Chilly Memories

I Remember You

by Hope Madden

“Children just don’t disappear in Iceland.”

This line, slyly delivered shortly into co-writer/director Óskar Thór Axelsson’s
film I Remember You, let’s you know that you are not really watching the movie you think you are.

Indeed, the Icelandic thriller weaves two separate stories together using this missing child as the thread.

As the line is delivered, Freyr (Jóhannes Haukur Jóhannesson 0, a psychiatrist, is filling in for a medical doctor at the site of a suicide. An elderly woman hung herself in an old church, writing the word “unclean” on the wall and vandalizing the building before taking her own life.

Though he’s only a fill-in, Freyr begins working with local authorities on the case, which begins as an apparent suicide but quickly turns into something sinister, perhaps supernatural.

Meanwhile, the film spends time with a trio—a man, his wife and her friend—refinishing a would-be bed and breakfast on an isolated Icelandic island.

What does Freyr’s son Benni, who vanished three years ago, have to do with all of it?

To be honest, Axelsson has trouble really clarifying that point. It takes a medium (who also happens to be a lawyer for no reason I can discern) to begin to explain Benni’s connection, but the truth is that these three tales of human misery—the suicide, the DIY trio and the mourning father— are spinning disconnected around us and no amount of spiritual mumbo jumbo can truly bring them all together

Still, I Remember You offers plenty of fine performances. Though Freyr behaves in ways no psychiatrist would (having his ex-wife point that out does little to remedy the problem), Jóhannesson’s caring but distrusting turn gives the film a center of gravity.

The three fixer-uppers (Anna Gunndís Guðmundsdóttir, Thor Kristjansson and Ágústa Eva Erlendsdóttir) offer the most tender and believable performances, and the ghost story itself sits best with them on that secluded island.

There’s also an effectively foreboding score and the endlessly imposing if beautiful Icelandic backdrop. The biggest issue is that Axelsson, working with Ottó Geir Borg to adapt Yrsa Sigurðardóttir’s novel, can’t bring the most intriguing threads to the surface and tie them together.

It’s a movie that refuses to stay with you. The final image is provocative, but even that won’t help you remember I Remember You.

Preparing the Bride

Novitiate

by Rachel Willis

When Cathleen Harris (Margaret Qualley) is seven years old, her mother, out of a sense of duty and more than a little boredom, takes her daughter to church. So begins Cathleen’s love affair with God.

And it is a love affair, as Novitiate seeks to show its audience as it follows Cathleen from that first encounter to her time as a novitiate seeking to become a bride of Christ.

As a postulant (the first step in becoming a nun), Cathleen meets the Reverend Mother (Melissa Leo), a woman who joined the convent 40 years earlier and has not left the convent in those 40 years. With the introduction of the Reverend Mother, the film branches into two narratives. We see the convent through both Cathleen and the Reverend Mother on the eve of monumental changes to the Catholic Church.

If writer/director Margaret Betts had kept her story limited to these two perspectives, we would be treated to a tighter film. Cathleen is a mostly silent observer, her few words devoted to her devotion to God, but we see a great deal through her. When the film branches off to follow other postulants in the convent, as well as a sister questioning her faith, we lose the intimacy established in the beginning with Cathleen.

Betts is aware that many in the audience will not understand what it takes to become a nun, nor will they be familiar with the Church in the early 1960’s, so there are a few moments of exposition. However, they never feel heavy-handed or forced. It feels as if we’re entering as a postulant, then a novitiate, with Cathleen.

As our eyes into this world, Qualley is phenomenal as Cathleen. She brings an intensity to the role that is needed to understand the level of commitment to Christ it takes to become a nun.

Leo as the Reverend Mother brings a different level of intensity, one that not only explains her devotion to Christ, but her faith in the perfection of the Church as Vatican II seeks to alter the world to which she’s given her entire life.

There are moments when the film sinks into melodrama, and some scenes feel unnecessary to the story, but it’s a captivating glimpse into a world few of us witness.

