God Save the Queen

Queen of the Desert

by Hope Madden

How many period romances set against the crumbling of the Ottoman empire must I endure in one month?

Current tally: 2, and Werner Herzog’s Queen of the Desert is the least endurable.

I had been cautiously optimistic about Herzog’s biopic on Gertrude Bell. Nicole Kidman (rarely a bad idea) stars as Bell, a British writer/traveler/scientist/spy who helped shape British policy on the Middle East.

Herzog + Kidman = reason for optimism.

Unfortunately, that math doesn’t really work out.

I’m not going to lie, I had no idea who Gertrude Bell was before I saw this film. Ten seconds on google and I found out that she was an absolutely fascinating human being. It’s crazy. She explored everywhere, climbed everything, learned new languages, informed culture and politics, wrote about all of it, had torrid affairs, never married, and determined the boundaries of modern day Iraq. All in the early 1900s.

That should have been a hell of a movie.

Unfortunately, director Herzog cannot tell this woman’s wildly unconventional story without framing her in the most conventional way possible. She exists exclusively in terms of her relationships – or the absence of a relationship – with men.

We’ll lay that at the foot of Herzog the director, but this God-awful dialog? That’s on Herzog the writer.

Kidman, almost tragic in her earnest commitment to this part, manages to wrestle Herzog’s humorless and hackneyed prose into submission. But Lord, James Franco cannot.

The plotting is no better than the concept or dialog.

Scene after needless scene shows Kidman in the office of one man or another, announcing her plans to do something they don’t need to know about, only to suffer their indignant rebuffs. She responds with obstinate will. Cut to Kidman doing whatever it was those men told her she couldn’t do.

Repeat ad nauseum.

This woman hand-drew the border between Iraq and Jordan – in a time when women couldn’t vote in England. That alone could be unpacked and considered from about 30 different perspectives. There are so many things worth knowing about Gertrude Bell, but all I really learned from Queen of the Desert is that she was, “a woman without her man.”

That’s a real line of dialog. Good God.

Verdict-1-5-Stars

https://www.youtube.com/watch?v=zdGKbxJHPkk

Getting to Know You

Frantz

by George Wolf

No matter how fierce the differences, war can quickly remind grieving families how much they have in common.  It is hardly a new sentiment, but one explored with fresh intimacy by writer/director Francois Ozon in the starkly compelling Frantz.

It is just after the close of World War I in a German town still full of prideful contempt for the victorious French. Fraulein Anna (Paula Beer) grieves for Frantz, the fiancee she lost in battle, living with his parents as the three cling desperately to Frantz’s memory.

Enter Adrien (Pierre Niney), a stranger known in town as “the Frenchman.” He visits Frantz’s grave to leave flowers and tears, naturally drawing Anna’s curiosity. Despite initial anger from Anna’s would be father-in-law, Adrien charms the family through stories of his friendship with Frantz, drawing closer to Anna while keeping crucial secrets from her.

Ozon, working with a more traditional narrative structure than in his Swimming Pool or 8 Women, isn’t shy with the metaphors, but has enough storytelling instinct to never overplay the hand. Through mirror images, shifting locales, even something as obvious as the film’s title, Ozon reinforces the emotional parallels while leaning on his stellar lead actors to fully exploit the subtle detours in where you think the film is headed.

Beer makes Anna a wounded soul in limbo, her piercing, curious eyes almost too daring for Adrien to confront. Niney provides the skittish affectations for Adrien’s tentative nature as a man both committed to and wary of his mission.

The film may tease with the promise of a climax more powerful than the one ultimately delivered, but  Ozon achieves an artful level of downsizing with his latest. Frantz has a grace and maturity in it’s arc, understated but emotionally satisfying.

Verdict-3-5-Stars

Know When to Fold ‘Em

Betting on Zero

by Rachel Willis

According to the Federal Trade Commission, a company is involved in a pyramid scheme if “the money you make is based on the number of people you recruit and your sales to them.” Bill Ackman, CEO of Pershing Square Capital Management, seeks to prove the multilevel marketing giant Herbalife is actually a pyramid scheme in writer/director Ted Braun’s documentary, Betting on Zero.

