Snow White
by George Wolf
Death, taxes…Disney live action remakes?
We may not be there quite yet, but the train keeps rolling with Snow White, an update that’s consistently appealing enough to rise above an unsteady opening and one unfortunate choice.
Much of that winning appeal comes from a terrific Rachel Zegler, who commands the title role with confidence and zest. Pairing Zegler with a well-cast Gal Gadot as the Evil Queen, the film dives into their royal power struggle and finds a nice sweet spot between honoring a classic and nudging it toward new sensibilities.
That new attitude starts right from the “Once Upon a Time” prologue, where we get a new inspiration for the name Show White, and a quick look inside a wholesome upbringing that focused on the common good.
Her stepmother’s attitude toward power is especially timely, and the Magic Mirror (in great voice thanks to Patrick Page) is quick to point out that beauty can be more than what’s seen in a simple reflection.
Once Snow White is grown, with her royal father out of sight and her wicked stepmother on the throne, Director Marc Webb (500 Days of Summer, The Amazing Spider-Man 1 and 2) and screenwriter Erin Cressida Wilson (Secretary, Chloe, The Girl on the Train) give us a princess who is still in peril, but is not content to wait around for a handsome prince to save her and her kingdom.
In fact, there’s no handsome prince in sight. Oh, sure, she’s attracted to the rouge-ish peasant Jonathan (Andrew Burnap), but this Snow White’s not about to stay home with the dwarfs while he does all the heroic adventuring.
We’ll get to those dwarfs in a minute.
Songwriters Benj Pasek and Justin Paul provide original tunes, and while the style they brought to The Greatest Showman, Spirited, and Dear Evan Hansen will be instantly familiar, the songs here showcase the talent, bolster the narrative, and add a little new Disney magic.
Zegler soars on “Waiting on a Wish,” and Gadot – in her best turn since Wonder Woman – seems positively giddy to vamp it up on “All Is Fair,” the Evil Queen’s defiant ode to evildoing. Burnap and Zegler both have fun with “Princess Problems,” a tongue-in-cheek framing of privilege and stereotypes, but their audience of dwarfs only calls more attention the film’s nagging question.
This is a live action remake, correct? So why are the dwarfs not played by live actors? The CGI results seem to point to an attempt at making them look as much like the original cartoon characters as possible, which is curious at best. Much of the film is committed to a new vision, how did this tired one get through?
The CGI animals I get – they’re cute – but man these dwarfs become such an albatross it’s even more impressive that Snow White manages to charm despite them, and the few too many opening minutes spent on exposition.
But it does, and Disney’s live action scorecard earns one in the ‘plus’ column.
