Tag Archives: Kenya Barris

The Baker Bunch

Cheaper by the Dozen

by George Wolf

By now, you’re probably pretty familiar with the premise of Cheaper by the Dozen. But really, the best way for adults to enjoy this new Disney version is by using it as a way to gently introduce small children to more grown up issues.

Otherwise, it’s pretty insufferable.

This time, the heads of the blended brood are Zoey and Paul Baker (Gabrielle Union and Zach Braff), who first meet cute at the L.A. breakfast joint he owns. Their marriage and eventual offspring create a blended family full of diverse and seriously precocious siblings, step-siblings, and later a wayward cousin in need of some guidance. Throw in two ex-spouses (Erika Christensen and Timon Kyle Durrett) who are never far from the shenanigans, and that’s the way they become the Baker bunch.

Director Gail Lerner and the writing team of Kenya Barris, Jenifer Rice-Genzuk and Craig Titley all have extensive credits in series television, which would be a good reason why everything about this film screams “TV sitcom.”

Plot points are hastily introduced and heavily contrived, while any conflicts are soft-peddled and quickly worked through with barely a bad mood or sass mouth in sight. One thing you will see is some surprisingly modest set design (especially for those high school basketball games, yikes) that too often seems fit for an afterschool special.

The Bakers get a corporate offer to franchise the diner and market Paul’s special cooking sauce, so the gang moves on up to a sprawling house in Calabasas that requires just one afternoon to completely move into.

But settling into a new home brings some challenges for everyone. There’s bullying, peer pressure, and dating drama for the kids, while the parents face bless-your-heart prejudices and questions about mixed-race parenting.

Union and Braff are both likable actors, and that’s all they are asked to be, because no one in the film comes anywhere close to resembling a real person. And much like these characters, all the worthy issues raised are treated with a “we got 23 minutes minus commercials” mindset and wedged in between telegraphed attempts at humor and constant mugging.

The PG rating is a bit surprising, because despite the warning of “thematic elements, suggestive material, and language,” everything here is as sanitized as a freshly minted urinal cake.

Cheaper by the Dozen, yes. And you get what you pay for.

Shaft Happens

Shaft

by George Wolf

“JJ” Shaft walks gingerly into traffic, taking care to watch for cars. He doesn’t constantly drop expletives and he’s keen on Brazilian dance fighting.

So, he’s a little different from Dad, then?

It’s the first clue that writers Kenya Barris and Alex Barrow and director Tim Story might have a sound plan to bring Shaft into the 21st century. They need one, because successfully transplanting those solidly 1970s sensibilities to present day is a bit of a trick.

The Brady Bunch Movie got around it by having the 90s Bradys still living gloriously 70s while everyone else called them weird. Genius move.

2005’s Bad News Bears remake just tried to tone down the unacceptable elements. Swing and a miss.

Taking much more of a straight up comedic approach than John Singleton’s 2000 sequel, this Shaft‘s culture clashes between John (Samuel L. Jackson) and JJ (Jessie T. Usher) offer some amusingly organic attempts to freshen the air of misogyny and homophobia.

It’s not a bad strategy, but the dam can only be held back so long. Guys, quit being such pansies. Women like real men who only want sex, guns, and any chance to kill people!

And then there’s the matter of the unintentional comedy.

JJ is a data analyst at the FBI who’s also apparently a hacking genius: “This is the most advanced encryption I’ve ever seen…I’m in!” He drags Pops into a completely ridiculous drug case where the clues come easy and the henchman stand straight up in every line of fire while explaining their motivations for giving chase (“It’s that Shaft kid! He saw everything!”)

Is Jackson a wonderful badass who’s perfect for this? Duh.

Does Regina Hall (as JJ’s mother) brighten every scene she’s in? She always does.

Do the samples of Isaac Hayes’s original music remind it’s probably the greatest theme in movie history? You damn right!

And Richard Roundtree again, casually dismissing that “Uncle Shaft” business from last time? Love it so hard.

There are fun elements here, but the lazy execution never fully commits to the promising setup. Shaft’s early self-awareness ends up devolving into self-parody and sadly, I cannot dig that.