Ackman has risked billions of dollars shorting Herbalife stock. If you saw the movie The Big Short, the idea behind Ackman’s investment is the same. For Ackman’s clients to make money, Herbalife stock has to drop to zero. Though Ackman claims he has a moral obligation to prove Herbalife is a pyramid scheme, his investment can only lead to questions regarding his interest in the company’s failure. Herbalife stands firm that they are a legitimate multilevel marketing business.

As Braun watches the events unfold, he does a good job proving Ackman’s assertion. Over a dozen men and women tell their stories of being brought into the Herbalife fold, only to lose thousands of dollars trying to peddle an overpriced product while recruiting new distributors. For those with qualms about recruiting their friends and family, they find it’s impossible to make money selling the products. All but one of the former distributors featured in Braun’s documentary are Latino immigrants, highlighting Herbalife’s appeal to the Latino community and their desire to live the American dream. It’s heartbreaking to watch these former distributors talk about the “friends” who recruited them and the money they lost.

However, as the documentary proceeds, Ackman faces wall after wall trying to drive Herbalife stock to zero. First, investors don’t see the problem. A presentation Ackman gives is poorly attended and met with skepticism by those in the audience. Second, Carl Ichan, another Wall Street big wig, bets against Ackman; his purchase of Herbalife stock causes the share price to skyrocket. Based on Braun’s documentary, it seems investors don’t really care if Herbalife is a pyramid scheme as long as they make money.

The battle between Achman and Herbalife continues, so Betting on Zero doesn’t have a satisfactory conclusion, but the information presented makes for powerful viewing.

Verdict-4-0-Stars

So that happened…

Hypnosis Happens

by Hope Madden

Desperation encourages odd, sometimes uncharacteristic behavior. I, for example, once saw a hypnotist.

I clench my teeth, a habit that creates gigantic head pain. It’s the kind of debilitating headache that might send a person to bed. But if you clench your teeth when you sleep, relief is hard to come by.

Let’s just say I spend more money on Advil than many do on rent.

This is what has driven me to the heathen sciences. I did exhaust the regular sciences first, rest assured. No help. Hypnosis it is.

When I called the downtown office, I half-expected to let the idea die. But the therapist – he answered his own phone, which should have been a warning sign – was very lulling and informative. He spoke slowly and reassuringly, with rolling l’s. I think he may have hypnotized me over the phone into making an appointment, but I’m not sure. Still, it suggests a level of skill, doesn’t it?

Dr. Bob, a skinny older man with a flesh colored Abe Lincoln beard, believed he would solve my problem. He claimed to have helped a woman just that week heal herself of cancer.

Surely if he could do for this woman what medical doctors, hospitals and years of cancer research could not, he could do for me what a bite plate couldn’t.

My first concern was that Dr. Bob kept asking me if there was anything else I wanted him to fix while he was “in there.”

This whole idea put me ill-at-ease. He even asked my husband if there were any other things he should fix while I was “out.”

Wisely, George could find no faults needing attention. But still, how was I to know that they wouldn’t program me to do his bidding while I was under? God forbid I woke up an attentive wife who remembers to write down debit card uses.

So I was uncomfortable before we even began, but I was supposed to relax. Really relax, as I could tell by the number of times he sing-songed the word “re-lax-aaaaaaaaaaa-tion.”

But I couldn’t relax. For one thing, I had an issue with the fluffy clouds. I was meant to visualize myself bouncing safely through a series of ten fluffy clouds, relaxing more with each cloud. How do you visualize yourself in a cloud? They’re made of water vapor. No way that could support me. I’d fall to my death. This was not relaxing.

Alarmed that I was failing already, I alerted Dr. Bob to my issue. He switched to a different technique, but it may have worked too well.

I fall asleep easily and at one point, when I was mentally descending my set of ten safe, hypnotic stairs, I realized as I hit the bottom step that I was surrounded by zombies. Oops. Sleeping. Who knows how much hypnotherapy is missed while you’re battling zombies?

