-0-Stars

 

 

Cleanup in the East Wing!

 

by George Wolf

 

Well, I believe I owe Olympus Has Fallen an apology.

Just a few months back, I labeled that film a pandering, if strangely entertaining, Die Hard in the White House.

Little did I know that White House Down was lurking like a crazy uncle waiting to show how much louder his bitchin’ Camaro is than your puny ride. This new presidential ass-kicking fest proudly lives by a bigger, louder, faster mentality, uncorking more of everything – the pandering, the wisecracks, the unapologetic Die Hardiness.

Channing Tatum dons the dirty wife-beater as John Cale, a D.C. cop on a White House tour with his young daughter when a paramilitary group invades. Naturally, John has been denied a spot on the Secret Service detail of President James Sawyer (Jamie Foxx) that very afternoon, which adds a redemptive angle to John’s heroics that the film wears like a manipulative badge of honor.

John and the Prez fight the baddies through every room, hallway and secret Marilyn Monroe love tunnel (patent pending) in the White House, recreating as many Die Hard moments as they can. Shoes off? Elevator shaft? Loved one held hostage? Cops mistakenly shooting at our hero on the roof?  Oh, yes, all that and so much more, as clever one liners give way to all-out comedy routines while bullets fly and rockets launch.

Director Roland Emmerich (Independence Day, 2012) displays his usual amount of subtlety:  none.  He keeps music swelling and flags waving, utilizing James Vanderbilt‘s script to deliver plenty of well choreographed, large scale action mixed with overblown speeches full of generic moralities.

And yet somehow, the unabashed ridiculousness and likable performances wear you down, and the over two hour assault on your objections calls to mind Russell Crowe in Gladiator.

“Are You Not Entertained?”  

Yes, a little.

Pass the popcorn.

 

Verdict-2-5-Stars

 

http://www.youtube.com/watch?v=J3Dnvay5S7w

Ado Worthy

 

By George Wolf

 

Okay, so Joss Whedon can write and/or direct TV shows, animated classics, horror homages, superhero blockbusters, you name it. Wouldn’t it be funny if he took a stab at Shakespeare?

It is funny, and thoroughly entertaining.

With Much Ado About Nothing, Whedon again shows his storytelling instincts are dead on, regardless of the genre. Shakespeare’s classic comedy about love and deception is given a present-day makeover, employing a game cast of Whedon favorites to create a playful, satisfying romp.

Bringing the bard into a modern setting can be tricky, whether on stage or screen, and admittedly, it does take a few minutes to get used to hearing “by my troth” being bandied about a stylish kitchen. Hang in, and it won’t take long for you to fall for Whedon’s ensemble.

The wordplay is frenetic, some of the most clever Shakespeare produced, but there are also very funny stretches that rely heavily on physical comedy. The cast delivers with a gleeful enthusiasm, and Whedon adds amusing touches such as having one pivotal scene set amid snorkeling, giving it a new, Wes Anderson-esque hilarity.

Amy Acker (TV’s Angel, The Cabin in the Woods) and Alexis Denisof (Angel/The Avengers) shine as the adversarial would-be lovers Beatrice and Benedict, while Nathan Fillion (Serenity) nearly steals the movie as the easily offended inspector Dogberry. These actors, like nearly all in the cast, have a history with Whedon, and the mutual comfort level gives the entire adaptation a breezy, confident feel.

Artfully filming in black and white, Whedon doesn’t shrink from the play’s dark corners while giving the wonderfully comedic aspects a new, updated energy.

Turns out, Shakespeare fits Whedon about as well as Thor’s hammer or Sheriff Woody’s boots.

 

Verdict-4-0-Stars

 

 

 

 

Countdown: Classic Stoners for the Tribe Bullpen

 

After an encouraging start to another season, the Cleveland Indians have hit their annual June Swoon – with a new wrinkle.

Adding to the usual losses and injuries is the arrest of All Star closer Chris Perez for allegedly possessing marijuana that was allegedly mailed to his house.

Drugs are bad, mmmkay?

So, while we wait for our beloved Tribe to turn it around, we thought we’d look back on classic stoners from movie history, and give the Indians bullpen a new, munchier look.

Bullpen Coach:  Bob Marley (Marley, 2012) Lively up your arms, Rastas!

6) The spot starter: Pineapple Express’s Saul Silver. A tribe uniform is the only shirt he should ever wear besides that shark with a kitty in its mouth tee shirt.

http://www.youtube.com/watch?v=8TUTxAK1EqQ

5) The long man:  Sir Smoke a lot (Dave Chapelle) from Half-Baked (1998). Might have some trouble getting his trainers, Billy Bong Thorton and Wesley Pipes, past security.

