All posts by maddwolf

So That Happened…Searching for Good CLit!

 

By Hope Madden

 

My company recently wrapped up its national sales meeting, which reminded me of the best story ever about our sales meeting and the world’s sweetest person.

I had the amazing good fortune to work for the nicest lady on earth for the first ten or so years of my career in publishing. People in the office refer to her as Mrs. Claus. She is the dearest, kindest person I think I’ve ever met. She’s also pleasantly naïve. Take, for instance, that time she put together her presentation for our national sales meeting.

It was a few years back, and she was planning to present her children’s literature list to our sales reps, explaining what they were selling and the best way to sell it. She’d already left for the meeting. She left me a stack of her printed power points to peruse and copyedit, as necessary. I was to send my hand written corrections to her with another colleague, who’d be flying out the next day.

Yes, it makes no sense at all to hand write changes on print outs of power points. She has since adapted to the electronic age.

Her slogan for the presentation was: How do you find good children’s literature? But, she couldn’t get that to fit properly in the power point, so she abbreviated.

HOW DO YOU FIND GOOD CLIT?

Oh, my.

This was the theme of her presentation, to be given several times to several roomfuls of seasoned sales people, who, come to think of it, might actually perk up and start taking notes.

The slogan was followed by several bullet points for the balance of her speech:

HOW DO YOU FIND GOOD CLIT?

  • What is good CLit?
  • Who is looking for good CLit?
  • How do you sell good CLit?

Obviously, I found a handful of changes to make to the presentation.

Indeed, I felt a bit of urgency about the changes. Unfortunately, the colleague who was to hand-deliver the changes just in time for my boss to update her speech had decided to take an earlier flight.

I tried calling my boss at the hotel. No answer.

She didn’t yet have a cell phone.

I was desperate. Panicked, even. I couldn’t let this dear, wonderful woman present this particular speech in public, in front of all her colleagues.

Luckily for us all, I flipped out in my office, drawing the attention of another editor who had not yet left for the sales meeting. Thank God! This particular editor was less naïve and, honestly, less good natured than my boss. She absolutely relished the idea of breaking the news to her. And, of course, thereby saving the day.

Whew.

As I ran this blog past George, I admitted that I couldn’t quite find an ending.

He said it was OK, sometimes you just couldn’t find it.

I disagreed. How hard could it be? It just didn’t seem right to stop without finding it.

He seemed baffled by this idea and nodded off.

Sigh.

Outtakes: Oscar Thoughts

 

By Hope and George

 

The Oscar nominations this morning celebrated some excellent, often overlooked films and performances from 2012. We are thrilled that The Master received three performance nods – Phillip Seymour Hoffman, Amy Adams, and the often unappreciated turn from Joaquin Phoenix. Hooray. Great, also, to see wee Quvenzhane Walls in the best actress category for her powerhouse performance in Beasts of the Southern Wild.

A few others were more predictable but nonetheless merited: Anne Hathaway (this year’s surest lock) for her turn in Les Miserables, Daniel Day-Lewis as Lincoln (second surest best).

Not all was well, however. Where is the love for Moonrise Kingdom? One measely nomination (best original screenplay)? Nothing for visionary director Wes Anderson, and no best picture nod. They only nominated 9 for best picture – it’s not like they would have bumped anybody to include this miraculous little film.

And while best actor was no doubt the most competitive race this year, it’s unbelievable that John Hawkes got no love for his beautiful performance in The Session.

Still, the most aggregious oversight was in leaving Ben Affleck out of the conversation for best director. Argo – an excellent film with several nominations, including best picture and best supporting actor (Alan Arkin) – was truly a feat in direction. With scores of speaking roles, a story that weaved from Capital Hill tension to Hollywood comedy to international intrigue, and a pace that kept you breathless, Argo announced Affleck as a director of vision and skill. Not that Oscar noticed.

Surely Ben could have bumped Ang Lee from the list. Or maybe that spot should have gone to Kathryn Bigelow, who found power through restraint in her riveting film Zero Dark Thirty.

And where is Tom Hooper (Les Miserables)? Surprise nominees Michael Haneke (Amour) and Benh Zeitlin (Beasts of the Southern Wild) knocked some liklier candidates out of contention. But, to be fair, Haneke is a genius and every film he’s made deserves multiple viewings, and newcomer Zeitlin crafted perhaps the most wildly original film of  2012, so no grudges held.