I explained about the zombie situation to Dr. Bob and he honestly seemed concerned that the zombies themselves were causing the teeth clenching. I know this because he said, “These buggers might be the cause of the whole problem.”

I’m open to a lot of ideas but I feel safe in saying that the living dead do not control my mandibles.

I was pretty sure they were just cartoon villains that had popped into a dream – they didn’t have to be zombies at all. It could have just as easily been Thundercats. It was a dream.

The doctor disagreed. He looked at me as one passing down wisdom to a Padawan and asked, “Have you noticed their eyes are only red if you look directly at them?”

What?

Unfazed by my skepticism – indeed, oblivious to it – Dr. Bob told me to relax and just say the first thing that came to mind as he asked me questions.

“What’s the first number that comes to your mind?”

“8.”

“OK, of the 8 of you inside Hope, how many of you have heads.”

“Um, what?”

“No, no, just relax and let me know the first thing that comes to mind. How many of you have heads.”

“I don’t know, 4?”

“OK, you four who have bodies, look into the light. You’ve never been punished in the light, have you?”

What the hell? Was this an exorcism? Because I’m Catholic and we don’t take exorcism lightly. You’ve seen the film.

He continued in this vein for the balance of our time together, but eventually I stopped paying any attention – an important part of hypnotism, truth be told, so it wasn’t like I was cheating. And anyway, my head really fucking hurt and trying to puzzle through this whole exorcism thing was more than my brain could process at the moment. One thought did keep recurring to me, though.

I just spent $300 on this shit.

Think of how much Advil that would buy.

Delicious Dish

Raw

by Hope Madden

Much has been made of barf bags and fainting during screenings of writer/director Julia Ducournau’s feature debut, Raw.

A festival favorite, the film has been plagued by rumors of aggressive audience nausea, let’s say, as well as ambulance calls. Several theaters recently have offered vomit bags with ticket purchases.

Don’t let that cloud your expectations. Raw is no Hostel, no Human Centipede.

What you’ll find instead of in-your-face viscera and nihilistic corporeal abuse is a thoughtful coming of age tale.

And meat.

Justine (Garance Marillier, impressive) is off to join her older sister (Ella Rumpf) at veterinary school – the very same school where their parents met. Justine may be a bit sheltered, a bit prudish to settle in immediately, but surely with her sister’s help, she’ll be fine.

The film often felt to me like a cross between Trouble Every Day and Anatomy. The latter, a German film from 2000, follows a prudish med student dealing with carnage and peer pressure. In the former, France’s Claire Denis directs a troubling parable combining sexual desire and cannibalism.

Ducournau has her cagey way with the same themes that populate any coming-of-age story – pressure to conform, peer pressure generally, societal order and sexual hysteria. Here all take on a sly, macabre humor that’s both refreshing and unsettling.

A vegetarian from a meat-free family, Justine objects to the freshman hazing ritual of eating a piece of raw meat. But once she submits to peer pressure and tastes that taboo, her appetite is awakened and it will take more and more dangerous, self-destructive acts to indulge her blood lust.

In a very obvious way, Raw is a metaphor for what can and often does happen to a sheltered girl when she leaves home for college. But as Ducournau looks at those excesses committed on the cusp of adulthood, she creates opportunities to explore and comment on so many upsetting realities, and does so with absolute fidelity to her core metaphor.

She immediately joins the ranks of Jennifer Kent (Babadook) and Ana Lily Amirpour (A Girl Walks Home Alone at Night) – all recent, first time horror filmmakers whose premier features predict boundless talent.

Verdict-4-0-Stars

Major Upgrade

Ghost in the Shell

by George Wolf

For all the celebrated vision of the 1995 Japanese anime standard Ghost in the Shell, it resembled the inspirations of a teenage boy hopped up on the works of Phillip K. Dick and Hugh Hefner. There was warmed-over sci-fi pondering, and there was plenty of gratuitous boobage.

Director Rupert Sanders delivers the live action remake as a visually rich feast, bringing a welcome upgrade to both character and storytelling.

