Pushed to the Limit

Apex

by Hope Madden

What is it about Charlize Theron that you totally buy her badassedness? Maybe it’s her natural athleticism. She was a ballerina, leaving her with grace and fitness that suggest power. She hangs by fingertips from a rock face, and you think, yep, that’s Charlize Theron. Not, that’s a really skilled stunt performer.

That’s probably because it is Charlize Theron. According to her interview with Outside Magazine, Theron learned to rock climb for the new Netflix thriller Apex, so nearly all of that dizzying  and astonishing  footage is, indeed, the actor herself.

Baltasar Kormákur’s outback survival film pits Theron’s Sasha, an extreme adventure enthusiast, against Ben (Taron Egerton), an extreme psychopath.

Sasha, still stinging from the death of her partner (Eric Bana), is looking to do some solo Outback water adventuring. Ben seems like a helpful Boy Scout type, and when Sasha finds her gear missing, she hikes up to Ben’s shelter to ask for assistance. Ben is less than helpful.

Like Theron, Egerton also does his own stunt work. The reality this offers the film, framed to emphasize its death-defying glory by cinematographer Lawrence Sher (Joker, The Bride), elevates Apex above its spare Aussie horror script.

Jeremy Robbins’s screenplay takes a mid-story genre turn that doesn’t entirely work. Egerton more than convinces as the sweet-faced psycho, but the plot turn asks a little more than he can deliver. Theron’s sharp acting instincts—and a well-timed bite—almost salvage the scene.

But Apex rights itself pretty quickly. As long as we’re watching Theron tearing through forests, up rock faces, and down rapids with Egerton in jolly pursuit, all is well. And honestly, that’s about half the film.

Kormákur’s passion has always been the survival thriller: The Deep, Everest, Adrift, Beast. In every case, it’s the writing, not the directing, that’s been the drawback. Apex suffers less from writing woes. Robbins gives Theron a character to dig into, and Egerton’s dialog is deeply unnerving, particularly as it’s delivered with such a cherubic grin.

But it’s definitely the way Kormákur frames the action, and the way his actors push themselves physically, that make Apex such a fun watch. 

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