Tag Archives: foreign horror

Fright Club: Best New Zealand Horror

Sure, New Zealand is known for that delicious fuzzy little fruit, the kiwi, but there’s some fun horror to explore there as well, not all of it courtesy of Peter Jackson. Pre-LOTR, he established a legacy of particularly messy horror comedies that his countrymen have kept alive and well since his move to more mainstream efforts. From killer sheep to evil-awakening rock tunes and more, let’s dive into the top 5 horror exports from NZ!

5. Black Sheep (2006)

Graphic and gory horror comedy seems to be the Kiwi trademark, no doubt a product of the popularity of native Lord of the Gastro-Intestinal-Splatter-Fest-Laugh-Riot, Peter Jackson.

First time writer/director Jonathan King uses the isolation of a New Zealand sheep farm and the greedy evil of pharmaceutical research to create horror. He does it with a lot of humor and buckets full of blood. It works pretty well.

Evil brother Angus (Peter Feeney) has bred some genetically superior sheep while smart but sheep-phobic brother Harry (Nathan Meister) has been away. But the new sheep bite (a recurring problem with bio-genetically altered farm animals). Victims turn into, well, were-sheep. Of course they do.

The result is an endearing, often genuinely funny film. Cleverly written with performances strong enough to elevate it further, Black Sheep offers an enjoyable way to watch a would-be lamb chop get its revenge.

4. Deathgasm (2015)

Blood! Guts! Heavy metal!

New Zealand teenage outcast Brodie (Milo Cawthorne) knows he and his friends are losers, so of course they start a band to get loud and be cool!

But when their rocking involves playing an ancient piece of music known as the Black Hymn, they unwittingly summon an evil entity and the body count starts rising.

In his feature debut, writer/director Jason Lei Howden, a veteran of Peter Jackson’s special effects team, borrows heavily from Shaun of the Dead-style pacing and camerawork while managing to poke some blood-spattered fun at the “devil music” stereotypes often thrown at heavy metal.

You’ll find plenty of laughs, some rom-com elements and winning performances from both Cawthorne and Kimberley Crossman as Medina, the school beauty who can also swing a pretty mean ax.

Clever and surprisingly self-aware, Deathgasm is fine excuse to feed your inner metalhead.

https://www.youtube.com/watch?v=4m6BIvN3ggM

3. Dead Alive (Braindead) (1992)

Rated R for “an abundance of outrageous gore,” Dead Alive is everything the early Peter Jackson did well. It’s a bright, silly, outrageously gory bloodbath.

Lionel Cosgrove (Timothy Balme) secretly loves shopkeeper Paquita Maria Sanchez (Diana Penalver), but his overbearing sadist of a mother, does not take well to her son’s new outside-the-home interests. Mum follows the lovebirds to a date at the zoo, where she’s bitten (pretty hilariously) by a Sumatran rat-monkey (do not mistake this dangerous creature for a rabid Muppet or misshapen lump of clay).

The bite kills her, but not before she can squeeze pus into some soup and wreak general havoc, which is nothing compared to the hell she raises once she comes back from the dead.

Braindead is so gloriously over-the-top that nearly anything can be forgiven it. Jackson includes truly memorable images, takes zombies in fresh directions, and crafts characters you can root for. But more than anything, he knows where to point his hoseful of gore, and he has a keen imagination when it comes to just how much damage a lawnmower can do.

https://www.youtube.com/watch?v=tHWAoKzHut8

2. What We Do in the Shadows (2014)

In the weeks leading up to the Unholy Masquerade – a celebration for Wellington, New Zealand’s surprisingly numerous undead population – a documentary crew begins following four vampire flatmates.

Besides regular flatmate spats about who is and is not doing their share of dishes and laying down towels before ruining an antique fainting couch with blood stains, we witness some of the modern tribulations of the vampire. It’s hard to get into the good clubs (they have to be invited in) or find a virgin. Forget about tolerating the local pack of werewolves (led by the utterly hilarious alpha Rhys Darby).