4) Middle relief: Jay and Silent Bob aka Bluntman and Chronic (Kevin Smith and Jason Mewes) from, among others, Jay and Silent Bob Strike Back (2001). If today is Tuesday and the game is on Friday..they figure they have…eight days.

3) Matchup specialists: Pedro and Anthony (Cheech and Chong) from Up in Smoke (1978) Back in the fold after that deportation misunderstanding, Pedro and “Man” are rested and ready. When that call to the bullpen comes, they promise not to go straight to the mound.

2) Setup Man:  The Dude from The Big Lebowski (1998) Though he may need a custom glove to accommodate the White Russian, he can instantly deflect any batter who charges the mound with a well-placed “this on-field aggression will not stand, man!”

1)    Closer:  Floyd (Brad Pitt) from True Romance (1993). Man, this guy was so stoned it saved his life! Instead of game film, prefers watching old Flintstones episodes.

 

GO TRIBE!

Beefcake! Beefcake!

 

by George Wolf

In fairness to director Michael Bay (did I just write that out loud?) turning a real life murder case into a comedy is not unheard of. Just last year, Ricard Linklater pulled it off with the delightful Bernie.

It can be done, but judging by Pain & Gain, Bay doesn’t know how.

The film is based on the exploits of two Miami bodybuilders currently sitting on Death Row. In the mid-1990s they  kidnapped and tortured wealthy businessman Marc Schiller until he signed away nearly all his fortune. They attempted to kill him as well, but even though he survived, Schiller struggled to get police to buy his story.

Thinking they got away once, the “Sun Gym Gang” eventually tried the scheme again, and two people died grisly deaths.

In the right hands, this story could become a dark, satirical comedy that uses the wretched excess of South Beach as a platform to skewer the misplaced values of a consumer culture run amok. The possibilities are there, but Bay doesn’t do nuance.

Instead, the gang is sympathetically portrayed as a group of bumbling clowns just taking a kookier path to the American dream. Ringleader Daniel Lugo (Mark Wahlberg) attends get rich seminars and calls himself a “doer” while roping the steroid-crazed Adrian Doorbal (Anthony Mackie) into his plans. For extra muscle, they recruit the gigantic Paul (Dwayne Johnson), a rehabbing, Jesus-loving ex-con character reportedly written as a composite of other real life gang members.

Wahlberg and Mackie are fine, Johnson’s growth as an actor continues to impress, and there is solid supporting work from Tony Shalhoub. All are hamstrung, though, by how their respective characters are conceived. Screenwriters Christopher Markus and Stephen McFeely (the Narnia series) hit a target that’s just a few “nyuk nyuks” away from the Stooges, which is a few miles away from where they should have been aiming.

Ironically, with all the slo-mo, voiceovers and onscreen text, you get the feeling Bay actually thinks he crafted a Natural Born Killers for a new generation.

He didn’t.

Still, he’s trying, in his own misguided way, to say something here. That, along with the capable performances, is all Pain & Gain needs to stand as Bay’s best film to date.

 

Verdict-2-5-Stars
http://www.youtube.com/watch?v=HvMsuONpTLo

“Incredible” is apparently relative

By Hope Madden

The Incredible Burt Wonderstone squanders an interesting premise and a talented cast on an atonal, uninspired comedy. It’s the kind of film that generates a few grins with its general pleasantness, but never offers the kind of laugh out loud moments that let you overlook its larger flaws.

The ever-likeable Steve Carell plays Burt Wonderstone, the bewigged and bejeweled Vegas magician whose lost his love of magic just in time for his public to move on to the next big thing – Jim Carrey’s extreme magician Steve Grey (think David Blaine with self-mutilation tendencies).

It’s not a bad idea, but it is badly executed. Wonderstone can’t decide if it’s a spoof or a family film. In the end, it succeeds at neither aim.

Rather than mining for pop culture laughs, as its screenplay attempts to do in spurts, director Don Scardino wallows in sentiment. Will Burt recover his childlike wonder? Learn to appreciate what he has right in front of him? Wow back a crowd? These probing questions and others are emphasized at every turn with an overbearing score, in case you might miss the emotionally moving moments.

Part of the reason Scardino’s schmaltzy approach doesn’t work is that it’s at odds with the script itself. Gags about making foggy old ladies cry, bringing magic (rather than food) to starving children, and performing wildly inappropriate “tricks” at a birthday party – not to mention a nutty, drug-fueled finale – should have felt edgier, but they are so softened by Scardino’s family-friendly vibe that they barely leave an impression.

The cast gets credit for heroic efforts, though. Supporting players James Gandolfini, Alan Arkin, Steve Buscemi and Olivia Wilde make honest efforts to create interesting, memorable characters.

