Tag Archives: Park Chan-wook

More Than Manifesting

No Other Choice

by Hope Madden

Few directors working today wield the craft as masterfully as Park Chan-wook. He combines genres and slides from tone to tone effortlessly, mingling humor and tension, satire and tenderness, mystery and pathos and blood like no one else. Though his style is unmistakable, somehow each Park film is wildly original, entirely its own.

No Other Choice may, in fact, be more unusual than the others, although there’s something familiar in its opening. Man-su (Lee Byung-hun) celebrates a gift from his paper company’s American owners with a barbeque in the back yard. He loves his home, he loves his family, his dogs, the greenhouse where he tinkers, the dance lessons he takes with his wife, Miri (Son Ye-jin). Man-su is happy.

This being a movie, and this scene being its opening, we know Man-su will not be happy for long. The filmmaker does nothing to hide the cinematic artifice of his prelude, introducing the buoyant corporate satire of reinvention, or the refusal to reinvent.

That gift of expensive eel was a going away present, and Man-su is about to be out of work, along with a lot of other local middle aged middle managers in the paper business.

There’s not a weakness in this cast, but both Lee and Son are flawless. Each character takes a proactive yet romantic approach to navigating this setback, both guided by their own internal logic. Her logic looks a little more logical: cut back on luxuries like Netflix and dance classes, sell the house, carpool.

Man-su’s plan is a little bigger: create an opening that fits his skills and eliminate all competition for that job. So, murder.

Park’s crafted a seething satire on capitalism but manages to edge the biting farce with strange moments of deep empathy—just one example of the tonal tightrope Park doesn’t just walk, he prances across.

No Other Choice is complicated but never convoluted, constantly compelling and almost alarmingly funny. Between the intricate detail of the thriller and the gallows humor of the comedy, Park crafts a wondrously entertaining film.

Found in Translation

Decision to Leave

by George Wolf

“Congrats, it’s a murder case!”

Or maybe more than one. But does detective Jang Hae-joon (Park Hae-il, Memories of Murder and The Host) really want to bring the killer to justice?

Decision to Leave (Heojil kyolshim) unveils a playful, seductive mystery of longing and obsession, masterfully layered and gorgeously framed by acclaimed director and co-writer Park Chan-wook (Oldboy, The Handmaiden, Thirst).

Jang is an insomniac, often plagued by memories of unsolved cases and so driven by his work that he keeps a separate residence closer to the precinct, only seeing his wife on weekends.

The distance between them becomes greater once Jang meets the mysterious Song Seo-rae (Tang Wei from Lust, Caution), a smoldering beauty who doesn’t seem very sorry that her husband is dead. His fall from a mountaintop appears to be a suicide, but Jang is compelled to dig deeper.

Song is quick to point out that she is Chinese, and conversing in Korean can leave her confused in translation. But is this just a ploy so Jang will underestimate her, or is she truly the sympathetic victim she claims to be?

Both Wei and Hae-il are wonderful, wrapping themselves around the delicious dialog and intertwining threads of murder and romance in totally engaging fashion. We hang on the hushed potential of the relationship along with each character, and their choices often alternate between compelling, confounding, and darkly funny.

As the time setting shifts ahead to when Song has remarried and yet another twist is introduced, the narrative air becomes even thicker with neo-noir style. Park (Best Director at Cannes this year) and cinematographer Kim Ji-young create a sumptuous visual palette, full of modern innovation and classic homages in equal measure.

It is a truly intoxicating atmosphere that rarely lets up, and a perfect compliment to the yearning that erodes boundaries between detective and suspect. Decision to Leave attack those barriers with tantalizing precision, leaving a breathless trail of crime and passion that is guaranteed to linger.

It’s Asia – to the Extreme!

It’s coming!!

What’s coming? The coolest thing ever – a film festival Hope got to help program. And it is too nutty!

Asia Extreme opens at the Gateway Film Center next Thursday, August 8 and runs through the following Tuesday (8/13). Expect showers of blood, technology ghosts, regular ghosts, ass kicking, face kicking, face sliting, demonic cats, and vengeance. Oh, so much vengeance.

Some highlights include the Park Chan-wook’s full Vengeance Trilogy, in one location for one low price. See Oldboy as it was meant to be seen before the American version potentially ruins it. Truth be told, Spike Lee’s trailer looks pretty good. Still, the original’s a surefire weirdfest that may kill your soul just a little.

Another insane set of three: Kim Jee-Woon’s I Saw the Devil, Doomsday Book (in its Midwest premier) and A Tale of Two Sisters. A punishing director with tremendous visual flair and subversive humor, Jee-Woon work is meant to be enjoyed on a big screen.

Another two from Joon-ho Bong – the riveting drama of Mother (voted Best Foreign Language Film by the Central Ohio Film Critics Association in 2011), and the spectacular creature feature The Host – will keep you wildly entertained.

There’s more, including the Asian originals of Hollywood flicks you know and may love: Ringu, Shutter, Ju-On: The Grudge, and Pulse. Plus action and Sci-Fi to rip your flesh off, like the infamous Battle Royale, Election, BKO: Bangkok Knockout, and the fascinatingly titled This Girl Is Bad-Ass (in its Ohio premier, no less).

And more! Seriously, there are like another dozen movies I haven’t even mentioned! Who’s geeked?!

So, obviously, go. Do it! How could you not?!!

 

http://www.youtube.com/watch?v=nQV7ejqpbPc

 

Thursday, August 8

7:30 PM             BLOOD C: THE LAST DARK (2012) – US Theatrical Premiere!

10:30 PM          BATTLE ROYALE (2000)

12:00 AM          HOUSE (1977)

Friday, August 9       

1:30 PM             MOTHER (2009)

Three films from legendary director Kim Jee-Woon:

4:30 PM             I SAW THE DEVIL (2010)

7:30 PM             DOOMSDAY BOOK (2012) – Midwest Premiere!

10:30 PM          A TALE OF TWO SISTERS (2003) – First Ohio Theatrical Screening!

12:00 AM          THE HOST (2006)

Saturday, August 10             

1:30 PM             RINGU (1998)

4:30 PM             JU-ON: THE GRUDGE (2002)

7:30 PM             HORROR STORIES (2013) – US Theatrical Premiere!

10:30 PM          IP MAN: THE FINAL FIGHT (2013)

12:00 AM          THE SLIT MOUTHED WOMAN (2006)

Sunday, August 11  

The Vengeance Trilogy – First combined theatrical screening in Columbus! Patrons can see SYMPATHY FOR MR. VENGEANCE, OLDBOY, and LADY VENGEANCE at normal prices or all three for $15!

1:30 PM             SYMPATHY FOR MR. VENGEANCE (2002)

4:30 PM             OLDBOY (2003)

7:30 PM             LADY VENGEANCE (2006)

10:30 PM          THE RED SHOES (2006) – Columbus Premiere Screening!

Monday, August 12 

1:30 PM             PULSE (2001)

4:30 PM             SHUTTER (2004)

7:30 PM             BKO: BANGKOK KNOCKOUT (2010) – Ohio Premiere!

10:30 PM          THIS GIRL IS BAD-ASS!! (2012) – Ohio Premiere!

Tuesday, August 13              

1:30 PM             ELECTION (2005)

The Ghost School Trilogy – First combined screening in the Midwest! Patrons can see WHISPERING CORRIDORS, MEMENTO MORI, and WISHING STAIRS at normal prices or all three for $15!

4:30 PM             WHISPERING CORRIDORS (1998)

7:30 PM             MEMENTO MORI (1999)

10:30 PM          WISHING STAIRS (2003) – Closing Night Screening!