Friends to the end – that’s the whole idea when horror filmmakers tackle friendship, isn’t it? Can they be trusted? Who will sacrifice what, and will it be worth it? Or are they both evil? Horror cinema has an excellent run of best friends in movies, but we’re looking at movies specifically about that friendship. Movies like Shaun of the Dead and Jennifer’s Body. (Both brilliant, but not on the list. We know! There are a lot of great ones!) So let’s get to it!
5. Bedevilled (2010)
Cheol-soo Jang’s first feature film bears witnesses not only to some horrific deeds, but to an amazingly confident new filmmaker who knows how to sidestep expectations, turn the screw, and offer surprising insight in a genre that doesn’t always generate that kind of thoughtfulness.
The film opens as beautiful if cold Hae-won (Sung-won Ji) witnesses a crime and chooses not to involve herself. She takes a (somewhat involuntary) vacation on the remote island where she grew up, to find her childhood friend Bok-nam (Young-hee Seo). On the isolated, backward island – though Hae-won is treated to rest and nurturing by her adoring friend – Bok-nam’s life is about as far from ideal as possible.
Jang captures the rugged, isolated beauty of the island and offsets both ideas with his leads – one, an elegant and pristine beauty, the other a rough-hewn image – and sees two sides of the same humanity. This is a morality tale, but it’s also a brutal but sympathetic (and seriously bloody) comeuppance. Jang does not leave off where you think he might, instead crafting a compelling and satisfying whole that will stick with you.
4. Tragedy Girls (2017)
Heathers meets Scream in the savvy horror-comedy that mines social media culture to truly entertaining effect.
Besties Sadie (Brianna Hildebrand) and McKayla (Alexandra Shipp) are looking for more followers to improve their brand, and they have been doing a lot of research to make their content more compelling. The Tragedy Girls plumb their small Ohio town’s surprising death toll with more insight than the local police seem to have. Where do they get their knowledge?
Hildebrand and Shipp (both X-Men; Hildebrand was the moody Negasonic in Deadpool while Shipp plays young Storm in the franchise proper) nail their characters’ natural narcissism. Is it just the expectedly shallow, self-centeredness of the teenage years, or are they sociopaths? Who can tell these days?
3. Tucker & Dale vs Evil (2010)
Horror cinema’s most common and terrifying villain may not be the vampire or even the zombie, but the hillbilly. The generous, giddy Tucker and Dale vs. Evil lampoons that dread with good-natured humor and a couple of rubes you can root for.
In the tradition of Shaun of the Dead, T&DVE lovingly sends up a familiar subgenre with insightful, self-referential humor, upending expectations by taking the point of view of the presumably villainous hicks. And it happens to be hilarious.
Two backwoods best buds (an endearing Tyler Labine and Alan Tudyk) head to their mountain cabin for a weekend of fishing. En route, they meet some college kids on their own camping adventure. A comedy of errors, misunderstandings and subsequent, escalating violence follows as the kids misinterpret every move Tucker and Dale make.
T&DVE offers enough spirit and charm to overcome most weaknesses. Inspired performances and sharp writing make it certainly the most fun participant in the You Got a Purty Mouth class of film.
2. Let the Right One In (2008)
In 2008, Sweden’s Let the Right One In emerged as an original, stylish thriller – and the best vampire flicks in years. A spooky coming-of-age tale populated by outcasts in the bleakest, coldest imaginable environment, the film breaks hearts and bleeds victims in equal measure.
Kare Hedebrant‘s Oskar with a blond Prince Valiant cut needs a friend. he finds one in the odd new girl (an outstanding Lina Leandersson) in his shabby apartment complex. She, as it turns out, needs him even more.
This is a coming-of-age film full of life lessons and adult choices, told with a tremendous atmosphere of melancholy, tainted innocence, and isolation. Plus the best swimming pool carnage scene ever.
The unsettling scene is so uniquely handled, not just for horrifying effect (which it certainly achieves), but to reinforce the two main characters, their bond, and their roles. It’s beautiful, like the strangely lovely film itself.
1. They Look Like People (2015)
Christian (Evan Dumouchel) is killing it. He’s benching 250 now, looks mussed but handsome as he excels at work, and he’s even gotten up the nerve to ask out his smokin’ hot boss. On his way home from work to change for that date he runs into his best friend from childhood, Wyatt (MacLeod Andrews), who’s looking a little worse for wear. Christian doesn’t care. With just a second’s reluctance, Christian invites him in – to his apartment, his date, and his life.
But there is something seriously wrong with Wyatt.
Writer/director Perry Blackshear’s film nimbly treads the same ground as the wonderful Frailty and the damn near perfect Take Shelter in that he uses sympathetic characters and realistic situations to blur the line between mental illness and the supernatural.
Wyatt believes there is a coming demonic war and he’s gone to rescue his one true friend. Andrews is sweetly convincing as the shell shocked young man unsure as to whether his head is full of bad wiring, or whether his ex-fiance has demon fever.
The real star here, though, is Dumouchel, whose character arc shames you for your immediate assessment. Blackshear examines love – true, lifelong friendship – in a way that has maybe never been explored as authentically in a horror film before. It’s this genuineness, this abiding tenderness Christian and Wyatt have for each other, that makes the film so moving and, simultaneously, so deeply scary.