Tag Archives: Buffy the Vampire Slayer

Fright Club: Teenage Vampires in Horror Movies

Those teenage years can be beastly! A lot of vampire movies channel the alienation, hormones, angst and general misbehavior into a cautionary tale about teeth. Here are some of our favorites.

5. Buffy the Vampire Slayer (1992)

Back in ’92, Rutger Hauer and Paul Reubens played vampires (thank you!) bent on draining a California town. But one superficial mean girl at the local high school happens to be the Chosen One, the Slayer, or so says Donald Sutherland, and it generally seems like a fine idea to listen to him. Kristy Swanson then flirts with Luke Perry while training to stake some bloodsuckers.

Swanson is joined by Ben Affleck and Hilary Swank as vacuous teens in a highly dated but no less fun horror comedy. Reubens was a huge inspiration for our own short film Drunkula. Plus, anytime you crown Rutger Hauer prom king, you can count us in.

4. The Lost Boys (1987)

Out and proud Hollywood director Joel Schumacher spins a yarn of Santa Carla, a town with a perpetual coastal carnival and the nation’s highest murder rate. A roving band of cycle-riding vampires haunts the carnival and accounts for the carnage, until Diane Weist moves her family to town. While hottie Michael (Jason Patric) is being seduced into the demon brethren, younger brother Sam (Corey Haim) teams up with local goofballs the Frog brothers (Corey Feldman and Jamison Newlander) to stake all bloodsuckers.

Michael’s a recent high school grad, and the coven of vampires seems to also be allegedly the same roundabout age. Certainly Sam and the Frog Brothers would be high school age, although none of them turn. (Spoiler!)

What’s most fun about this movie is how gloriously gay it is, from the “will he or won’t he” chemistry between Michael and David to Sam’s Rob Lowe poster to the grinding sax man, Schumacher’s film finds sexuality in the vampire tale that swings.

3. Fright Night (1985)

Fright Night takes that Eighties, Goonies-style adventure (kids on an adult-free quest of life and death) and uses the conceit to create something tense and scary, and a bit giddy as well. The feature debut as both writer and director for Tom Holland, the film has some sly fun with the vampire legend.

Roddy McDowall got much deserved love at the time for his turn as a washed-up actor from horror’s nostalgic past, and Chris Sarandon put his rich baritone to campy, sinister use.

Still, everyone’s favorite character was Evil Ed, the manic, pitiful loser turned bloodsucking minion. Credit Stephen Geoffreys for an electric and, at least in one scene, heartbreaking performance.

2. My Heart Can’t Beat Unless You Tell It To (2020)

Making an unnervingly assured feature film debut, writer/director Jonathan Cuartas commingles The Transfiguration’s image of lonely, awkward adolescence with Relic’s horror of familial obligation to create a heartbreaking new vampire tale.

Many things are left unsaid (including the word “vampire’), and My Heart Can’t Beat Unless You Tell It To confines itself to the daily drudgery of three siblings. Dwight (Patrick Fugit) longs to break these family chains, but sister Jessie (Ingrid Sophie Schram) holds him tight with shame, love, and obligation to little brother, the afflicted Thomas (Owen Campbell).

What could easily have become its own figurative image of the masculine longing for freedom mines far deeper concerns. Cuartas weaves loneliness into that freedom, tainting the concept of independence with a terrifying, even dangerous isolation that leaves you with no one to talk to and no way to get away from yourself.

1. The Transfiguration (2016)

Milo likes vampire movies.

So, it would seem, does writer/director Michael O’Shea, whose confident feature debut shows us the relationship between the folklore and the life of a forlorn high school outcast.

Eric Ruffin plays Milo, a friendless teen who believes he is a vampire. What he is really is a lonely child who finds solace in the romantic idea of this cursed, lone predator. But he’s committed to his misguided belief.

O’Shea’s film borrows ideas from George Romero’s Martin, Tomas Alfredson’s Let the Right One In, and openly gushes over Murnau’s Nosferatu.  Inside and out, the film draws on the best in vampire cinema to help Milo deal with a world in which he is a freak no matter what he decides to do.

Fright Club: Horror at the High School Dance

Love is in the air! And it smells a lot like prom. If you thought your own prom was a dud – crap DJ, your date was grounded, your date wore corduroy, unplanned pregnancy, what have you – well, here’s a list of five high school dances that made yours look like an absolute joy. You know what we’ve learned from looking into this topic? It’s always fun to see someone die on prom night.

Listen to our whole podcast HERE.

