Tag Archives: The House that Jack Built

I Don’t Want to Go Out—Week of February 3

A lot of horror available this week, plus one indie drama that will leave you broken in side and one horrible Christmas movie – does that count?

Let us help you through the decision process. Click the film title to link to the full review.

Doctor Sleep


Last Christmas

The Nightingale (DVD)

The House that Jack Built (DVD)

I Don’t Want to Go Out—Week of December 17

Know what you can do this week if you get super bored at your in-laws’, or if you get lonely while you’re away from home for the holidays? You can watch a butt-load of movies. Look at them all! Most of them are so-so, to be honest, but a couple are really good and a couple are better than you think.

Click the film title for the full review.

Fahrenheit 11/9

A Simple Favor


The House that Jack Built

The Predator

The House with a Clock in its Walls

Assassination Nation

Houses of the Unholy

The House that Jack Built

by Hope Madden and George Wolf

What does a serial killer have in common with an indie filmmaker? Quite a lot, or so suggests indie filmmaker Lars von Trier.

We’ll say this with all sincerity: The House that Jack Built—a 2+ hour peek into the mind and methods of a murderer—is von Trier’s most lighthearted picture to date.

It’s also as tedious and self-indulgent as Nymphomaniac: Vol. II.

LvT’s artistry lies in his ability to make the viewer uncomfortable. His films are punishing, which is why his first foray into horror, the brilliant and wildly unnerving 2009 film Antichrist, was such a perfect fit. He returns to the genre with Jack, here allowing a sadistic murderer the opportunity to shed light on the filmmaker’s own discomforting artistry.

Which can work—Julian Richards’s The Last Horror Movie and Remy Balvaux’s Man Bites Dog both offer blistering achievements on the theme. But Jack falters, and von Trier falters, in two important ways.

The film does deliver sadistic glory, yet in terms of violence or depravity, it feels oddly safe. Not safe for all viewers, mind you, but horror fans and von Trier fans have seen far more envelope-pushing than what Jack depicts. There is one sequence—the picnic sequence—that is among the most perfect horror movie episodes ever filmed. Beyond that, much of this movie is competently made but ultimately tired.

We follow Jack (Matt Dillon, making the most of a surprising casting choice) through various instances of homicidal mania. As voiceover conversations with the mysterious Verge (Bruno Ganz) pay homage to Dante’s Divine Comedy, Jack’s bloody exploits become less darkly comedic and more brazenly sadistic, testing his claim that “the soul belongs to heaven and the body to hell.”

Just as the Nymphomaniac films traded provocative ideas for fist-shaking admonishments from filmmaker to critics, Jack devolves into an instrument wielded even less bluntly. Again, von Trier channels his tale through two voices: the protagonist and a straw man. Verge serves up the proselytizations on art and morality so Jack can knock ’em down, with snippets of von Trier’s previous films peppered in for anyone who still isn’t getting it.

Not that LvT’s ideas on this topic aren’t interesting – far from it- but the line between personal and self-indulgent is the same one that separates uncomfortable questions that resonate (as in von Trier’s own Dogville) from spoon-fed answers that do not. One side makes for an engaging film experience while the other falls short, no matter how impressive the visual set pieces (which Jack does indeed provide).

Von Trier has unapologetically wallowed in depravity his entire career, and those themes have served the narrative in amazing ways. Now he seems more interested in narratives that serve grandiose debates of his own artistic value.

Let’s hope that road has reached an end. While von Trier remains an artist worthy of attention, The House That Jack Built stands as another missed opportunity.

Screening Room: Bodies and Souls

Wow! Hollywood unloaded last week for Thanksgiving, but the pickings are slim this weekend. We cover The House that Jack Built – director’s cut, The Possession of Hannah Grace, Burning, Mirai and Meow Wolf: Origin Story, plus we dig into what’s new in home entertainment.


Listen to the full podcast HERE.