Other random thoughts:

Really surprised that The Imposter didn’t make it in as a documentary nominee, but very glad that How to Survive a Plague is there and here’s hoping it wins.

The Original Song category should be interesting. Though the new Les Mis song “Suddenly” is a worthy addition to a movie getting tons of award season love, Adele’s “Skyfall” has a brilliant retro-Bond sound that made it a classic from the very first listen.

Speaking of Skyfall, it should give Life of Pi a little competition in the Best Cinematography category. While the look of Pi was simply incredible (and really, the best reason to see the film), the use of color and shadow in Skyfall was more subtle, but very impressive as well.

Outtakes: Best overlooked films of 2012

As the new year rolls in, no thanks to the Mayans, we wanted to remember all the great movies that went underseen in 2012 in the hopes that they might find a little love in their next life on DVD. Each of us picked a couple titles we think you might have missed. Do yourself a favor and seek them out now.

George’s pick: The Imposter. It’s hard to pick one, but The Imposter is a masterfully assembled documentary, with a story that takes so many unbelievable turns you will have to scrape your jaw off the floor.

Runners Up: 

Hope’s pick: Killer Joe. Wow, this was one wild, wrong-headed mess of a brilliant piece of filmmaking. Astonishing performances showcase a cast ready to do whatever is asked of them, and that is a lot. I will pass on that chicken dinner, thanks. 

Runners Up: 

So, keep an eye out and have a great 2013!

Outtakes: Film critic offspring shames family, enjoys Expendables 2

A local teen rocked his household this weekend when he returned from a showing of Expendables 2 with the evaluation, “It was pretty good.”

The boy, son of The Other Paper movie reviewers George Wolf and Hope Madden, shows no remorse when extolling the virtues of the Stallone pic.

“It was fun,” he claims, with no apparent irony.

The film critic pair deemed the film’s predecessor, The Expendables, the worst film of 2010 in a year-end blog. Though neither have taken in the sequel – which, shockingly, did not screen for film critics – they feel confident in their prediction that the movie “blows.”

And yet, their son claims otherwise.

“Terry Crews is under-appreciated,” says the boy.

Madden responded, “At least he didn’t say Dolph Lundgren.”

The boy insists they have no real ground for arguing the point until they see the film.

Wolf retorted, “I could get a good look a T-bone by sticking my head up a bull’s ass, but I’d rather take a butcher’s word for it!”

His foolish pride at this archaic turn of phrase evaporated as the boy reminded him that he too, had seen Tommy Boy. Both critics finally resigned themselves to the fact that they would, indeed, have to watch the film if they wanted to continue to argue the point.

“God damn it,” they said.

Neighbors report that the back and forth comments continue to be of the snide variety, and that the young man’s excitement upon hearing recent “Larry the Cable Guy” concert dates threatens to escalate the situation even further.

For Your Queue: Horrific vs. Horror

 

By Hope and George

 

The great underseen flick Compliance is released to DVD today. One of the most impeccably made and provocative films of 2012, Compliance is a cautionary tale that’s so unnerving it’s easier just to disbelieve. But don’t. This true crime account offers a Milgram’s experiment come to life. The film spirals into nightmare as a fast food worker/alleged thief’s colleagues agree to commit increasingly horrific deeds in the name of complying with authority.

The work of a spot-on ensemble keeps the tensions ratcheted tight. Ann Dowd, in particular, could not be better as the manager who just wants to do what she’s told. Director Craig Zobel’s film is guaranteed to evoke heated debate.

Zobel’s film is horrific, but not horror. If you are looking for horror, though, we may have something. For a decidedly different but certainly no less provocative exploration of the nightmare of being trapped, dig back in the stacks to have a look at director Lucky McKee’s The Woman.

McKee’s film, penned by notorious horror writer Jack Ketchum, rethinks the family dynamic. Ketchum may say things you don’t want to hear, but he says them well. And McKee has no qualms about showing you things you don’t want to see. Indeed, the advanced screener I received came in a vomit bag.

Nothing happens in this film by accident – not even the seemingly innocent baking of cookies – nor does it ever happen solely to titillate. That’s what makes this tale superior to traditional horror porn, but it certainly doesn’t ensure that it’s your bag – vomit or otherwise.

For Your Queue: Leave It to Gordon-Levitt

 

By Hope and George

 

Available today on demand and in your queue is Looper, the kind of movie that nourishes any underfed love of Science Fiction.