I See Dead People

Coco

by Hope Madden

Pixar is probably still the best bet in animation, though they followed up their 2015 high point Inside Out with the somewhat mediocre The Good Dinosaur and Finding Dory, and finally the underwhelming third installment in their least impressive series, Cars 3.

Can Coco, a story of finding your place between family and dreams, between this world and the next, set things right?

The film follows Miguel (well voiced by young Anthony Gonzalez), a musician, like his great-great-grandfather. The one no one is allowed to mention. The one whose face has been torn from the family photo. The one the whole family is supposed to forget.

Instead of being a musician, Miguel is supposed to make shoes, like the great-great-grandmother who taught herself to make shoes when her husband left her to pursue his dreams of being a musician.

But Miguel prefers music—who wouldn’t?—and “borrows” the guitar of the great, long-dead hometown hero Ernesto de la Cruz (Benjamin Bratt) so he can play in the talent show during the Dia de los Muertos celebration.

One thing leads to another and Miguel finds himself in the Land of the Dead.

There are a number of things Coco does quite right. Though its themes are reminiscent of other Pixar films—Ratatouille, in particular—the cultural execution is a welcome change in a long and Euro-centric list of movies.

The film is also characteristically gorgeous, many frames spilling over with vivid color and imagery.

Coco also tells a satisfying story that packs an emotional wallop. Like the animation giant’s 2009 masterpiece Up, Coco invests in elderly characters and celebrates death as a tragic but inevitable consequence of life.

The structure by now has become common, with too many notions borrowed from other Pixar films. Worse, the laughs are rarely hearty and the genuine emotion is saved for the climax leaving too much time spent with little serious audience connection.

That’s the tough thing about being Pixar, though, isn’t it? We’ve become so accustomed to treasures that we disregard a lovely, heartfelt piece of family entertainment. Coco is no Toy Story, but it’s a lovely film.

Trouble Man

Roman J. Israel, Esq.

by George Wolf

Roman J. Israel is a character. And Roman J. Israel, Esq. is a fine character study, one that can’t quite use that device for all the resonant insight it’s aspiring to.

Last time out, writer/director Dan Gilroy rode a very similar formula to spellbinding heights with the brilliantly slick and cynical Nightcrawler. Though Gilroy’s writing is often just as sharp in this legal drama, a third act buoyed by sentiment and idealism weakens the film’s overall effect.

Sadly, Denzel Washington is wildly miscast as the titular Mr. Israel.

Objection!

Sustained. Of course, Washington is characteristically terrific as a savant-like attorney with decades fighting for civil rights amid the “dominant tendencies of society.” Slowly, he’s seduced by the dark side, succumbing to the high-rolling lifestyle that comes with working for the suave and successful George Pierce (Colin Farrell).

As Roman moves from one world to another, Gilroy rails nicely against the systemic inequalities of our justice system, with Washington’s seemingly effortless brilliance bringing the nuance needed to make Roman’s moral waverings feel authentic.

They do, and the film has a nice groove going until Gilroy needs to find himself and Roman a way out of what they’ve boxed themselves into. Suddenly scenes are feeling padded and resolutions a bit tidy, and you’re waiting for the dreaded grand courtroom speech that’s destined to torpedo all these good intentions.

Thankfully, Gilroy’s instincts are better than that, leaving Roman J. Israel, Esq. with his integrity still intact, just a little dented.

 

 

Christmas Rush

The Man Who Invented Christmas

by George Wolf

“Invented” might be an exaggeration, but Charles Dickens certainly gave the Christmas spirit a boost. Published less than a week before Christmas in 1843, his A Christmas Carol sold out in days, igniting an instant spike in charitable giving.

As the well-meaning but unremarkable The Man Who Invented Christmas points out, the soon-to-be holiday classic arrived under a looming publishing deadline, at a time when Dickens badly needed a hit.

Director Bharat Nalluri (Miss Pettigrew Lives for a Day) and screenwriter Susan Coyne (in her feature debut) adapt Les Stanford’s book with a mix of fantasy and biography, never making the commitment to either that might have elevated the film beyond merely pleasant holiday distraction.

