Fright Club: Skeletons in the Closet, 2021
It’s the most wonderful time of the year! The Oscars are coming and we get to spend some time celebrating the worst of the horror movies made by nominees. Have…read more →
Fright Club
Fright Club: F’ed Up Families in Horror
Our son Donovan joins us this episode, so obviously the best idea is to look into horror movie families that make ours look downright wholesome. Check out the boy’s band,…read more →
Fright Club: Library Horror
Google has meant a lot of changes, perhaps the most tragic is the end of the old library scene in horror. While we find ourselves settling for the new cliche…read more →
Fright Club: Motorcycle Mayhem
Is it ever too cold to ride? My God, yes – it is way too cold to ride. So instead, we invited our friend Jamie Ray from the Fave Five…read more →
Fright Club: 1, 2, or 3 Person Casts
Fuzzy math takes over as we count cast members and celebrate minimalist films that can seep into your nightmares with the help of very few performers. There are some great…read more →
Fright Club: Best Horror Movies of 2020
There were so many great films this year, and given the bizarre circumstances of planet earth, you may have missed most of them. So, while we’ll focus mainly on the…read more →
Fright Club: Psychotic Planners
We want to thank Cory Metcalf of the Rewatch Podcast for joining us today to look into those meticulous planners who cause so much trouble! They’ve thought of everything! Here…read more →
Fright Club: Incest in Horror
Well there’s an uncomfortable topic! Of course, that’s what makes it so perfect for horror. Any idea that automatically induces a wince or a grimace, anything you want instinctively to…read more →
Fright Club: Best Voices in Horror
In horror, it’s often what you hear—not what you see—that terrifies you. Who can send chills of terror or thrills of another kind with just a whisper? We talk about…read more →
Fright Club: Making Your First Feature
Thrilled to be asked by Nightmares Film Festival to interview filmmaker Natalie James. The Relic director talks about the transition from shorts—like her NFF winning Creswick—to features.