Damn, there are lot of movies to talk about this week. Join the conversation about The Curse of La Llorona, Amazing Grace, Hagazussa, Little Woods, Peterloo, Stuck, Penguins, Breakthrough, Teen Spirit and everything new in home entertainment. Whew!
The Conjuring Universe loves the Seventies, doesn’t it? And why not? So many patterns to distract attention from your evil, so many bell bottoms to hide beneath. It’s also a time period before Catholicism became a horror movie unto itself, which makes it a safer space to depict a more wholesome view of the Church.
Not that Anna (Linda Cardellini, Green Book) would know. Her late husband was more of the religious one. But as Fr. Perez (Tony Amendola, Annabelle) points out, “You don’t have to be religious to have faith.”
Ah, yes, Michael Chaves’s The Curse of La Llorona is burdened by some seriously obvious dialog. That’s to be expected. The two people who wrote the film (Mikki Daughtry and Tobias Iaconis) are the same two people who wrote Five Feet Apart, the latest teen tragedy porn to wheeze its Boy in a Plastic Bubble riff into the hearts of Kleenex-clutching youth everywhere.
And yet, there is something of the old school charm that marks the best films in the Conjuring universe on display here. Simple fun house scares, primarily practical effects, kids in peril—these are all invoked in a quickly paced if somewhat nonsensical and conveniently plotted ghost story.
There is also a quick Scooby-Doo reference (this being 1976). Have you ever wondered why Cardellini always looks so familiar? Because she was Velma in the film series—making her sort of my own personal hero—and I, for one, was thrilled that LLL shouted that out. Plus, good parenting.
The story unfortunately skirts the real tensions to be drawn from questioning her parenting skills. Not that LLL had a shot at reaching the terrifying heights of The Babadook, but for a moment it takes us down the path of calling a single parent’s fitness for the job into question.
This is quickly abandoned for the safer territory of a
fierce mother protecting her cubs, which is too bad because Cardellini’s
understated and graceful performance could probably have carried a more
Instead we get bits and pieces of other films in the series,
stitched together by a folk tale about a murderous mother. This is not inspired
horror, but it’s not ridiculous, either.