As Dickens (Dan Stevens) searches for inspiration, it arrives in the form of Mr. Scrooge (Christopher Plummer). Their interactions, though often charming, only touch on the personal demons Dickens was exorcising through his tale of mercy and goodwill, and the film is too eager to trade darker edges for sustained wholesomeness.

The peeks we do get into Dickens’s life are worthy, the period setting effectively detailed, and the whimsy entirely likable. Though certainly no classic, file this one under “satisfactory.”

 

 

 

I Don’t Want to Go Out – Week of November 20

Damn, a lot of movies come out this week. I guess if you have to drown out the yammering of family or just sit still for a long while and digest, you have your pick of movies to help you accomplish your laudable goals. Let us help you pick!

Click the title for the full review.

Good Time

Crown Heights

Lemon

Hex

The Hitman’s Bodyguard

Valerian and the City of a Thousand Planets

Truth in Advertising

Three Billboards Outside Ebbing, Missouri

by George Wolf

In any form, great writing is a joy to behold. On the movie screen, pair it with skilled actors and you’re more than halfway home to a memorable experience.

Three Billboards… gets all the way home.

Writer/director Martin McDonagh provides his stellar ensemble with smart, insightful dialog that crackles with bite, poignancy and scattershot hilarity. His tale is offbeat but urgent and welcome, speaking as it does to grief, compassion, and navigating the contrasts between the good and evil in our flawed selves.

Frances McDormand is sensational as Mildred, a woman still haunted by the unsolved murder of her daughter seven months earlier. Passing by a series of abandoned billboards on her rural drive home one evening, Mildred decides to rent them, publicly asking Sheriff Willoughby (Woody Harrelson, capping off a year of multiple great performances) why there have been no arrests.

This is not a popular move, not with the Sheriff, his violent deputy (Sam Rockwell – fantastic), Mildred’s abusive ex-husband (John Hawkes), her embarrassed son (Lucas Hedges) or…who else ya got?

Only an enthusiastic co-worker (Amanda Warren) and a hopeful suitor (Peter Dinklage) offer support, leaving Mildred as a small-town pariah.

She is unmoved, and McDormand crafts Mildred with meaningful layers, as a foul-mouthed firebrand lashing out at injustice and sorrow with a defiant lack of concern for consequence. She is absolutely award-worthy, as are Rockwell and Harrelson, and as their character arcs take unexpected detours, the film displays its relevant social conscience through both subtlety and aggression.

McDonagh (In Bruges, Seven Psychopaths) compliments his usual knack for piercing wordplay with well-paced visual storytelling and some downright shocking tonal shifts. We are constantly engaged but never quite at ease, as McDonagh demands our attention through brutality and dark humor, holding the moments of humanity until they will be most deeply satisfying.

Behind Three Billboards..are performers able to create rich, indelible characters and a bold filmmaker whose vision and instincts have never been more on point.

The Plumber

by Christie Robb

It’s entirely possible that I should not be allowed to own a home.

Perhaps my husband and I should have purchased a relatively easy starter home in the suburbs—something built this century. Instead, we bought a house that is nearly 100 years old with all the associated wear and tear that comes with age, and with a few bonus quirks courtesy of previous owners that were into DIY projects.

One of these quirks is the bathroom floor. For some reason, it sits nearly two inches higher than every other floor on that story. The bathroom is located on the second floor, directly across from the stairs, making for the occasional moment of terror when you get up to pee in the middle of the night and exit the bathroom forgetting about the extra two inches, stumble, and nearly pitch yourself down the stairs.

The house is also located in an older neighborhood, which is great in terms of walking destinations: coffee shop, taco place, single-screen movie theatre/bar. But the neighborhood also experiences a little bit of petty crime.

My husband’s car, for example, has been broken into several times, despite the booty being limited to (at best) a window scraper and (at worst) his used, sweaty gym clothes. The least lucrative theft was our City of Columbus-provided trashcan. It was exactly the same as every other un-stolen trashcan on our block, except for the gaping hole in the lid.

