Tag Archives: Briana Middleton

Grifting Away

Sharper

by George Wolf

It may not be a textbook Rashomon approach, but director/co-writer Benjamin Caron leans on a similar structure in his impressive feature debut for Apple Originals, Sharper.

Set up in chapters named for the main personalities, the film first introduces us to Tom (Justice Smith, from Jurassic World: Fallen Kingdom and Pokémon: Detective Pikachu). Tom owns a struggling bookstore in NYC, and is mostly estranged from his billionaire father, Richard (John Lithgow) and his new wife, Madeline (Julianne Moore).

But when Tom sells a book to PhD student Sandra (The Tender Bar‘s Briana Middleton), a relationship begins. And a few weeks later, Tom is offering to give Sandra thousands of dollars to settle her troubled brother’s debts with some bad guys. He gives her the satchel full of cash, and watches her walk away. Yeah.

So, right away, we’re on Tom’s side. But then, we get Sandra’s backstory, which includes some important details about her life before walking into that bookstore, and about her shady brother.

And then there’s the relationship between Richard and Madeline, which gets plenty complicated with the sudden arrival of Madeline’s ne’er-do-well son, Max (Sebastian Stan).

Caron, from TV’s The Crown, Andor and Sherlock, weaves the agendas together with a fine hand, revealing mysterious secrets just when they can add the most fun to the journey.

And this is an entertaining slice of life on the grift, one leaning more toward gloss and polish than neo and noir. The performances are all stellar, which ironically adds to the film’s slight stumble at the finish line. That final twist will not be hard to sniff out, even for mildly experienced film buffs. But we believe these people know all the angles, and when a character calls out a con midway through, it should only increase the chance that their antenna would be up for this same play later on.

But cons are just fun, aren’t they? And Sharper is a well-crafted and clever one, even with a finale that dulls its edges a bit.

Glass Half Empty

The Tender Bar

by George Wolf

Look past the tabloid fodder and you’ll see that onscreen, Ben Affleck is having a fine second act. Last year’s impressive turn in The Way Back showed him more than comfortable in his older skin, and his standout support in The Last Duel is generating some Oscar buzz for this year’s best supporting actor race.

This focus on substance over leading man style is a smart one, but while Affleck digs into his pivotal role in The Tender Bar, the film itself struggles to find anything truly relevant to say.

Based on J.R. Moehringer best-selling memoir, it’s an account of his journey from a poor, dysfunctional household to a Yale education and a career in writing. Guided by voiceover narration from adult JR (Ron Livingston), we’re introduced to little JR (Daniel Ranieri) when he and his mother (Lily Rabe) are moving back into the Manhasset, New York home of Grandpa (Christopher Lloyd), Grandma (Sondra James) and Uncle Charlie (Affleck).

JR’s violent, alcoholic father (Max Martini) is a radio deejay who’s rarely around, so 11 year-old JR looks to Uncle Charlie as a role model, often soaking up life lessons found at “The Dickens,” the Long Island bar where Charlie works. Young adult JR (Tye Sheridan) continues the barstool education until it’s time for the Ivy League, new friends, and a hard-to-really-get new girlfriend (Briana Middleton).

Director George Clooney and screenwriter William Monahan craft a respectful and well-meaning adaptation, but it’s sadly lacking any hint of why they found the source material so moving. From Charlie’s advice to JR’s awakenings, the messages are broadly drawn, well worn and self-satisfied, too generic for even the Oscar-winning Monahan (The Departed) to polish into inspirational shape.

And where is the eye for vibrant period detail that helped bring Clooney that well-deserved directing nomination for Good Night and Good Luck? Here, soundtrack choices and costume design blur the stated timeline, while the young actor playing JR at 11 looks closer to 8 and shockingly unlike Sheridan. Even the “golden voice” we’re told that JR’s deejay dad possesses never materializes when he finally speaks.

A film such as this needs authenticity to resonate, but this true story never feels like one, and the chance for us to really connect with JR is derailed at multiple turns. While Affleck adds another fine showing to his current winning streak, there’s not much else in The Tender Bar to convince you the book was worth a big screen adaptation at all.