Jemaine Clement is reliably hysterical as Vladislav, and the film benefits from the same silly, clever humor seen in his series Flight of the Conchords. The filmmakers know how to mine the absurd just as well as they handle the hum drum minutia. The balance generates easily the best mock doc since Christopher Guest. It’s also the first great comedy of 2015.

1. Housebound (2014)

You need to see Housebound.

Funny and scary, smartly written and confidently directed as to take full advantage of both, this is a film that makes few missteps and thoroughly entertains from beginning to end.

Gerard Johnstone writes and directs, though his brightest accomplishment may be casting because Morgana O’Reilly’s unflinching performance holds every moment of nuttiness together with brilliance.

O’Reilly plays Kylie, a bit of a bad seed who’s been remanded to her mother’s custody for 8 months of house arrest after a recent spate of bad luck involving an ATM and a boyfriend who’s not too accurate with a sledge hammer.

Unfortunately, the old homestead, it seems, is haunted. Almost against her will, she, her hilariously chatty mum (Rima Te Wiata) and her deeply endearing probation officer (Glen-Paul Waru) try to puzzle out the murder mystery at the heart of the haunting. Lunacy follows.

Good horror comedies are hard to come by, but Johnstone manages the tonal shifts magnificently. You’re nervous, you’re scared, you’re laughing, you’re hiding your face, you’re screaming – sometimes all at once. And everything leads up to a third act that couldn’t deliver any better.

The film is so much fun it all but begs to be seen with a group.

https://www.youtube.com/watch?v=BT1KcYiPb4I

Listen to the whole conversation on our FRIGHT CLUB PODCAST!

Zombies Ho!

[Rec]4 Apocalypse

by Hope Madden

In 2007, Paco Plaza and Jaume Balaguero revived the already dying first-person-camera gimmick with a claustrophobic zombie flick that was imaginative, bloody, and thrilling – though you may remember their [Rec] better by its American remake title, Quarantine. In both, a news reporter and her cameraman are trapped inside an apartment building under quarantine with a rabies-like virus running rampant. No matter the language, the film was a fun and exciting ride.

The American franchise petered out with one sequel (Zombies on a Plane), but its Spanish counterpart has spawned three offspring. [Rec]2 put us right back inside the quarantined building to find that the virus had some kind of demonic origin, while the third installment saw that demon zombification take on a wedding reception. The latest in the series returns to the scene of the crime, as a new team of responders infiltrates the apartment building to set detonators – then one handsome hero hears the call of that lovely reporter, Angela (Manuela Velasco).

Those of us who have kept up on the series happen to know something about Angela that noble Guzman (Paco Manzanedo) does not. If you have not kept up, well, you and Guzman may have a surprise in store.

Balaguero helms this mission solo, placing Angela, Guzmon, the sole survivor of Part 3’s wedding, some armed goons, some sketchy doctors, and a hapless crew onboard a ship to really put some miles around this particular quarantine. Corridors, holds and lower decks give the action a heightened sense of claustrophobia, while Balaguero back peddles from both the silly wedding theme and the hokey demon-virus angle. He also uses security cameras to call back to the original first-person idea without succumbing to tired formula.

Otherwise, though, the film offers little in the way of novelty. The story and its telling are about as fresh as a poop deck. Balaguero can’t generate any tension from the medical experimentation angle and, worse still, he fails to use the sea itself as a source of isolation or claustrophobia.

On the other hand, the zombies have boils on their faces this time, plus there are infected monkeys, which are pretty mean.

[Rec]4 offers a serviceably entertaining riff on the original with much of what you enjoyed the first time around, especially if you enjoyed seeing Velasco in a bloody wife-beater. But it’s high tide and high time to lay this oft-reanimated corpse to rest.

Verdict-2-5-Stars