Which made it the worst trashcan on the block.

I guess there is no accounting for the thought process of petty thieves.

Recently my mother noticed that the toilet in our one and only bathroom was a bit wobblier than normal. She began a campaign of nagging me to call a plumber lest the wax ring seal around the base degrade and a whole mess of sewage infiltrate the floor of the bathroom and become a shit fountain into the kitchen sink directly below.

She had a point.

I called Bob the plumber and asked if he could check out the wobbly toilet and also deal with a slow drain in the kitchen sink that had stopped responding to my liberal application of liquid drain un-clogger.

Bob agreed and provided a window of time during which he’d come over. Anytime from noon until five PM.

Sigh. Even the cable guy thought this was poor scheduling.

That day it was bitter cold and had started to snow in the early afternoon. As I was home waiting, I felt compelled to shovel the walkway. But I convinced myself that as soon as I started to do so, the plumber would call to give me the half-hour heads up that he was coming and in my bundled up state I’d miss the call.

I failed to shovel the snow. Instead, I puttered around cleaning up the house, figuring that if I seemed to respect and care for my home, the plumber invited into it would respect it as well.

Bob pursed his lips at the sight of the two-inch elevation of the bathroom floor.

“How long have you owned this house?” he asked.

I reassured him that, although I have had the house for eight years, most of its quirks were due to the previous owner. I just haven’t bothered to fix them.

He plunked some dye into the toilet tank and suggested we check out the kitchen sink to give the dye a chance to potentially bleed out all over the floor and alert us to a leaking sewage issue.

I uttered a brief internal prayer and led Bob downstairs.

Standing over the kitchen sink, Bob used his cell phone as a flashlight and looked down the drain. He asked me how I used the garbage disposal.

I blinked.

It’s a garbage disposal. I reassured him that I used it for the usual disposal of the stray kitchen scraps that aren’t easily scraped off a plate.

It’s not like I used it to get rid of the bodies or anything.

He looked at me with suspicion and launched into a lecture about how you should really never use your garbage disposal for anything and if you do to make sure you run hot water through it for like solid ten minutes after. Then he opened the cabinet door under the sink and showed me a rusty connection where the garbage disposal motor meets the drain pipe.

“Yeah, this is about to become shrapnel,” he said, poking at the rust. “One day you are going to turn this baby on and the coupling will break and fly out into the kitchen.”

“Oh good,” I mumbled, imagining rusted metal shearing into my toddler’s face. She’s basically the perfect height.

I directed the plumber to the other side of the sink. The one with the problem.

He turned on the water and waited for it to slowly drain, then peered at it with his flashlight to reveal some brownish sludge. Bob told me I could have just dealt with it myself with a five-dollar plastic thing they have at the hardware store.

I could feel myself turning red. As he poked around in the drain with the five-dollar plastic thing that he had taken out of his pocket, I tried to explain that the slow drain wasn’t something I normally would call a plumber about, but that since he was already coming out and as I have a toddler and wasn’t planning a trip to the hardware store anytime soon…

Bob interrupted. “Did you know this basket strainer isn’t right?”

I attempted to assess how important it was for me to know what a “basket strainer” is and what constitutes a correct one. I figured Bob was describing the plastic thing that sits in the drain on that side and attempts to prevent food from washing down the non-garbage disposal side of the sink.

“What, like the weave of the mesh is too large or something? The other day a chunk of potato fell down that side and I really don’t think that should have been able to—“

Bob interrupted and pointed at the strainer. “No. It’s for a completely different sink.”

I peered at it. Now that he mentioned it, the color of the sink and the color of the strainer didn’t exactly seem to match.

“Huh,” I muttered. “Previous owners, I guess.”

Bob launched into a series of stories about hapless homeowners of older houses. At first, this seemed designed to reassure me. Like, all older homes have their issues and it’s ok. Then Bob started telling me about a lady who never drained her water heater and ended up with it falling apart due to it being filled up with layers of sediment.

