Tag Archives: romantic dramas

Girl, You’ll Be a Woman Soon

The Worst Person in the World

by George Wolf

The older you get, four years can pass in what seems like a whirlwind weekend. But to a twentysomething like Julie (Renate Reinsve), that same slice of life can end up being monumental in shaping the course of her life.

For The Worst Person in the World (Verdens verste menneske), Norwegian writer/director Joachim Trier uses understated insight and a revelatory performance from Reinsve to effectively fuse coming-of-age sensibilities with romantic drama. 

In that pivotal 4-year time span, we see Julie move through multiple career choices and two long-term relationships. Despite a 15 year age gap with established comic book artist Aksel (Anders Danielsen Lie), Julie moves in with him while adamantly proclaiming she doesn’t want children.

As the relationship begins to grow stale, Julie’s head is turned by the younger, more impulsive Eivind (Herbert Nordrum), who is also in a committed relationship.

Choices will be made and harsh realities will be dealt, all in a poignant, surprisingly funny and quietly engrossing package that strikes a fine balance between finding romance and finding yourself.

Even when Julie is at her most selfish, naive or indecisive, Reinsve makes sure she’s always sympathetic and, above all, relatable. Her performance delivers a wonderfully layered reminder that most of us surely recognize this road Julie is traveling.

As one woman navigates what she wants in a career, in a relationship, and ultimately what she wants out of life, Trier and Reinsve craft small, indelible moments that bind together for a refreshingly honest look at how, as John Lennon once said, life happens when you’re busy making other plans.

Lost In Love

Wander Darkly

by George Wolf

At this point, there’s nothing surprising about a terrific performance from Sienna Miller. The really curious thing is why she still seems to fly so far under the radar.

Maybe it’s the knack she has for adopting unrecognizable looks and unique personalities from role to role, making it harder to tie her to an easily recalled resume. Whatever the cause, the effect Miller has on Wander Darkly is seismic, with an award-worthy turn that gives the film much of its emotional pull.

Miller is Adrienne, a new mom who’s starting to question her relationship with Matteo (Diego Luna, also stellar). Despite a child and a new mortgage, the couple hasn’t married, and as a rare date night out turns disappointing, they’re involved in a nasty car accident.

Dazed and disoriented, Adrienne believes she has died. While her parents and friends whisper “psychiatry,” Matteo tries to convince Adrienne that she is indeed still alive and recovering in the real, physical world.

Writer/director Tara Miele’s narrative is ambitious, surreal, touching and at times even terrifying, but it’s ultimately the sheer talents of Miller and Luna that keep the film from falling prey to gimmickry.

We re-live the couple’s journey together as they do, visually drifting through transfixing waves of history where both Adrienne and Matteo pepper the flashbacks with hindsight benefitting from their current perspectives.

As they make new admissions and wonder about who may be guilty of misremembering, the couple is reminded of why they first committed to each other, even as they search their respective memories for the exact moment it started to go wrong.

Whether or not you sniff out what Miele has in mind, where the film lands doesn’t quite deliver on its promise of profundity. But the cascade of emotion required to manifest this trauma is beautifully realized by Miller, and her chemistry with Luna makes it inviting to become invested.

You care about these characters, and that opens the door to care about Wander Darkly.