Tag Archives: Jennifer Lee

Ice Ice Baby

Frozen II

by George Wolf

Four year-old Ruby, bouncing in her seat and making friends while sporting a sparkly tiara, is here for it.

“The fun part is watching Elsa!”

From Ruby’s lips to Mickey’s ears, because the perfectly acceptable Frozen II seems overly calculated to be just that: perfectly acceptable to anyone and everyone who’s even vaguely aware of the original from 2013.

Directors/co-writers Jennifer Lee and Chris Buck are back for round two, along with songwriters Robert Lopez and Kristen Anderson-Lopez and the starring voices from the first adventure.

This new one is set in motion by a siren song that attracts Queen Elsa (Idina Menzel), calling her north to a magical forest that is holding captives – and secrets. With sister Anna (Kristen Bell), Anna’s beau Kristoff (Jonathan Groff) and goofy snowman Olaf (Josh Gad) close behind, Elsa sets off into the unknown to right wrongs and learn the origin of her magical powers.

“Into the Unknown,” get used to it. A soaring ballad delivered with customary power by Menzel, it’s served up not only as part 2’s “Let It Go,” but as just one of the many broadly-drawn themes the film leans on.

Don’t give up, take one step at a time and do the right thing. Nothing wrong with any of those messages, but largely thanks to Disney and Pixar, animated films of the last twenty odd years have shown us how many more layers of resonance are possible – for children and adults.

And while families – especially the younger members – will find a fine holiday time to be had, don’t expect the heights of Up, Inside Out, Zootopia, or even the original Frozen.

The songs are just a bit more bland this time, the laughs a little less frequent (although Gad does deliver some winners) and the animation not quite as rich or defined.

From start to finish, FII‘s journey seems interested only in the path of least resistance toward more of that Elsa/Anna feeling. And by that measure, it certainly succeeds.

“See you at the next Frozen! Are you gonna be here?”

Count on it, Ruby. Save me a seat.

Believing Takes Practice

A Wrinkle in Time

by Hope Madden

It was a dark and stormy night.

With this cheeky line, Madeleine L’Engle began an odyssey that entertained and emboldened, taught us to take responsibility for our own choices, highlighted the drawbacks of conformity and showed us how to be warriors for the light.

L’Engle’s novel, A Wrinkle in Time, though massively popular and never out of print since its 1970 publication, had its critics. Not Christian enough to be Christian, too Christian not to be, it was also among the first SciFi novels with a female point of view. This wasn’t taken super well by adults in 1970, but it was immediately and forever beloved by its intended audience.

A Wrinkle in Time was smart and groundbreaking, which, of course, makes it the ideal tale for Ava DuVernay.

Can the filmmaker who landed two near-perfect punches of social commentary in the last four years (Selma, 13th) bring this imaginative, vibrant, lovely classic of adolescent literature to life?

Yes and no.

With the help of scripters Jennifer Lee (Zootopia) and Jeff Stockwell (Bridge to Terabithia), DuVernay remains faithful enough to L’Engle’s vision without being limited by it. But she stumbles to translate some of the more dated concepts in the book, creating a conclusion that feels a bit rushed and confused.

Her picture looks glorious, though, conjuring images and movements vibrant enough to stand up to our own imaginations.

Of course, the casting is where DuVernay, with little fanfare and no disruption in the story, breaks the most ground. Storm Reid (Sleight) turns out to be the best choice the director makes, offering the perfect mix of adolescent self-loathing and smarts as our reluctant hero, Meg.

On the fourth anniversary of the disappearance of her NASA scientist father, Meg is called on a mission across time and space to find him. She’s joined by her genius little brother Charles Wallace (Deric McCabe, perfectly precocious and/or creepy, depending on need), a cute (and, let’s be honest, needless) boy from school (Levi Miller) and three unusual women (Oprah Winfrey, Reese Witherspoon, Mindy Kaling).

Their adventure is colorful and beautiful. It’s also full of lessons that feel less like a sledgehammer than reasonable nudging. (“You can do this. You’re choosing not to.”)

The supporting cast—Zach Galifianakis, Michael Peña, Chris Pine and Gugu Mbatha-Raw—balance the fantastical with the heartfelt. Galifianakis is particularly impressive.

Yes, there are more than a few corny, too-precious moments, but it is a kids’ movie. DuVernay can be credited with keeping that audience in mind to create a lovely film unabashed enough to bear-hug L’Engle’s message of positivity.





Calling Mr. Plow!

 

by George Wolf

 

Though the animated landscape has become more crowded since the days of Beauty and the Beast and The Lion King, musicals remain solid Disney turf. Their newest is Frozen, and while not quite on par with the classics, it still offers plenty to delight the entire family.

Based on story elements from Hans Christian Andersen’s The Snow Queen, Frozen tells the tale of young Queen Elsa (Idina Menzel) and her sister, Princess Anna (Kristen Bell). The Queen has mysterious powers she struggles to control, and they have caused her kingdom to suffer under the ice and snow of a permanent winter. In sad desperation, Elsa has isolated herself in a faraway ice castle, which leads Anna, along with her friend Kristoff (Jonathan Groff) and a goofy snowman named Olaf (Josh Gad) on a quest to find the Queen and save the kingdom.

With its big-eyed princesses in peril, dashing gentlemen, wise-cracking sidekicks, and soaring odes to empowerment, Frozen feels instantly familiar. Beyond those Disney benchmarks, though, there is some irony in the casting of Menzel, who won a Tony award for originating the role of Elphaba in the stage musical Wicked.

The similarity of the character names (Elsa, Elphaba), the unfair labeling of Elsa as “evil,” and the preeminence of a sisterly relationship over the search for Prince Charming all contribute toward a winning narrative assembled from some shrewdly familiar parts.

Of course, none of these elements are above rehashing, especially in the land of fairy tales. Disney veterans Jennifer Lee and Chris Buck, sharing story and directing duties, weave them all into a fast-paced, funny adventure that will, if the audience at a recent preview screening was any indication, totally captivate the young ones.

The 3D animation is often gorgeous, as the chilly setting gives the animators ample opportunity to impressively explore drifting show or glistening ice. Inside, Anna dances past framed paintings, a clever reminder of the added dimension these artists are deftly employing.

Musically, the husband and wife team of Robert Lopez and Kristen Anderson-Lopez fill Frozen with original songs that are pleasing, if a bit unremarkable. While there’s no “Be Our Guest” or “Circle of Life” here, Menzel’s voice remains a wonder to behold no matter the material, and Bell, an accomplished singer in her own right, shows impressive versatility.

Though he’s no match melodically, Gad steals the film as the daffy Olaf. Putting his unique voice to good use with some inspired delivery, he makes a funny character even more fun, and Frozen steps more lively whenever he’s near.

Now, the big question:  how are they going to recreate this frozen tundra for the theme park tie-in in Orlando?

I’m sure those wicked minds will think of something…

 

 

Verdict-3-5-Stars

 

 

http://www.youtube.com/watch?v=x1ieZ4f-DqM