I, never having heard of draining one’s water heater, gulped. Bob read my face and said that after we were done with the toilet, he would check out my water heater. My heart rate accelerated as I pictured my basement. The place where we had shoved all the breakable lamps to baby proof the house and stashed all the furniture to make room for the baby accessories and dumped all the baby accessories to make room for the toddler kitchen sets and bookshelves.

Plus there’s all that cat shit on the floor.

We went upstairs to look at the toilet. Thankfully the floor wasn’t dyed blue, so it seemed the toilet hadn’t been leaking, at least not that badly. Bob leaned over the toilet, placed a hand on each side of the seat and jostled it back and forth.

“It shouldn’t move this much,” he said.

Duh.

“Is this your master bathroom?” he asked.

I replied that it was the only bathroom. Bob looked at me. I think he was trying to mask his pity, but he wasn’t putting a lot of effort into it.

Bob told me that if he removed the toilet he might find something unpleasant, like rotten subflooring, that might require a lot of fixing. And he hit the tile with his foot, pointing out the series of cracks in it that have only gotten worse in the eight years since we’ve owned the house.

“And I don’t trust this floor.”

I reassured him that I didn’t either, that I had always wondered why it was two inches higher than all the other floor, but that I really wanted the toilet fixed to avoid a shit fountain.

“Try to fix the toilet,” I said. “We’ll deal with what we find.”

I began simultaneously brainstorming how to fashion a makeshift toilet out of an empty bucket of cat litter and furtively googling whether “draining the water heater” is actually a thing people do or something the plumber was trying to upsell me on.

I tried not to think about what would happen financially if my husband and I found out that we’d need to gut the bathroom immediately instead of in a few years when we’d saved up the money.

I’m too old and uncoordinated to earn extra money on the pole.

Bob removed the toilet. “Actually it’s not as bad as I thought,” Bob started.

“Oh, wait.”

Moving the toilet itself off to the side, he shined the cellphone flashlight into the hole over which the toilet once stood.

“Look at this,” he directed in a derisive tone.

I looked and narrowed my eyes in concern. I had no idea what I was looking at. I wished my husband was home. Not because he knows anything more about plumbing than I do, but just for moral support and an extra memory to recall what terms we need to google later.

I still don’t know what was actually wrong. Something about flanges, diameter of holes, plaster and screws that were supposed to secure things that ended up being purely decorative.

Bob tutted and suggested various creative solutions for dealing with whatever the problems were. For the next hour or so he walked back and forth to his van, getting parts, trying them out, failing, going to get a different part, repeat, leaving the front door open every time with just the screen door closed.

I’ve got the type of screen door that has a glass cover I can pull up over the screen in the winter. Except it’s a little bit broken and we can’t pull up the glass to cover the top two inches of screen. So every time Bob left, frigid air would blow into the house.

After about the seventh time he came in, Bob noticed and said, “Your screen door is broken.”

I bowed my head in shame.

“Oh, and I’ve nearly fallen down your front stairs every time I’ve gone out. You should probably shovel.”

Eventually, Bob decided that the best plan would be to replace the wax ring and glue the toilet directly to the floor. “This isn’t a permanent solution,” he hastened to inform.

“Do it.”

Bob started work and I retreated to the living room to send out texts to all my home-owning friends and family to ask if they’d ever had their hot water heater drained and to google what a “flange” and a “gasket” were.

Hours pass. The husband and daughter come home. We have dinner. The plumber goes on a shopping trip to the hardware store.

I’ve not had a lot of water to drink, but I’m at the point where I’m starting to consider crafting the makeshift toilet out of the cat litter bucket.

It’s almost the daughter’s bedtime and there are still drilling sounds from the bathroom. We throw on another episode of Curious George. Plumber asks for some extra towels and a box fan.

I throw on another episode of Curious George, pray that my tired daughter doesn’t have a meltdown, and cross my legs.

Another episode past bedtime, Bob says he’s done. He lurches down the stairs carrying a large trash bag and sets it on the floor.

I whip out the checkbook I use once every two years and ask for the damage report.

