Tag Archives: The Mummy

Fright Club: Librarians in Horror

It’s back to school time, which makes it the perfect time to check back in with the Reel Librarian, Jennifer Snoek-Brown. With her help and deep reserves of information, we count down the very best librarians horror has in store.

5) The Monks  (Necronomicon: Book of the Dead, 1993)

Not a great movie, which is especially disappointing considering its pedigree. Segments in the Lovecraft anthology are directed by Christoph Ganz (Brotherhood of the Wolf), Brian Yuzna (Society) and Shûsuke Kaneko (Death Note).

Still, the wraparound story The Library – directed by Yuzna and starring that filmmaker’s favorite and ours, Jeffrey Combs – is much fun. Combs plays Lovecraft himself, visiting a very private library run by peculiar monks. He’s doing research. Or is he stealing the librarian’s key with hopes of finding the Necronomicon?

That is totally what he’s doing, and it’s a blast. Combs is great, but Tony Azito as the bemused/annoyed librarian is the real star here.

4) Edgar – Laurence Payne (The Tell-Tale Heart, 1960)

Are you a Poe fan? Well, it won’t matter because Ernest Morris’s period thriller bears little resemblance to Edgar’s classic.

So why include it? Because the murderer is a librarian! Laurence Payne plays brittle Edgar, a reference librarian who’s taken with his new neighbor, Betty (Adrienne Corri). He doesn’t know how to talk to women, but his best friend Carl (Dermot Walsh) sure does! And my, how Carl’s heart does beat loudly.

Corri’s exceptional in this film, but Payne is unlikable, entitled, perverted gold. This is an incel movie before we even knew what incel was.

3) Evan – Tomas Arana (The Church, 1989)

Michele Soavi’s dreamy gothic Giallo, co-penned by Dario Argento and co-starring a very young Asia Argento – is no masterpiece. It is endlessly watchable nonsense, though.

Evan (Tomas Arana) shows up late for his first day as cathedral librarian, stopping to flirt with fresco restorer Lisa (Barbara Cupisti) before heading into the library where he will be brazenly lazy and more than a little creepy.

The film takes on the dreamlike logic of a Fulci without losing the more pristine visuals that mark Argento’s earlier films. Its underlying themes are kind of appalling (wait, we’re good with the inquisitors who murdered that village?), but it looks great.

2) Evie – Rachel Weisz (The Mummy, 1999)

Is it a horror movie? Well, it is a monster movie, so close enough. Stephen Sommers’s 1999 swashbuckler boasted fun FX, an excellent villain, the newly beloved Brendan Fraser, and one kick-ass librarian.

Rachel Weisz, more attractive than ought to be allowable, plays Evie Carnahan. Her opening segment of destruction in the library itself is sheer visual poetry, but she’s more than brains and clumsiness. Evie stands up for herself, outsmarts bad guys, accidentally reanimates ancient evil, and really loves her job.

1) Halloway – Jason Robards (Something Wicked This Way Comes, 1983)

There’s a reason Evie Carnahan and Charles Halloway top our list of librarians in horror. Because they are heroes, as are all librarians.

Jack Clayton’s take on Ray Bradbury wields nostalgia with melancholy precision, recognizes time as the enemy, and boasts exceptional performances from its villain Jonathan Pryce as Mr. Dark, and its hero, Jason Robards as town librarian and all-around good guy, Charles Halloway. The fact that the final showdown takes place right in the library is the icing on the cake.

I Don’t Want to Go Out: Week of September 11

The biggest turd of the summer is finally stinking up homes this week, but there are two truly outstanding indies releasing this week that you should watch instead. Because The Mummy‘s not even “this is so bad I’ll just watch it at home and enjoy it ironically” bad. It’s the bad kind of bad.

Click the film title for the full review.

It Comes at Night

Beatriz at Dinner

The Mummy





Bad Wrap

The Mummy

by Hope Madden

Remember the first time you saw the trailer for the new Tom Cruise flick The Mummy, and you thought, “My God, that looks awful”?

Dude, you were so right.

Part Tomb Raider, part Suicide Squad – with huge bits stolen whole cloth from the immeasurably superior An American Werewolf in LondonThe Mummy lacks even a solid thirty seconds of fresh thought. It is as dusty and lifeless as its namesake.

But, because it’s some sort of artistic imperative that every movie we see for the next decade is planned out in huge corporate clusters – I mean cinematic universes – the Universal monsters are being revived. Aging leading men will be tapped for butts-in-seats duties as Dark Universe tries to create a series of nostalgic family(ish) fare neutered beyond recognition with CGI.

First up, Cruise.

A prologue riddled with plot holes leads to one wildly offensive piece of cultural flippancy, as Cruise Indiana Joneses his way into Iraqi insurgent territory in search of unnamed treasure.

He finds an Egyptian sarcophagus. In Iraq. It’s just one geographic discrepancy mentioned but never clearly explained. Part and parcel of a script-by-committee that hopes you’ll overlook its incessant nonsense.

Cruise, as Nick Morton, is Cruise – all superficial charm and charisma. He’s joined by one-note Annabelle Wallis as the archeologist in a white shirt that’s bound to get really wet at some point, and Sofia Boutella as a mummy with strategically placed wrappings.

And Russell Crowe as Dr. Henry Jekyll.

Will he turn into Hyde? Will it be among the film’s weakest, saddest, most pathetic scenes? No spoilers here.

Director Alex Kurtzman bandages together secondhand ideas, weak writing and an absence of onscreen chemistry with CGI aplenty. Sandstorms! Birds! More sand! And mummy/zombies that look like they should be gettin’ down with Michael Jackson.

If only!

Kurtzman’s impressive lack of instinct for pacing, tone and atmosphere match perfectly with the script’s hodgepodge of stolen ideas. And now we can wait for Hollywood execs to bring other moldering horror corpses back to life. Sigh.

Verdict-1-5-Stars