Joseph Gordon-Levitt plays Joe, a young hood in a dystopian future. When the mob wants someone wacked, they send him in a time machine back to Joe – no body, no messy investigation. Then one day they send even-more-future Joe (Bruce Willis, in his second great performance this year) back for Joe to wack, and all hell breaks loose. The result is the best action film, best SciFi film, and among the best films period of 2012. It’s a heady, confident, fascinating adventure that should not be missed.

If you enjoy it, you’ll definitely want to give writer/director Rian Johnson’s feature debut Brick a chance. A hardboiled film noir given a David Lynch feel and set in an LA high school, the film works a magic spell. Gordon-Levitt again stars, this time as a high school outsider turned flatfoot trying to piece together a dame’s murder. For all its familiarities, Brick is wildly unusual and absoltuely fascinating viewing.

Outtakes: Central Ohio Film Critics 2012 nominees

www.cofca.org

Nominees for the 11th annual Central Ohio Film Critics Association awards

(Columbus, December 29, 2012) The Central Ohio Film Critics Association is pleased to announce the nominees for its 11th annual awards.  Winners will be announced on the evening of January 3rd, 2013.

Notes on the nominees:

-Ties in the nomination round produced eleven nominees in the Best Film category and six nominees in the Best Director category.

-Although eleven films are nominated for Best Film, voting will finalize a Top 10 list.

The 2012 Central Ohio Film Critics Association awards nominees are:

Founded in 2002, the Central Ohio Film Critics Association is comprised of film critics based in Columbus, Ohio and the surrounding areas. Its membership consists of more than 20 print, radio, television, and internet critics. COFCA’s official website at www.cofca.org contains links to member reviews and past award winners.

The 2012 Central Ohio Film Critics Association awards nominees are:

Best Film

Argo

Beasts of the Southern Wild

The Cabin in the Woods

Django Unchained

Les Misérables

Lincoln

Looper

The Master

Moonrise Kingdom

Silver Linings Playbook

Zero Dark Thirty

Best Director

-Ben Affleck, Argo

-Paul Thomas Anderson, The Master

-Wes Anderson, Moonrise Kingdom

-Kathryn Bigelow, Zero Dark Thirty

-Tom Hooper, Les Misérables

-Steven Spielberg, Lincoln

 

Best Actor

-Bradley Cooper, Silver Linings Playbook

-Daniel Day-Lewis, Lincoln

-John Hawkes, The Sessions

-Hugh Jackman, Les Misérables

-Denis Lavant, Holy Motors

-Joaquin Phoenix, The Master

Best Actress

-Jessica Chastain, Zero Dark Thirty

-Jennifer Lawrence, Silver Linings Playbook

-Helen Mirren, Hitchcock

-Quvenzhané Wallis, Beasts of the Southern Wild

-Naomi Watts, The Impossible

Best Supporting Actor

-Alan Arkin, Argo

-Leonardo DiCaprio, Django Unchained

-Philip Seymour Hoffman, The Master

-Tommy Lee Jones, Lincoln

-Christoph Waltz, Django Unchained

Best Supporting Actress

-Amy Adams, The Master

-Ann Dowd, Compliance

-Sally Field, Lincoln

-Anne Hathaway, Les Misérables

-Helen Hunt, The Sessions

Best Ensemble

Argo

Les Misérables

Lincoln

Moonrise Kingdom

Silver Linings Playbook

Actor of the Year (for an exemplary body of work)

-Joseph Gordon-Levitt (The Dark Knight Rises, Lincoln, Looper, and Premium Rush)

-Anne Hathaway (The Dark Knight Rises and Les Misérables)

-Jennifer Lawrence (House at the End of the Street, The Hunger Games, and Silver Linings Playbook)

-Matthew McConaughey (Bernie, Killer Joe, Magic Mike, and The Paperboy)

-Channing Tatum (21 Jump Street, Haywire, Magic Mike, and The Vow)

Breakthrough Film Artist

-Tom Holland, The Impossible – (for acting)

-Bart Layton, The Imposter – (for directing)

-Quvenzhané Wallis, Beasts of the Southern Wild – (for acting)

-Benh Zeitlin, Beasts of the Southern Wild – (for composing, directing, and screenwriting)

 

