Tag Archives: The Advent Calendar

Hard Candy Christmas

The Advent Calendar

by Hope Madden

Who needs a new Christmas horror story?

I do. Y’all can have your Hallmark romances but give me a little yuletide carnage and I’m filled with holiday cheer.

This Christmas season, writer/director Patrick Ridremont comes through with the Belgian horror The Advent Calendar.

It’s been three years since the accident that put Eva (Eugénie Derouand) in a wheelchair, but it’s still sometimes tough for her to tolerate the ableism and ignorance of those around her. Luckily her bestie Sophie (Honorine Magnier) cheers her with a visit and a gift — an antique wooden advent calendar she picked up in Germany.

There are rules. There is candy. There will be blood. (But there is candy, so how bad can it be?)

The “be careful what you wish for” storyline is as vintage as the ornate and impressive prop, but cursed object horror can be powerful when done well. Ridremont does it well, allowing time for his ensemble to develop their characters. And though the film skirts cliché, Ridremont respects his audience’s ability to keep up. We’re not spoonfed.

Better still, Eva has depth enough as a character that when she finally moves willingly toward doing the wrong thing, you feel her resignation more than her selfishness.

Derouand portrays Eva’s bitterness and longing so clearly that the film never has to bow to montage or flashback. And when the time comes to get spooky, The Advent Calendar delivers.

There’s plenty of blood, but it’s the way it’s meted out that ramps up tensions. We start off with people we’re trained to want to see picked off, but viewer beware: there’s a beautiful mutt in danger here as the cursed object worms its way into Eva’s life.

The FX are not as impressive as the performances, unfortunately, but the creature itself is creepy as hell. Better still, his existence and the origin of the Advent Calendar are left a bit to the imagination. It’s a clever sleight of hand, Ridremont taking advantage of our familiarity with his subgenre when he needs to, while still leaving behind the tangy taste of mystery.