So that happened…George OK’s clubbing one particular seal

by Hope Madden

I got up last Valentine’s Day morn to a package containing two tee shirts. One was a Leonard Cohen tee. I love me some Leonard Cohen, and George had long heard my complaints that I’d been too cheap to buy a shirt the last time Cohen performed in Columbus. Our son Riley had splurged on one, and every time I saw him wear it, I openly coveted the garment and bemoaned my cursed frugalness. So last February, George rectified the issue nicely.

There was also a bonus garment: a white tee shirt that read “I’m fine” above an enormous blood stain. Nice!

I donned the bloody tee shirt and marched off to work. (Since it was not Casual Friday, I naturally paired the shirt with a respectable blazer so as to broadcast my bone-deep professionalism.)

I was pleased as can be, but it turns out the shirts were only a diversion from the real gift.

Do tell!

George and I had planned to meet for a lunch date at 1:30. George called around noon to confirm. I confirmed. George sounded mildly distressed.

I picked him up at 1:30.

He continued to seem distressed.

As I pulled in to park, my phone rang. George asked, “Is that my phone?”

This struck me as odd. I have, as a ringtone, the theme from the movie Halloween. If you’re not me, you don’t hear that song and think, “Is my phone ringing?” Instead, you might think, “When was the last time I saw our butcher knife?”

My ringing phone was in my purse, which was on the floor in front of George’s feet, so I ignored it. George, however, did not. He fumbled madly through the purse to hand me the phone, which I’d previously had no intention of answering, but did so now.

It was my colleague Christie. She thought I should call our boss. She was cryptic at best. She seemed amused, even.

I hung up, and immediately our receptionist called me.

George took the phone.

“Put him on….That’s not what I said…Your email said 10 am…I don’t see how that’s going to help anything…Great!”

Perplexing. Why the hubbub?

It turns out that George had arranged for the Columbus Clippers to send a Valentine to my office at 10 that morning. They were tardy. Apparently, they had e-mailed a notice of the time change but that e-mail, now a full year later, has yet to arrive.

At  2pm, both Clippers’ mascots – Lou Seal and Krash the pirate parrot – plus several other pep squad types, arrived at my place of employment bearing a basketful of flowers, baseball tickets, snack treats and balloons, and, of course, a great deal of spirit and pep.

As you know, I was not there. Instead, I was about to partake of a lunchtime sub with my incredibly thoughtful, wildly disappointed husband.

The Clippers posse made a little circuit around my office, entertaining everyone and, frankly, making all the other husbands in the place look bad.

Oh, did you get flowers? I had balloons delivered by a guy in a seal suit who mimed sliding into home plate in front of the Editor in Chief’s office door.

The fact that all this was done in vane only made George that much more tragically romantic to my officemates.

So, what does my exuberantly romantic husband have planned for this Valentine’s Day? There is a new Die Hard movie releasing this weekend, correct?

Well, you can’t slide into home every year.

Side Effects may include unusual career choices

by Hope Madden

Director Steven Soderbergh has worked with screenwriter Scott Z. Burns three times now, each instance a bit weaker than the last. Their first collaboration, The Informant!, was an unhinged gem of a flick owing as much to Matt Damon’s outstanding performance as to Burns’s knack with the English language. Next came Contagion, a better box office performer, but a less inspired effort.

Their third collaboration, Side Effects, offers a mystery thriller inside the world of pharmaceuticals. As is often the case with mystery thrillers, to say much more would be to give away too much. Coursing with Soderbergh’s cynicism and varnished with his laid back style, the film has more in store for you than the diatribe against Big Pharm it appears to deliver at first.

Unfortunately, plot holes seriously interrupt the impact of the mystery, but a solid cast helps bridge those gaps. Jude Law evolves cleverly from the modern doctor – overworked and ambitious – to something more raw, dirty and real. As his patient, Rooney Mara (The Girl with the Dragon Tattoo) carries the film. It’s her picture, and she does with it what she wishes, thank God.