In a technically dizzying future where the line between human and machine is growing constantly thinner, Major (Scarlett Johansson) emerges as the first true “ghost in the shell”: human brain in a cyber body.

She’s viewed as the perfect weapon, but her mission to locate Kuze (Michael Pitt), a cyber-terrorist capable of hacking into human minds, leads to some revelations that will have Major questioning her loyalties.

The studio defense of Johansson’s casting amounts to a weak tap dance around the truth: she’s a big star who looks the part and they think she’ll combine butts with seats. While the “whitewash” criticism is fair, Johansson also brings a necessary shift away from Major as merely a ridiculous adolescent fantasy.

Johansson conveys well the clash of mind and machine at work in Major, while Pilou Asbaek (A War) steals scenes as Batou, Major’s macho partner who’s sporting a nifty new set of cyber eyeballs.

Sanders (Snow White and the Huntsman) and his visual team work wonders (the 3D version is worth the investment), re-creating various scenes from Mamoru Oshii’s original film with stunning new flourish. This future world pops with visual style in every corner while maintaining a cold, unforgiving and detached aesthetic that feels right.

Screenwriters Jamie Moss and William Wheeler do provide crisper dialogue and a more polished narrative than the original film, but it’s a tale still rooted in overwrought tropes and stale cliches. Ironically, with a moral so consumed by the preservation of humanity, Ghost in the Shell doesn’t give you much to think about.

This beautiful body needs more of a soul.

Verdict-3-0-Stars

Identity Crisis

The Blackcoat’s Daughter

by Hope Madden

Winter break approaches at a Catholic New England boarding school. Snow piles up outside, the buildings empty, yet Kat (Kiernan Shipka) and Rose (Lucy Boynton) remain. One has tricked her parents for an extra day with her townie boyfriend. One remains under more mysterious circumstances.

Things in writer/director Oz Perkins’s The Blackcoat’s Daughter quietly unravel from there – although quiet is not precisely the word for it. There is a stillness to the chilly, empty halls. But thanks to the filmmaker’s brother Elvis, whose disquieting score fills these empty spaces with buzzing, whispering white noise, a sinister atmosphere is born.

Like Perkins’s Netflix-produced follow up I Am the Pretty Thing that Lives in the House, Blackcoat’s Daughter breathes atmosphere and tension. Perkins repays your patience and your attention. You can expect few jump scares, but this is not exactly a slow-burn of a film, either.

It behaves almost in the way a picture book does. In a good picture book, the words tell only half the story. The illustrations don’t simply mirror the text, they tell their own story as well. If there is one particular and specific talent Blackcoat’s Daughter exposes in its director, it is his ability with a visual storyline.

Perkins is also a master at generating tension, a kind built on unsure footing. The filmmaker routinely touches on your expectations, quietly toying with them. He introduces characters and situations rife with horror possibilities, but equally plausible as images of safety: priests in a boarding school, cars on an icy road, James Remar in a motel room.

Remar’s mug can be associated with so many villainous characters that his presence in this film as a concerned father figure is perfect. There is one masterpiece of a scene between Remar and Emma Roberts – one that dances with to so many different rhythms of danger – and it perfectly encapsulates this filmmaker’s power over an audience.

When the slow and deliberate dread turns to outright carnage – when Perkins punctuates his forbidding atmosphere with hard action – he loses his footing just a bit. But Blackcoat’s Daughter is a thoughtful little horror show, its final act a fascinating rethinking of old horror tropes.

Pay attention when you watch this one. There are loads of sinister little clues to find.

Verdict-3-5-Stars

Glen Baby Glen Ross

The Boss Baby

by Hope Madden

Imaginative only child Tim (Miles Christopher Bakshi) loves his life. He loves to play with his mom (Lisa Kudrow) and dad (Jimmy Kimmel), loves to have adventures, and loves to go to sleep after his three favorite stories, five hugs and one special song.

All that changes when his little brother (Alec Baldwin) arrives. Why can’t his parents see that this stranger in their home is all manner of wrong?