5. Prom Night (1980)

Saturday Night Fever meets Carrie in this high school slasher that’s utterly preoccupied with disco and Jamie Lee Curtis’s boobs. Who isn’t?!

You’ll find red herrings and Seventies cop drama in a plot that, as Scream later points out, became the framework for countless films to follow. But Prom Night did it first. It did it really sloppily, but man did it bring its boogie shoes.

Who’s the killer? Is it the pervy janitor? The disfigured escaped mental patient? The vindictive ex and her hoodlum new boyfriend? It all builds to a bloodbath on prom night, so boogie down!

See it for the super-colossal dance-off. Go Jamie Lee and Jamie Lee’s thumbs, go! Is that Leslie Nielsen? Who brought that glitter?

4. Buffy the Vampire Slayer (1992)

Joss Whedon may have gotten more miles and more artistic satisfaction from the TV series, but what he did not have was Paul Reubens. Or Rutger Hauer, for that matter. How did he think that would work?

Back in ’92, Hauer and Reubens played vampires (thank you!) bent on draining a California town, but one superficial mean girl at the local high school happens to be the Chosen One, the Slayer, or so says Donald Sutherland, and it generally seems like a fine idea to listen to him. Kristy Swanson then flirts with Luke Perry while training to stake some bloodsuckers.

Swanson is joined by Ben Affleck and Hilary Swank as vacuous teens in a highly dated but no less fun horror comedy. The film may be too campy for Whedon’s taste, but anytime you crown Rutger Hauer prom king, you can count us in.

3. Scout’s Guide to the Zombie Apocalypse (2015)

“Do you know what’s cooler than cool? Scouting!”

OK, maybe not, but Boy Scouts are exactly the people you need on your zombie survival team. Who doesn’t know that? They know how to tie knots properly, they can forage, find their way around in the woods, and they’re handy. They’re prepared. Duh.

Director Christopher Landon, working with a team of writers, puts this wickedly logical premise into action with his bloody horror comedy Scouts Guide to the Zombie Apocalypse.

This is not a family film, though – make no mistake. This is definitely an R-rated movie, but for all its juvenile preoccupations and vulgar body horror, a childlike sweetness runs through it that keeps it forever fun to watch.

Cleverly written, directed with a keen eye toward detail and pacing, brimming with laughs, gore, friendship, and dismembered appendages – but utterly lacking in cynicism or irony – it’s a blast of a film with a lot to offer.

https://www.youtube.com/watch?v=A5e7Mr7eVTk

2. Carrie (1976)

The seminal film about teen angst and high school carnage has to be Brian De Palma’s 1976 landmark adaptation of Stephen King’s first full length novel, the tale of an unpopular teenager who marks the arrival of her period by suddenly embracing her psychic powers.

Sissy Spacek is the perfect balance of freckle-faced vulnerability and awed vengeance. Her simpleton characterization would have been overdone were it not for Piper Laurie’s glorious evil zeal as her religious wacko mother. It’s easy to believe this particular mother could have successfully smothered a daughter into Carrie’s stupor.

One ugly trick at the prom involving a bucket of cow’s blood, and Carrie’s psycho switch is flipped. Spacek’s blood drenched Gloria Swanson on the stage conducting the carnage is perfectly over-the-top. And after all the mean kids get their comeuppance, Carrie returns home to the real horror show.

1. The Loved Ones (2009)

Writer/director/Tasmanian Sean Byrne upends high school clichés and deftly maneuvers between angsty, gritty drama and neon pink carnage in a story that borrows from other horror flicks but absolutely tells its own story.

Brent (Xavier Samuel) is dealing with guilt and tragedy in his own way, and his girlfriend Holly tries to be patient with him. Oblivious to all this, Lola (a gloriously wrong-minded Robin McLeavy) asks Brent to the end of school dance. He politely declines, which proves to be probably a poor decision.

Byrne quietly crafts an atmosphere of loss and depression in and around the school without painting the troubles cleanly. This slow reveal pulls the tale together and elevates it above a simple work of outrageous violence.

Inside Lola’s house, the mood is decidedly different. Here, we’re privy to the weirdest, darkest image of a spoiled princess and her daddy. The daddy/daughter bonding over power tool related tasks is – well – I’m not sure touching is the right word for it.

The Loved Ones is a cleverly written, unique piece of filmmaking that benefits from McLeavy’s inspired performance as much as it does its filmmaker’s sly handling of subject matter.

https://www.youtube.com/watch?v=olB5Wrg8Sxc