Tag Archives: social media movies

Follow You, Follow Me

Influencer

by George Wolf

It’s taken awhile, but it seems more filmmakers have gotten a grip on how to handle this social media thing. Just last year, B.J. Novak’s Vengeance and Quinn Shephard’s Not Okay found smart and savvy new angles to explore, and now director/co-writer Kurtis David Harder does the same with Influencer.

Harder’s approach leans more Neo-noir thriller, as the cold and calculating CW (Cassandra Naud – outstanding) spins a dangerous web for an unsuspecting social butterfly.

Madison (Emily Tennant) is a media maven who is making sure her followers see nothing but an amazing trip to Thailand. But the real real is lonely and boring, thanks to a boyfriend who bailed on her and no friends in sight. So, Madison is only too happy to chat up fellow traveler CW, and to accept her offer for a tour of the most IG-ready spots around.

But there will be no friend requests, and Madison will be the only one posing. CW has no online presence at all, and in fact seems very insistent on avoiding photographs. Weird, right?

Maybe. Or maybe creepy. Suspicious, even.

Harder and cinematographer David Schuurman create an absolutely gorgeous pot for boiling this mystery. From atop deserted island beaches to below crystal clear waters and inside lavish vacation homes, Harder’s nimble camera and visual aesthetics reinforce the notion that pretty pictures don’t always tell the whole story.

And once Madison’s friend Jessica (Sara Canning) slides into these DMs, events take even more deliciously twisty turns, with CW scrambling to juggle her many different versions of just what Madison is doing and just why she is suddenly such a big part of it.

Naud sells it completely, evolving CW into a compelling combination of chameleon and parasite. She’s an absolutely in-the-moment creature, and Naud crafts the perfect vessel for Harder and co-writer Tesh Guttikonda to upend conventions while they pull at our cultural strands of misinformation, envy and objectification.

You won’t find the satirical humor that both Novak and Shephard wielded so effectively, but Harder’s approach is no less effective. With sharp dialogue, skillful plotting and simmering dread, Influencer is plenty worthy of that “Like” button.

Clear History?

Searching

by George Wolf

Much like early 80s music video directors adjusting to the possibilities afforded by the power of MTV, it’s taken current filmmakers some time to craft nuanced statements on the rise of social media.

But then, we’ve yet to see evidence that ZZ Top’s “Legs” swung an election, so clearly, we’re all still adjusting.

Searching is the latest reminder that for social media-themed movies, at least, things are looking up.

In his debut feature, director/co-writer Aneesh Chaganty crafts a smart, fast-moving internet mystery that plays out on the screens of various platforms. Dropping sly clues among its plot twist head fakes, the film becomes a surprisingly satisfying B-movie potboiler, a terrifically tense race against time that reminds us how tech-entrenched we are without resorting to any heavy-handed judgments.

Busy father David Kim (a perfect John Cho) is annoyed when his 15-year-old daughter Margot (Michelle La) won’t answer his texts or face time requests. Annoyance turns to desperation when it becomes clear Margot is a missing person.

Detective Vick (Debra Messing, effectively understated and against type) is on the case, and as David follows her advice to scour Margot’s online history for clues, we learn along with Dad that Margot had secrets.

Right from a nifty opening montage that serves to bond us with the Kim family while it wistfully reminds us how our own connections to technology have grown, Chaganty establishes a commitment to narrative momentum that rarely lets up. Very little time feels wasted because, natch, there’s no time to waste.

The integrity of the “real-time computer screen” device is richly detailed, organically sound and beautifully constructed, drawing a strange contrast in authenticity with the TV news segments covering Margot’s disappearance.

Did Changanty not bother sweating those details, or is it his nod to “old media” being out of step? I’m guessing the latter.

At least one plot twist seems a bit of a reach, and the final reveal stops just south of Scooby Doo inspired explanation, but Searching has brains and heart enough to rise above.

Though Chaganty assembles the film with the latest in frame wizardry, he surrounds it with familiar thriller elements that bring a subtle throwback feel to the astute look at how we live now.

Ultimately, Searching is a mystery with as much to say about parenting as posting, and a remarkably in-the-moment statement.