Tim’s right – there is something up with the wee one. Baldwin’s Baby has been sent to Tim’s house to infiltrate a pet company. Why? Because puppies are so darn cute, people might want to stop having babies and just get puppies.

Things get considerably more convoluted from there.

Marla Frazee’s children’s book The Boss Baby is a clever metaphor brought to life. There’s a new boss in the house, and he is a total baby. Cute.

It was Michael McCullers’s unfortunate task to turn Frazee’s couple dozen lines into a screenplay that would take up approximately 90 minutes. That leaves an awful, awful lot of space to fill with McCullers’s imagination, and that brain takes us in some weird directions.

The film’s foundation combines ideas from the recent animated mediocrity The Secret Life of Pets and Storks. Plus there’s a surprisingly good dose of The Office tossed in there, and, of course, some Glengarry Glen Ross.

But still, there is more time to kill.

How shall we fill it?

How about with Elvis impersonators? Lots of poop jokes? An evil Mrs. Doubtfire? Pacifier acid trip? Maybe a pot shot or two at designer puppies?

Why not?

As it turns out, The Baby Boss is a very strange and strangely subversive little cartoon.

Many of the jokes are aimed high above the average 3-foot-tall and under crowd, but honestly there’s not a great deal for the tykes to cling to. The story is far too complicated, and the dazzling array of bizarre ornamentation only further confounds viewers.

Maybe you have to settle for the little things. Does Tim learn that there is enough love to share with his baby brother? Does Alec Baldwin say, “cookies are for closers”?

Yes and yes.

Verdict-2-5-Stars

Brutally Vital

Land of Mine

by Rachel Willis

Land of Mine is almost impossible to watch. Not because it’s bad. On the contrary, it’s an amazingly crafted film that boasts an incredible screenplay and cast. It’s hard to watch because writer/director Martin Zandvliet’s film is so intense it leaves the viewer on constant edge.

Roland Møller is Sargent Carl Rasmussen, a Danish soldier tasked with overseeing fourteen German POWs at the end of World War II as they clear a beach in Denmark of land mines. This violation of international law is a stain on Denmark’s history that Zandvliet brings to light. The thought of grown men forced to crawl across beaches searching cautiously for land mines is repellant enough. It’s made worse by the fact that many of the POWs were teenage boys.

Zandvliet’s scripts balances the emotions of the situation well, and Møller’s performance brilliantly captures the feelings of the Danish people. There is little sympathy for the German POWs. If anything, this is seen as a just punishment for the crimes committed by Germany during the war. However, the audience sees the soldiers for what they are: children who simply want to go home.

As the film proceeds, tensions mount. The history of the situation is brutal and bleak, so as the audience gets to know the characters, it’s impossible not to sympathize and worry for their safety with each moment that passes. The mental torture inflicted on the prisoners is felt by the audience as we’re forced to watch their slow advance across the beach. Moments of quiet could be rent apart at any moment. It’s nearly unbearable.

However, Zandvliet knows when to give the audience a break, and the scenes on the beach are countered by more lighthearted moments: a soccer game, the boys talking about their futures, and interactions between Rasmussen and the boys that show his shifting emotions.

Land of Mine is difficult viewing, but as Zandvliet brings empathy and compassion to a dark moment in history, it becomes equally vital.

Verdict-5-0-Stars

https://www.youtube.com/watch?v=kCgLSY-3bYw

So That Happened…Local Wildlife

Local Wildlife

by Hope Madden

Did you hear the one about the Southern Ohio man who purchased a mountain lion at a flea market and promptly lost it?

The punchline is, that’s a true story.

There are so many things wrong with that sentence I don’t know where to begin.

I was writing a short magazine article on Ohio’s updated exotic pet laws. I got in touch with Terry because I was looking for some kind of counterargument to balance the seemingly reasonable limitations recommended by Columbus’s health department.

Terry sold exotic animals, so the new restrictions would limit his business. They also meant getting rid of his beloved pet Smiley, the 5-foot gator who roamed free through his store.

That wasn’t dangerous?