Bob says that since it’s so late he’s going to charge me just for the toilet job and write out an estimate for the other stuff, which is great as I never agreed to actually pay him to fix the other stuff. He mumbles about a new basket strainer and coupling for the garbage disposal.

I mention the water heater.

Bob’s face lit up.

“I forgot about that! Let’s go look at that now.”

And he immediately turned toward the basement door.

I followed behind muttering excuses about how messy it is. My heart sank when I reached the bottom of the stairs to see that the cat had, once again, pooped all over the floor.

I pointed, defeated, to the water heater.

Bob gracefully stepped over the poop and inspected the tank. I peered at the basement as if looking at it for the first time.

Hoarders, I thought to myself.

Bob turned and asked where the main shutoff for the house is located. I looked around my basement at various knobs. I knew this. At one point.

I remembered attending our home inspection, and the inspector making a big deal out of the main shutoff. Maybe it’s this one knob, I thought, looking at a blue one. But then, in my peripheral vision, I noticed a red knob. I recalled the red knob having some sort of significance. Maybe I was wrong about the blue knob.

It was something that in normal circumstances I would have likely confirmed, either by asking my husband if he remembered, or by looking up my notes from the home inspection. But at this point I was tired, wanted Bob out of my house, was and doing a pee dance, so I pointed at the red knob.

I chose poorly.

Bob informed me that the red knob was actually the shutoff for the exterior water. He twisted the knob and lectured me about how it was freezing outside and I really should turn the exterior water line off.

I squirmed, shifting my weight to the left and right.

Bob asked me if I knew where my water meter was. Now, this I do actually know, but by this point, the inside of my head was filled with static and a high-pitched whine and I was minutes from wetting myself. I just said it was outside in an attempt to lure Bob out of the house so I could go pee in my newly glued-to-the-floor toilet.

Bob turned around and pointed to the clearly visible, somewhat enormous water meter. “This is your water meter,” he said.

I nodded and wished I had done more Kegels.

Kicking the cat shit out of my way, I led Bob back upstairs. I filled out the check while hopping casually.

Bob picked up his trash bag and asked where the outside trash was. He’d just throw the bag away on his way out.

“Actually,” I said, clearing my throat and summoning the shreds of my dignity, “I don’t have a trashcan.”

I pointed at the corner of the kitchen where I’d stored several stinky bags containing kitchen scraps and disposable training pants.

Bob lowered his contractor bag to the top of the pile, releasing the smell of rotten chicken parts, and fled toward the un-shoveled front steps.

He only slipped a little bit.

The Screening Room: Justice, Kindness and Forgiveness

Join us in The Screening Room to talk through this week’s new releases in theaters and home entertainment. We break down Justice League, Wonder, Lady Bird, The Square, Poor Agnes and Frank Serpico, plus the week’s BluRay, DVD and streaming releases.

Listen in HERE.

From the Inside

Frank Serpico

by George Wolf

It’s still an iconic image of the 1970s: bearded, bushy-haired Al Pacino staring back at us as Serpico, avenging cop on a mission to bring down corruption from the inside.

To hear the real Frank Serpico tell it, the starring role was first offered to him, and even after Pacino was cast, Frank got thrown off the set of his own movie for complaining about inaccuracies.

What else would you expect from a guy who was nearly whacked for exposing crooked cops?

Writer/Director Antonino D’Ambrosio  presents an engaging, mostly first-person documentary on Serpico’s life, following him through the years and various hair/beard combinations to get us closer to a restless spirit who still doesn’t understand why honesty is so difficult.

Impressive archival footage paired with biographical timelines reveal Serpico’s personal journey while providing glimpses into effective means of law enforcement, as well as the roots of systemic corruption.

Now and then the film could benefit from keeping a tighter rein on Frank’s storytelling, but there’s no denying the respect the man deserves, or the frustration he still carries with him. 

As cool as it is to hang out with this cat, the film’s prevailing takeaway becomes the naivete in thinking police corruption can ever truly be corralled.

And that makes for 98 damn bittersweet minutes.

Hope Madden and George Wolf … get it?