Best Cinematography

-Danny Cohen, Les Misérables

-Roger Deakins, Skyfall

-Mihai Malaimare Jr., The Master

-Claudio Miranda, Life of Pi

-Robert Yeoman, Moonrise Kingdom

Best Adapted Screenplay

-Stephen Chbosky, The Perks of Being a Wallflower

-Tony Kushner, Lincoln

-David Magee, Life of Pi

-David O. Russell, Silver Linings Playbook

-Chris Terrio, Argo

Best Original Screenplay

-Wes Anderson and Roman Coppola, Moonrise Kingdom

-Mark Boal, Zero Dark Thirty

-Drew Goddard and Joss Whedon, The Cabin in the Woods

-Rian Johnson, Looper

-Quentin Tarantino, Django Unchained

Best Score

-Alexandre Desplat, Argo

-Alexandre Desplat, Moonrise Kingdom

-Reinhold Heil, Johnny Klimek, and Tom Tykwer, Cloud Atlas

-Howard Shore, The Hobbit: An Unexpected Journey

-Hans Zimmer, The Dark Knight Rises

 

Best Documentary

How to Survive a Plague

The Imposter

The Queen of Versailles

Samsara

Searching for Sugar Man

 

Best Foreign Language Film

Headhunters (Hodejegerne)

Hipsters (Stilyagi)

Holy Motors

The Kid with a Bike (Le gamin au vélo)

Let the Bullets Fly (Rang zidan fei)

Best Animated Film

Brave

Frankenweenie

Madagascar 3: Europe’s Most Wanted

ParaNorman

Wreck-It Ralph

 

Best Overlooked Film

Bernie

Goon

Killer Joe

Safety Not Guaranteed

Seven Psychopaths

 

 

COFCA offers its congratulations to the nominees.

Previous Best Film winners:

2002:  Punch-Drunk Love

2003:   Lost in Translation

2004:   Million Dollar Baby

2005:   A History of Violence

2006:   Children of Men

2007:  No Country for Old Men

2008:  WALL·E

2009:  Up in the Air

2010:  Inception

2011Drive

For more information about the Central Ohio Film Critics Association, please visit www.cofca.org or e-mail info@cofca.org.

The complete list of members and their affiliations:

Richard Ades (The Other Paper); Kevin Carr (www.7mpictures.com, FilmSchoolRejects.com); Bill Clark (www.fromthebalcony.com); John DeSando (90.5 WCBE); Chad Dull (The Other Paper); Frank Gabrenya (The Columbus Dispatch); James Hansen (Out 1 Film Journal); Nicholas Herum (Columbus Underground; Movies Hate You Too); Brad Keefe (Columbus Alive); Kaizaad Kotwal (C Magazine, Gay Peoples Chronicle); Kristin Dreyer Kramer (NightsAndWeekends.com, 90.5 WCBE); Joyce Long (WOSU Public Media); Rico Long (WOSU Public Media); Hope Madden (The Other Paper); Paul Markoff (WOCC-TV3; Otterbein.TV); David Medsker (Bullz-Eye.com); Lori Pearson (Kids-in-Mind.com, critics.com); Mark Pfeiffer (Reel Times: Reflections on Cinema; WOCC-TV3; Otterbein.TV); Melissa Starker (Columbus Alive, The Columbus Dispatch); George Wolf (The Other Paper); Jason Zingale (Bullz-Eye.com); Nathan Zoebl (PictureShowPundits.com).

For Your Queue: Freaky Fine Friedkin!

 

By Hope and George

 

They snuck a whole additional DVD release date in this week, did you notice that? Sneaky bastards!

Well, the good news is that they are unleashing one of the year’s best and weirdest with their secret-second Christmas release. Today, film fans, today director William F. Friedkin offers something bold and nasty: Killer Joe. Matthew McConaughey plays the titular killer, a predator in a cowboy hat making deals with some Texas white trash. The deal goes haywire, and some crazy, mean, vividly depicted shit befalls those unthinking trailer folk.

Subdued, charming, merciless, weird, and oh-so-Southern, Joe scares the living hell out of any thinking person. Unfortunately, that doesn’t really describe the Smiths – an exquisitely cast Emile Hirsch, Juno Temple, Thomas Hayden Church and a flawless Gina Gershon. This is an ugly and unsettlingly funny film about compromises, bad ideas and bruised women. And it is the best thing Friedkin has done since The Exorcist.