Like Soderbergh’s last several efforts – all mid-budget, off-season genre pics – Side Effects is an absorbing bit of entertainment you’ll dismiss after viewing. It’s better than most February releases, but worse than most Soderbergh pictures. What a funny turn for a career that began with the game changer Sex, Lies & Videotape.

3 stars (out of 5)

A Tale of Two Sandys

 

 

By George Wolf

As far back as his childhood days in the 80s as Ricky Schroder’s wise-cracking friend Derek on Silver Spoons, Jason Bateman has displayed flawless comic timing. Melissa McCarthy, on the other hand, has burst on the scene in the last few years, with 2011’s Bridesmaids firmly establishing her as a major comic talent.

Put them together in a road picture, and you’ve got comedy gold, right? Well….

Don’t get me wrong, Identity Thief does deliver some laughs, just not as many as these  two stars would suggest.

Bateman is Sandy Patterson, a financial manager in Denver who deflects constant comments about his first name (“it’s not feminine, it’s unisex!”) while wondering if his jump to a new job at a start-up firm is a good move for his growing family.

McCarthy is also Sandy Paterson, the illegal Florida version. That is, after she makes him her latest identity theft victim and starts racking up credit card bills and arrest records in his name.

As the real Sandy discovers why his life is unraveling, he hatches a plan to travel South and bring the veteran conwoman back to Colorado authorities so she can prove his innocence.

After some great moments of physical comedy as Bateman struggles to apprehend McCarthy, the film settles in as a cross between Planes, Trains and Automobiles and Due Date.

Director Seth Gordon, fresh from the very funny Horrible Bosses (also with Bateman), does his best to bring the same breezy, ad-libbed approach to his latest, and that is a wise move. Writer Craig Mazin’s script, weak on its own, is rescued by the sheer talent of the two leads.  Even when the story makes the inevitable turn toward sentimentality, Bateman and McCarthy keep it from collapsing.

3 stars (out of 5)

If this Snake has an Ass, Jet Li will Find and Kick It

 

By Hope Madden

 

Siu-Tung Ching, the Hong Kong action director who crafted 1987’s high flying spooktacular A Chinese Ghost Story, turns his attention to demon legends and computerized FX for his latest, weightlessly entertaining but somewhat disappointing feature, The Sorcerer and the White Snake.

The White Snake demon (Eva Huang) falls for a human herbalist and takes on the form of a woman to marry him. A tenacious Abbot (Jet Li) committed to keeping all demons out of the human realm makes trouble for the newlyweds.

It’s a cross between Crouching Tiger, Hidden Dragon and Van Helsing – combining the colorful flying, swooping action of the former with the ludicrous monster preoccupation and even more ridiculous FX of the latter.

The film offers an interesting take on the events as they unfold in that it’s never clear which side to root for – both are as repellant as they are compelling. Oh, the rash audacity of love!

Any religious, moral or romantic considerations – ironic or otherwise – are treated so superficially, though, as to be almost invisible next to the eye candy of the computer generated action sequences. Altogether the film is a silly, sugary spectacle worth eyeballing on the big screen for true fans, but skipping entirely for anybody else.

2 stars (out of 5)

Outtakes: Kickstart a homegrown movie

By George Wolf
One of last year’s most interesting documentaries, The Revisionaries, was funded primarily through kickstarter.com. If you missed being a part of that project, you’ve got a new chance to back a film, and help out a hometown boy in the process.
 
Columbus native Andy Newman just launched a Kickstarter campaign for his original film, Ink, and he could use your support! Newman sums up his story as a thriller wrapped in a love story, centered on a writer struggling to complete his first novel. After receiving a chance phone call from a stranger, his budding infatuation with the woman on the other end of the lines inspires him to re-write his novel. But when the lines between his fiction and her reality begin to blur, the story unravels.
Newman hopes to have the movie wrapped by year’s end.  He says, “We plan to shoot Ink in and around Chicago this June. Production will take two and a half weeks. We’ll have a very small crew. The script has been written to only contain the characters and locations absolutely required to tell a great story for you. From there we have a post-production schedule that would allow us to submit to film festivals by the end of the year.
Newman credits films such as Memento, No Country for Old Men, Insomnia and Brick as inspirations for Ink, which leaves no doubt his aspirations are high.
 