Terry guaranteed that captive-born animals were harmless, and that garden variety pet stores carried much deadlier wares than anything I’d find in his store. I glanced at the toothy, venomous, cold-eyed whatnot behind glass all around me.

“In fact,” he began, lifting a small box taped for shipping, “what’s in this box here is one of the most dangerous animals you’ll find in this state.”

He shook the box at me for emphasis. I’d had surgery on my left foot and was wearing an orthotic boot, so outrunning a predator seemed unlikely. This suddenly felt like a problem. Then Terry took out a pen and began to tear open the packing tape.

“You can buy these at almost any pet store, and I guarantee they do more damage to the human body than anything I sell.”

Again with the shaking.

Tape gone. Terror rising. Immobility problematic.

It turned out to be a small, non-venomous reptile, bright green and not un-gekko-like but prone to biting. A let down of sorts, but I’m not ashamed to say Terry had scared the living shit out of me.

I’d lost my train of thought due to the anxiety and relief cycle, and when I began paying attention again Terry was telling me that Ohio needed no laws at all to regulate the ownership of exotic animals.

Certain that I’d misheard, I tried to clarify with the most obvious question that sprung to mind.

“What about, like, lions?”

“Most zoos turn to private collectors when they want to acquire a rare exotic.”

“But certainly there are animals that people shouldn’t own.”

“Other people,” he answered. “I mean, you don’t even have to get a license to raise a child, but you need one to own an alligator.”

Wait, but…I mean…children rarely eat you.

Terry went on to tell me of a middle aged man with an intellectual disability whose mother died, leaving him alone with his 8-foot gator and 40 rabbits. The tragedy, in Terry’s eyes, was that the state intervened and made the man give up his gator as well as his rabbits.

Hold the phone – there was an 8-foot gator living in the city of Columbus? Inside city limits?

I’m sorry, did you say 40 rabbits?

What the hell?

Terry went on to share other pet owner misfortunes. In all Terry’s stories, the tragedy is that the owner is separated from his animal. Even in the case of an apartment manager who kept 10 gators in his 2-bedroom basement flat.

Ten.

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The other tenants were unaware.

And you couldn’t trust the state, the health department, the humane society, not even the cops. Terry told the tale of a Cincinnati man infected with rhino venom. I don’t even know what that is, but it sounds nasty, doesn’t it?

Terry maintained that the cop on duty knew of the only stash of rhino anti-venom in the state, and he neglected to share this information, rendering him the Cincinnati man’s murderer.

But the snake is really the killer, right?

“No. The cop knew where the anti-venom was.”

“But, what if he wasn’t the cop on call? Then would the snake have been the killer?”

“But the cop on call knew where to find the anti-venom.”

“But the man’s deadly poisonous snake bit him. Doesn’t that lead you to believe that he shouldn’t have had the snake in the first place? Maybe that poisonous snakes are too dangerous for ordinary citizens?”

“No Ohioan has ever died due to poisonous snake bite.”

“You mean, except that guy in Cincinnati?”

“The cop on call could have saved him.”

“But he did die.”

“But the snake didn’t kill him. The cop did.”

The real villains, as the spreadsheet taped to his stockroom door would prove were I only to hobble past the register to see its evidence, were not the exotics or the cops, but domestic animals. More Ohioans perish due to cattle, horses, and dogs than to venomous snakes, gator bites, or constrictors every year, said Terry.

I’m no rocket scientist, but isn’t that because they’re Ohioans? Cows outnumber people in some areas of this state. What’s the dog-to-constrictor ratio in Ohio, I wonder?

This guy is nuts, I thought to myself as I began the arduous limp-marathon from the front of the store to the door with the statistics. Then, as I passed the register, I met the pet who’d replaced Smiley.

I nearly stepped on an enormous yellow python, piled up on the floor.

Free. Loose. Open for business.

As I halted my one good foot just inches from pissing off a natural predator, my own rarely tapped survival instinct kicked in.

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Hobbling backwards was easier than I’d have guessed.

In fact, hobbling right the fuck out of the store took me basically no effort at all.

Hope Madden and George Wolf … get it?