If you enjoy it, try Friedkin’s 2006 White Trash Weirdness, Bug. Working for the first time with Tracy Letts, the playwright/scripter who also penned Killer Joe, Friedkin invites you into a world of paranoia, poverty, regret and tinfoil. Ashley Judd has never been better, playing a desperate waitress with a tragic past living in a cheap motel. She befriends a seriously damaged drifter – the creepy and wonderful Michael Shannon – and a nightmare unspools. Bug lacks the wrong-headed humor of Killer Joe, but it is an absorbing, bizarre, and beautifully executed ride.

So That Happened….Santa Happens!

 

By Hope Madden

 

Christmas approaches, and George proves once again that he makes a fine Santa.

He played the part first at 15. A pubescent redhead weighing in at about a buck and a half – very authentic. Well played, Cambridge, Ohio Sears.

He donned the beard and boots again more recently. Perhaps you saw a bunch of Santas at various Columbus intersections dancing around with signs urging you to “Honk for Santa and Sunny 95!” George was one of those, and he had a lot of fun, even though he did get a one-finger Christmas salute from a guy who apparently saw right through a moonwalking Santa and his war on traditional holiday dance.

In between these stints, I would sometimes lend George out over the phone for nieces, nephews and friends’ kids. He has that nice, full baritone, does a great ho ho ho, and has literally no choice as I promise his services without checking.

He retired a few years back. A couple of 4-year-olds wore him down. My niece Ruby and our little friend Eva were to receive calls from ”Santa” on Christmas Eve. First he called Eva, who’d recently turned 4. She answered the phone with a shy, “Hello.”

“Hello. Is this Eva? This is Santa.”

Thud.

Eva dropped the phone and hid under a nearby table.

I should point out that George has been known to frighten children to tears. Usually the children sit in their itty bitty  jerseys or cheerleading onesies and George startles them from across a restaurant with a burst of fan passion. George is loud.

The children sometimes cry.

Of course, being a Browns fan, sometimes George cries, too.

Eva’s mom Heather picked up the phone, coaxing some conversation from her wee one, still safely tucked beneath the kitchen table.

“Eva, Santa says hi.”

“Hi.”

“Santa, Eva says hi.”

And so on.

George was a bit wearied by the time he got off the phone, but he needed to gumption up because Ruby was waiting.

“Ruby? This is Santa.”

“Oh, hello Santa.”

“Well hello, Ruby!”

“Santa, what is your favorite color?”

“Well…”

“What snack do you like best? How do you see when we’re good and when we’re bad? What do you dream about?”

At that point, Santa was dreaming of a gracious way out, but Ruby was having none of it.

“Are you sometimes invisible? Do you like to dance?”

How did she know about the moonwalk?

George has been on Santa vacation since then, but I was just thinking of a fun new plan, what with that fetching suit and all.

Skype!

So That Happened…Meet the Chirpers!

 

By Hope Madden

 

I edit college textbooks for a living, with all the associated hoopla, madness and zaniness you might expect to go along with that job. Exactly that much zaniness. My wing of the building is routinely referred to by our sales reps as The Mausoleum.

Yes, we’re quiet, we’re boring, we’re nerdy. We’re also under attack, forever harassed by the encroachment of the sales force. When I first started working here, our sales group’s wing ended about ten feet to the left of my office door.

But they constantly hire more sales people, and so began the cubical creep.

First, new cubicles lined the short wall across from my office.

Then they mushroomed in what was once the free space just beyond that wall.

Now they sit butt-up against the editorial assistants’ cubes.

If you look out my door, sales cubes are to my left, directly across from me, and to my right. I am surrounded.

With the sales force comes a different vibe than the one you find in editorial. There are a lot of happy hours, a lot of games, decorations and confetti and sometimes costumes. But mainly, with those cubicles comes sales people.

Like that one pod of cubes very near my door, and the new neighbors who work there: a revolving set of eager, young, shiny, chatty women. Very chatty. Chirpy, even.

And try as I might to ignore their constant chirping, sometimes it seeps through.

Like yesterday:

Chirper #1: Selena Gomez and the Bieb are back together

Chirper #2: Nuh-uh

Chirper #1: How do you spell ‘combination’

Chirper #2: C-O-M-B

Chirper #1: Is it C-O-M-B-O?

Chirper #2: No.

 

Aaah, Chripers. The adventure begins.