But if Carell’s egomaniac feels a little forced (it sure does!), then his change of heart feels a lot forced. Carell’s comic timing and sense of the absurd often carry him through lifeless scenes, but it’s not enough to overcome the lazily written dialogue no matter how much velvet and glitter he throws at it.

Carrey’s fun as the star of the internet program Brain Rapist (another funny bit that feels out of place), but he’s far too old to play an up-and-coming street performer. Rather than youthful competition, he looks like Carell’s white trash uncle.

Actually, both actors are 51 – also known as “old enough to be Olivia Wilde’s dad.” Or, in this case, love interest.

It’s not unbelievable, people. It’s magic.

2 stars (out of 5)

So that happened…A Dead Guy at Shake Shak

When my twin sister Joy and I were high school freshmen, our older sister Ellen – by then a teacher in another town – got us jobs at the ice cream stand where she’d worked throughout high school, the Shake Shak.

For a couple of high school freshmen, working at the Shake Shak was about as dreamy as dating Johnny Depp in his 21 Jump Street glory. We were almost entirely unsupervised and were, therefore, free to consume soft serve, hot dogs, and shredded chicken sandwiches until the preservatives leaked from our pores. And we did.

The gig also had its negatives. The criminally meager pay, for one, but the primary flaw was the odor. Walking inside the door of the building’s tiny metal back end doomed you to reeking of coney sauce until showering. Forget about picking up your check and then heading out for the night. One foot in, and the clothes had to be burned.

That back half of the building – concrete floors surrounding the giant freezer; metal tables supporting vats of the saucy meat product – stunk the worst. The front half benefited from a breeze via the sliding-window openings in the three walls of glass where patrons placed the orders – decisions they’d come to after pondering our wares from dozens of fading, grime-covered fliers taped to the window fronts.

Joy and I worked evenings and weekends, which, coincidentally, were the shifts owner Jon Drummer was too cheap to stock with a manager. No, sir, strictly teens being paid well, well below minimum wage.

Joy and I worked with scary Cara, the high school senior who sold drugs from the drive thru window and filled her pockets with every twenty dollar bill in the register before leaving work at shift’s end. I began smoking at 14 because of Cara Bloomville. She handed me a cigarette one day and I obeyed.

Cara loved Iron Maiden and, therefore, hated everything else the 80s vomited forth as metal. She used to sing a song to herself as she worked, one she’d written to the tune of Bon Jovi’s “Wanted Dead or Alive”:

I’m a faggot

and my name is Jon Bon Jovi

and I got AIDS

and I’m gonna die

 

Aside from hair metal, Cara hated Dawn, this cheery, pastel-wearing co-worker who beamed with an earnest sense of accomplishment and high self concept. She was easy to loathe.

I had the great joy of working the shift where Cara, apropos of nothing, called Dawn’s name in an unusually cheerful tenor. It was the chipper tone that caused me to put down my Star Hits magazine featuring a new Duran Duran foldout and take note.

Dawn spun about with her trademark effervescent zeal, only to face a double barrel onslaught of condiments. Cara wielded a catsup in one hand, a mustard in the other, and squeezed those bitches like their contents might put out a raging fire.

Or one super sparkle smile.

But Dawn simply skipped back home to change, her house sitting beyond the large yard out back where Jon kept a couple of rickety picnic tables and a rusted green dumpster. On lucky days, Jon – shirtless, sweaty, and unmistakably obese – would mow that patch of grass between Shake Shak and Dawn’s house. I would Brillo that image from my very eyeballs if only I could.

Filling out the cast of characters was another set of twins – hillbilly sisters. One sister was constantly scarred up with hickies. She was a redhead and for the life of me I can only remember her as Reba. This is not her name, but I somehow replaced her name in my head, and so, now and forever more, Reba it is.

Her sister was just an idiot. I don’t remember her name, either. Idiot will work. Reba I liked, but Idiot was intolerable. She pinched off chunks of shredded chicken sandwich and then put her sandwichy fingers in her mouth. She smiled with the seductive naivety of an adolescent with pubescent hormones and pre-school brain function. I found her repellant.

Her friends, though – the half dozen or so that loitered in front of the building eating ill-gotten treats whenever either sister worked – they were a riot!

Idiot’s boyfriend got into an argument about Monster Trucks (presumably), in front of our glass-encased building and eventually pulled out nun-chucks. Nun-chucks! How awesomely white trash is that?! He was even wearing tube socks and a wife beater. That part is probably inaccurate, but he totally had nun-chucks. And a mullet.

So he hit some guy and blood slapped across the window front like something from one of Cara Bloomville’s condiment guns. At which point the group out front scattered like cockroaches, but it was glorious while it lasted.

