Tag Archives: Gwyneth Paltrow

The Mouse That Roared

Marty Supreme

by George Wolf

It’s been six years now, have we recovered from the panic and palpitations brought on by Josh Safdie’s Uncut Gems?

Better towel off and grab hold of something, because Marty Supreme serves up another harried drama set at a breakneck pace.

Served up, see what I did there? Marty “The Mouse” Mauser is a table tennis phenom looking to cement his name as the best in the world.

But when we first meet him, Marty (an absolutely electric Timothée Chalamet) is working in a shoe store in 1950s New York. He’s a born salesman, but makes it clear he’s only there to make enough money to finance his next trip to a big tournament. And in that opening few minutes, Safdie and Chalamet gives us a clear glimpse into the Marty Mauser worldview that will grab us by the throat for the next two and a half hours.

Everyone and everything is a means to an end. And Marty is relentless.

It could be an adoring young woman who’s already married (Odessa A’zion), a rich ink pen tycoon (Shark Tank‘s Kevin O’Leary in another bit of Safdie stunt casting) or his bored actress wife (a terrific Gwyneth Paltrow), or even a man out to find his lost dog. It doesn’t matter, Marty will size you up and instantly start working the angle he thinks is most likely to make you an asset.

The entire film, loosely based on Jewish-American table tennis champ Marty Reisman, is a fascinating character study and Chalamet is in mesmerizing, career-best form. Safdie (co-writing again with Ronald Bronstein) might as well just shoot Marty out of a cannon when he leaves that shoe store, and Chalamet makes you afraid to miss anything by looking away.

Like everything else here, the table tennis action is fast, furious and intense, and after an early loss to an unknown, Marty’s singular mission becomes avenging that upset and proving his greatness. But Marty Supreme could be about any type of American unafraid to dream big. It’s another intoxicating ride from Josh Safdie, with an award-worthy Chalamet digging soul deep into a man’s journey toward finding something he values more than himself.

Please Put Your Pants On

Thanks for Sharing

by Hope Madden

In 2010, Stuart Blumberg wrote a film that frankly depicted the crisis of a loving but stagnant marriage upended by infidelity. Though it may have been the intrigue of “new era family” that piqued audience interest in The Kids Are All Right, it was the talented cast and the casually insightful writing that made the film worth seeing.

In fact, Blumberg has made a career out of clever scripts that take a familiar approach to an unfamiliar topic, such as  The Girl Next Door, the teen romance between a shy young man and his porn star neighbor.

For his directorial debut he pulled from a screenplay he co-wrote with Matt Winston. Thanks for Sharing offers a romantic dramedy about sex addiction.

The great Mark Ruffalo anchors the cast as Adam, sex addict. Adam’s been sober for 5 years, thanks in part to the salty wisdom of his sponsor, Mike (Tim Robbins), though he’s having trouble with his new court-appointed sponsee Neil (Josh Gad), who isn’t taking the program seriously.

Complications arise for all three addicts, who face temptation anew as life asks them to juggle adversity and addiction simultaneously. The film is refreshingly clear on the point that overcoming addition is harder than most movies make it out to be.

Credit Blumberg once again for his script’s candor. Every character is gifted with sharp dialogue that does more than shape the role; it articulates profound difficulty of overcoming this particular problem. This cast takes advantage.

Ruffalo finds humanity in every character, and his take on Adam’s wobbly sense of control is touching. Gwyneth Paltrow offers another strong turn, and both actors benefit as much from Blumberg’s bright dialogue as the film benefits from the duo’s easy onscreen chemistry.

Though Robbins delivers a lot of the film’s funnier lines, Gad brings schlubby humor while sparring with a charmingly vulgar Alecia Moore (taking a break from her day job as pop star “Pink”).

Unfortunately, Blumberg the director is less confident than Blumberg the writer. He’s too uncomfortable with the tension he creates, switching from one storyline to the next when things get dark and confining his characters with predictable, tidy formulas.

It may be impossible to watch a film about sex addiction without remembering Michael Fassbender’s scarring performance in 2011’s Shame. While that film wallows in the filth and self loathing, Thanks for Sharing dips a toe and quickly hoses off. For a man who’s made a career of exploiting the mundane inner workings of naughtiness, he should be more comfortable getting a little messy.

 

Verdict-3-0-Stars

 

 

http://www.youtube.com/watch?v=bvituQpwkfI