Tag Archives: Chad St. John

Shut Up and Plot Your Revenge

Motor City

by George Wolf

Man, if you can hang with Motor City for about an hour and fifteen minutes, you’ll get one damn fine action sequence. Suddenly violent, increasingly bloody and eventually downright grisly, it’s an impressively choreographed and well shot set piece.

It’s also curious, considering the film surrounding it is a pretty tedious exercise in navigating a needless hurdle of its own making. And needle-dropping some sweet 70s hits.

The theme is simple enough: revenge. Ex-con John Miller (Alan Ritchson) is on probation and trying to toe the line in 1977 Detroit. He pops the question to his honey Sophia (Shailene Woodley) and things are looking up. But then Sophia’s gangster ex-boyfriend Reynolds (Ben Foster) frames John with a staged drug bust, and back to the slammer he goes.

So how does director Potsy Ponciroli (Old Henry) refresh the familiar idea from writer Chad St. John? By crafting Motor City as a nearly dialog-free thriller propelled by mood and music.

That “nearly” is the first curious bump in John’s long road to payback.

The few bits of dialog that are here just end up drawing attention to how hard the film is trying to get credit for telling most of this story without words. And it just isn’t necessary. Scenes that should naturally have organic conversation do not, and the strain of keeping the silent device intact is just too obvious.

I mean, do it or don’t. Since there is some dialog, Ponciroli’s commitment to visual storytelling ends up feeling more gimmicky and forced.

Foster and Woodley are customarily fine, Ritchson continues to show raw talent and real charisma, and Pablo Schreiber makes a perfectly menacing henchman. The soundtrack choices from Jack White (who also has a cameo) are on point, too, which helps keep the boredom at bay when the story just takes too long getting down to business.

And though revealing just what derails the finale would be too much of a spoiler, the result is anticlimactic and just plain silly.

But man, that one elevator scene shows just how much action potential is wasted in Motor City.