And so it was, a smattering of rubes congregating in front of the order windows, one day as I shared a shift with my sister and Reba. The lesser sister stood outside the open order window pilfering free food, when one of her buddies said, “Do you know there’s a dead guy out by the dumpster?”

I responded with the contemptuous grimace I’d been working on, which would eventually become my go-to response to all queries. He mistook it for a quizzical, perhaps ignorant, expression.

“Out back. By the dumpster. There’s a dead guy.”

I tried again to chill him with my withering glare of superiority and hate, but the others had heard, and so the situation suddenly required investigation.

Several more members of the Free Food Rabble moseyed to the back of the building to have a look while, indoors, Joy, Reba and I began to wish Cara Bloomville were working. Just in case. Surely it was a lame joke, or else there was a passed out drunky. No doubt he’d take off with the approach of the mob.

Still, Cara probably knew what to do with a dead body.

“Yep,” informed Jimmy Slackjaw. “He’s dead. I burped in his face and everything.”

OK, his name is not Jimmy Slackjaw, but I swear to God, that’s what he said.

Idiot concurred. “No, seriously, you guys…” she began, with her trailer park sultry overemphasized s sound. “He’s dead.”

The overfed, under-appreciative group looked to us to take charge of the situation. We chose not to respond. They eyeballed us with disdain. We closed the order windows and hid in the back end of the building with the meat vats.

The Hick Posse got bored and wandered off, but the three of us couldn’t quite enjoy the taste of our Oreo blizzards or butterscotch dip cones. What if we really were trapped inside a glass building while a corpse rotted in the summer sun out in our parking lot?

Surely it wasn’t so.

Joy, Reba, and I opened the back door and, clinging one to another, peered around it to see how much of the mysterious body we could glimpse.

None of him.

Nobody was there. We were sure of it.

How could we really be sure of it, instead of lying to ourselves as we clearly were doing at this point?

We called Dawn. Our strategy was to lure her over under the pretense of friendship. She’d have to walk right past the dumpster on the way.

Dawn wasn’t home. She was at synchronized swimming lessons.

Of course she was!

We’d have to do this ourselves. It would require leaving the building.

We stepped as one teal-wearing, coney-smelling body toward the dumpster. Reba saw a shoe.

We screamed, arms flailing, and stumbled over each other back inside.

Should we have phoned the authorities at this point? Undoubtedly, but this is why you don’t leave your business in the hands of three Tiffinite teens.

“We should call Cara,” Reba recommended.

“Go ahead,” I tentatively agreed.

“I’m not calling her. You call her,” she told me.

“Fuck that.”

“You should call her, Hope. She’s friends with you,” Joy counseled.

Really? Did Cara Bloomville like me?

“She’s lying,” Reba clarified. “Everybody likes Joy best.”

But Joy wasn’t calling. And at no point did it occur to any of us to call the shop owner.

Based on what amounted to my experience with similar situations, I explained to Joy and Reba what was bound to lie ahead.

“Dawn will stop by on her way home from synchronized swimming. She’ll see him and tiptoe in closer, hoping to help. He’ll reach out with the cold grip of someone returned from the dead, and he’ll kill her.

“We’ll hear the screaming and open the door, only to see his limping, tattered rage as he turns his attention to us.

“We’ll slam the door, but he’ll begin pounding relentlessly. He’ll circle the building. We won’t be able to go near the window. He’ll slap wildly at the glass out front, and then all will go silent.

“Terrified, we’ll lock ourselves in the freezer, but eventually we’ll hear Cara at the back door, wanting to get in for her check. She’ll curse and bitch about how slow we are. We’ll hear her voice trail beside the building, out around front, and then we’ll hear the wet thump of her mangled body against the window. We’ll scream and scream, utterly incapable of saving ourselves as he uses her lifeless corpse to bust through the glass.”

“Let’s go back out,” Reba whispered.

We gumptioned up and headed back out, this time with a small amount of air between each body. I took the lead, but would walk only so far ahead of Joy that I could still reach back and grab her. She kept a similar distance from Reba. We inched forward.

There was definitely a whole guy attached to those dirty Converses. He was on his side, wearing ratty athletic shorts and a green tee shirt. He was freakishly pale. Fishbelly white. Nasty white.

We threw a stone. Nothing.

We called to him. Nothing.

We called and threw more stones. We offered him ice cream. We asked him to please, please get up and go away. We huddled desperately together and decided one of us had to touch him.

We had to know for certain to intelligently determine our course of action.

It was the obvious next step.

I would be the one to go.

Why was it me? Why was it always me?!

I made my move toward the heap of dude. I crouched. I looked back at the clinging JoyandReba mass behind me in the parking lot, the door to the building behind them ajar and letting out waft after waft of coney stench. I looked back at the dead guy at Shake Shak.

His eyes were open.

“You didn’t call the cops, did you?”