Donation levels start at just one dollar, and If you’d like to get involved, you can back the project here: http://www.kickstarter.com/projects/andynewman/ink-a-thriller-wrapped-in-a-love-story-feature-fil

Outtakes: Looking for Valentine Romance?

Looking for a shot at romancing your way into a fine Valentine’s Day? The Gateway Film Center (1550 North High St.) is way ahead of you. How better to woo your guy or gal than with the best romantic comedy since Fight Club, Shaun of the Dead?
 
For the third year running, the theater with a special place in its heart for horror unspools the hilarious zombie romp starring Simon Pegg and Nick Frost. As bromantics Shaun and Ed, the duo need to come to terms with one unhappy girlfriend, one unwanted stepdad, and one zombie horde. Best place for that? The pub.
 
It’s a truly brilliant film, one worth seeing again and again with the one you love. It’s also an excellent choice for viewing when you’re trying to avoid all the ‘one you love’ shenanigans this time of year. 
 
Bonus: both Valentine screenings (7:30 and 9:30 pm this Thursday, 2/14) will open with the short “Til Death”, a macabre take on love gone wrong. The film comes from local filmmaker Jason Tostevin, who won the Gateway’s Homemade Horror Short contest in October with his medical spookfest “Room 4C”. 
 
It’s a film pairing that, like love itself, tells you to aim for the heart. 
 
Wait. Scratch that. The heart will do you no good. Apparently you’re supposed to aim for the head.
Tickets are $6.50. Expect prizes, trivia, and drink specials (which couldn’t hurt your Valentiney chances).

For Your Queue: True Tales of Fascinating Women

 

By Hope and George

 

We’ve got a couple wild documentaries For Your Queue this week..

If you don’t know much about Diana Vreeland, picture the possible female inspiration for famous beer pitchman The Most Interesting Man in the World. Vreeland’s answer to most every question would begin with “Good God!” before regaling all with stories of rhino hunting or the time she saw Hitler, and then letting loose with some unexpected exclamation.

Diana Vreeland: The Eye Has to Travel documents her globe-trotting childhood (“hideous..and maaahvelous!) and eventual career as the longtime fashion editor at Harper’s Bazaar, editor-in-chief at Vogue, and all-around influence on fashion and popular culture.

Co-directed by granddaughter-in-law Lisa Immordino Vreeland, Diana’s story is told through interviews, archival footage, and transcripts from a meeting she held with writer George Plimpton to discuss her memoirs. Together, they paint a completely entertaining picture of a strong woman who embraced independent thinking and lived a determined life of unapologetic originality.

Appreciation for the film may actually increase the less you know about Vreeland, as you giddily discover a true visionary. The Eye Has to Travel is a wonderful reminder of the vibrancy of her work, and her exuberant zest for life.

For an even wilder true life account, look into 2007’s Crazy Love, a tale of obsession, maiming, prison rot, and finally, marriage. Burt Pugach served 14 years in prison after hiring thugs to throw lye in the face of Linda Riss, the young woman who’d spurned his love after finding out he was married. They later married.

Wait, what?

This is not even the end of the story – more nuttiness follows. And it is so plainly stated that it feels inevitable, acceptable, and disturbing all at once. Burt Pugach (who passed away a few weeks ago) set out to ensure that no one else would ever possess his Linda, and he succeeded. Yet somehow these horrifying turns of event are made almost charming by her cantankerous

The Bond of Two Broken Souls

 

By Hope Madden

 

Why do strangers Stephanie and Ali form such a fierce bond in Rust and Bone (De rouille et d’os) ? Stephanie (Oscar-winner Marion Cotillard) trains orcas and struggles with tragedy, while Ali (Matthias Schoenaerts) lives in the present moment, accepting any offer, opportunity or bit of fun that presents itself without a thought of the consequences to himself or his young son.

