Tag Archives: Tim Heidecker

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He’d Vote For You

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Mister America

by George Wolf

If you didn’t think Tim Heidecker’s Mister America had much in common with Downton Abbey, you’d be right…mostly. But like the big screen edition of that British saga, Mister America expands on a story in progress, superserving those that are already on board.

Fans of Heidecker’s antics may not be as numerous the Abbey faithful, but they may feel even more validated with this film, as he revisits a viral bit from 2017 that had him on trial for the murder of 20 people at a music festival.

Now, star and co-writer Heidecker re-connects with director Eric Notarnicola from their On Cinema and Decker TV projects for a mockumentary treatment of Heidecker’s attempt to unseat the San Bernardino DA who tried to lock him up.

If you know Heidecker for more than his higher profile roles (Us, Ant-Man & the Wasp), you know what’s coming, and you’ll be delighted. He can play it so straight, you start to wonder if some of this nuttiness is actually real.

Then, he goes into a barbershop to embrace racial profiling and propose a ban on rap music.

Sure, he’s riffing on the nature of today’s political climate, but the film often seems caught in between Borat-style bravado and Christopher Guest understatement.

Plenty of the bits land, but plenty others don’t, and those not already in on the joke may be left grasping for a narrative anchor and, much like newcomers to the Crawley saga, just plain bored.

For Your Queue, Slider

For Your Queue: Mumblecore Madness

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If you’re a fan of the “mumblecore” then A) we’ll just call you “Mumble Cory” and B) a film you might have missed in its limited run is now on DVD, and we’ll pair it with one of the best of the mumblecore genre.

The Comedy is a character study about a character you will instantly hate. Swanson (terrifically played by Tim & Eric’s Tim Heidecker) is a trust-fund brat who spends his days drinking, boating, and embracing every chance to be offensive. Make it past the halfway point, and the ironically-titled film becomes strangely hypnotic.

Director/co-writer Rick Alverson is after a sort of subversive honesty, perhaps even grasping for answers to the types of questions raised whenever another white male goes on a shooting spree.

Hanging out with a guy like Swanson for 90 minutes isn’t easy, but you might be glad you made the effort.

If you’re looking for something slightly more accessible, Cyrus (2010) might the film for you. Still clearly a mumblecore flick (written and directed by the auteurs of the style, Mark and Jay Duplass), the film still follows a relatively well-established story arc and stars actors who actually act. John C. Reilly wants to date Marisa Tomei (who doesn’t?), but her relationship with her adult son (Jonah Hill, in a triumphant performance) is beyond complicated. One profoundly uncomfortable comedy follows.