The family that slays together stays together, isn’t that what they say? That was certainly a lot of the fun in Ready or Not, You’re Next, Frightmare and more. But what are the best examples of horrific families working together in horror movies? Brandon Thomas joins George with the full list!

5. The Hills Have Eyes (1977)

Wes Craven’s original Hills – cheaply made and poorly acted – is a surprisingly memorable, and even more surprisingly alarming flick. Craven’s early career is marked by a contempt for both characters and audience, and his first two horror films ignored taboos, mistreating everyone on screen and in the theater. In the style of Deliverance meets Mad Max, Hills was an exercise in pushing the envelope, and it owes what lasting popularity it has to its shocking violence and Michael Berryman’s nightmarish mug.

The Hills Have Eyes is not for the squeamish. People are raped, burned alive, eaten alive, eaten dead, and generally ill-treated.

In fact, Craven’s greatest triumph is in creating tension via a plot device so unreasonably gruesome no audience would believe a film could go through with it. The freaks kidnap a baby with plans to eat her. But by systematically crushing taboo after taboo, the unthinkable becomes plausible, and the audience grows to fear that the baby will actually be eaten. It’s not the kind of accomplishment you’d want to share with your mom, but in terms of genre control, it is pretty good.

4. Frailty (2001)

Director Paxton stars as a widowed country dad awakened one night with an epiphany. He understands now that he and his sons have been called by God to kill demons.

Frailty manages to subvert every horror film expectation by playing right into them.

Brent Hanley’s sly screenplay evokes such nostalgic familiarity – down to a Dukes of Hazzard reference – and Paxton’s direction makes you feel entirely comfortable in these common surroundings. Then the two of them upend everything – repeatedly – until it’s as if they’ve challenged your expectations, biases, and your own childhood to boot.

Paxton crafts a morbidly compelling tale free from irony, sarcasm, or judgment and full of darkly sympathetic characters. It’s a surprisingly strong feature directorial debut from a guy who once played a giant talking turd.

3. Where the Devil Roams (2023)

There is macabre beauty in every frame of Where the Devil Roams, the latest offbeat horror from the Adams family. The film was co-directed and co-written by its three lead actors – Toby Poser, John Adams and Zelda Adams – who are also a family. ike their earlier efforts, Where the Devil Roams concerns itself with life on the fringes, rock music, and the family dynamic.

The ensemble convinces, particularly the sideshow performers, but the film’s most enduring charm is its vintage portrait look. It’s a gorgeous movie, the filmmakers creating the beautifully seedy atmosphere ideal to the era and setting.

Where the Devil Roams feels expansive and open, but like anything else in the sideshow, that’s all trickery. There’s more happening in this film than they let on, which is why the final act feels simultaneously “a ha!” and “WTF?!” You won’t see it coming, but in retrospect, it was there all along.

2. We Are What We Are (2010)

Give writer/director Jorge Michel Grau credit, he took a fresh approach to the cannibalism film. In a quiet opening sequence, a man dies in a mall. It happens that this is a family patriarch and his passing leaves the desperately poor family in shambles. While their particular quandary veers spectacularly from expectations, there is something primal and authentic about it.

It’s as if a simple relic from a hunter-gatherer population evolved separately but within the larger urban population, and now this little tribe is left without a leader. An internal power struggle begins to determine the member most suited to take over as the head of the household, and therefore, there is some conflict and competition – however reluctant – over who will handle the principal task of the patriarch: that of putting meat on the table.

The family dynamic is fascinating, every glance weighted and meaningful, every closed door significant. Grau draws eerie, powerful performances across the board, and forever veers in unexpected directions.

1. The Texas Chain Saw Massacre (1974)

It is around the dinner table that a guest gets to see the true family dynamics. Sally Hardesty’s getting a good look. Like a really close up, veiny eyed look.

The family meal is the scene that grounds Tobe Hooper’s 1974 masterpiece. Suddenly it’s a family with a lived-in vibe and a backstory. And another person’s face. And a metal basin and a nearly mummified old man.

We’ve met the brothersk. Edwin Neal’s already had his chance to nab the spotlight in the van, and of course Gunnar Hansen’s the star of the show. But at the table, the cook, Jim Siedow, gets to dig in and create an unforgettable character.