Writer/director Jacques Audiard (A Prophet) doesn’t provide all the answers in his challenging exploration of their relationship.  His drama, in French with subtitles, is a gritty, punishing  tale of sexual redemption between two broken people unconventionally well suited to each other. The chemistry between the leads keeps the film taut, and Audiard’s wandering storyline and loyalty to his characters forever surprises.

4 stars (out of 5)

 

 

Hot Zombie Love

 

By George Wolf

 

Around the time Twilight ruined vampires and werewolves, horror fans began to cling to zombies as the only real monsters left. You can’t Twilight a zombie, right?  They aren’t wolf-boys who can’t keep their shirts on, they are stinking, rotting corpses out to eat your brain. Nothing romantic there.

If you’re thinking, “What about zombie Michael Jackson from the “Thriller” video?” I say, good point, but Zombie MJ was more dancer than romantic lead

Well, it took Hollywood a while to catch up, but Warm Bodies shows they have figured out how to Twilight a zombie. They even hired that girl who looks exactly like a blonde Kristin Stewart (Teresa Palmer)  to play romantic lead in this teen romantic comedy version of Romeo and Juliet.

Of course, in this particular case Romeo (Nicholas Hoult, “Beast” from X-Men:  First Class)  is a reanimated corpse that the young ladies should have no problem swooning over.

Working from Isaac Marion’s novel, screenwriter/director Jonathan Levine (50/50) mines adolescent anxiety for a sweetly charming if less than thrilling romance. Hoult is instantly likeable, while Rob Corddry and Analeigh Tipton draw a few chuckles.

While Warm Bodies falls far short of the greatest romantic comedy with zombies, Shaun of the Dead, it is harmless fun that would serve as a fine date night for the younger crowd.

3 stars (out of 5)

For Your Queue: Rockwellpalooza!

By Hope and George

 

Without giving up too much of the film Seven Psychopaths, available on DVD this week, let’s tick off the first few of those psychos: Sam Rockwell, Woody Harrelson, Christopher Walken, Tom Waits.

Yes, please.

The genius combination of title and cast aside, writer/director Martin McDonagh crafts a wild, unpredictable and brutally hilarious adventure. Colin Farrell’s Marty struggles to complete his new script. His weird but earnest buddy Billy (an absolutely glorious Sam Rockwell) wants to help. Whether or not this turns out to be a good idea is a bit of a toss-up, but Billy sure brings his shootin’ boots.

McDonagh’s greatest gift is the way he allows a spectacular Rockwell and the rest of these peculiar actors room to work. His film offers dark humor, fascinating unpredictability, and twisted fun. Plus Walken gets to say, “I would have made a great Pope.”

Of course, Rockwell has been great in underseen films for many years, including Confessions of a Dangerous Mind, Snow Angels, and Choke. If you’re digging into the stacks for a Seven Psychopaths double bill, though, of particular interest may be 2009’s Moon, and it is almost a one-man Rockwell show.

The debut feature from director Duncan Jones (David Bowie’s son), Moon is the story of Sam Bell, the sole employee on a lunar energy base. There is no shortage of energy on future Earth, thanks to the harvesting of an abundant fuel source found on the moon. Sam, totally alone except for supercomputer GERTY, is nearing the end of his three-year contract overseeing the harvest, and is eager to get back to his wife and family. With two weeks to go, Sam is rendered unconscious in an accident, and things begin to unravel.

Even if you already know the story’s twist, Moon is worth checking out not only for Rockwell’s fantastic turn, but also for the skillful way Jones gives a nod to his influences (2001, etc.) yet is still able to carve out a unique sci-fi voice.

Hope Madden and George Wolf … get it?