Tag Archives: Antlers

Fright Club: Skeletons in the Closet, 2026

It’s the most wonderful time of the year! The time when we celebrate the bad horror lurking in Oscar nominees’ closets. Because we have a lot of return nominees, we have some overlap with earlier years. But there is also fresh blood…

5. Amy Madigan, Antlers (2021)

Scott Cooper reimagines the Wendigo legend to lead us through a dour metaphor full of familiar genre tropes and leave us with a brutal, great-looking, well-acted lecture.

Antlers is not a terrible film. But it has at least one incredibly stupid scene, and that scene stars the otherwise incredible Amy Madigan. She plays a school principal who stops at a student’s home to check on him and then–in a film that otherwise mainly avoids those “what a stupid decision” horror cliches—makes every stupid decision an educated professional could make. There is nothing believable about one step of it, however hard the talented veteran tries. It it so dumb that our friends Tyrone and Vernell abandoned the good characters and joined “Team Creature.”

4. Renate Reinsve: Dark Woods II/Villmark Asylum (2015)

Pål Øie followed up his surprise hit Villmark – a cabin in the woods horror – with this odd sequel set in the high hills above those woods, where an old hospital used after WWII is being prepared for destruction.

Øie lifts most of his story from Brad Anderson’s far superior Session 9, mixing in some Nazi style experimentation and creatures. It’s not a terrible movie, and characteristically, Renate Reinsve, gives a strong performance. There are some real scares, too, and the cast on the whole is solid. The mythology makes little to no sense, the leaps in logic are impressive, and in the end, it’s not memorable outside the early career work of one of the most talented actors working today.

3. Stellan Skarsgård: Deep Blue Sea (1999)

Skarsgård’s made his fair share of horror. We considered both of his Exorcist movies for this list, but since they’re basically the same movie, which too choose?

Deep Blue Sea is a fun B-movie creature feature. It’s mindless, violent, action packed, and Skarsgård gets one of the most ludicrous deaths in horror.

2. Benicio del Toro: The Wolfman (2010)

We had such hopes for this one when it came out. That cast! Benicio Del Toro, Anthony Hopkins, Hugo Weaving, Emily Blunt!

Good God, was it awful. If you can look past the idea that Hopkins and Del Toro could be father and son, look past the insipid plot, look past Hopkins’s hamminess or del Toro’s disinterest, you cannot look past the heinous FX. But Blunt handles herself really, really well.

1.  Leonardo DiCaprio: Critters 3 (1991)

Long before Django UnchainedTitanic, or even What’s Eating Gilbert Grape, a barely pubescent Leo DiCaprio donned a day-glow t-shirt and a pre-teen scowl to battle Gremlin rip-offs in Critters 3.

They are furry, toothy, ravenous beasts from outer space and, until episode 3, they were content to terrify rural folk. But now they’re in the big city, and (in a clear rip off of the not-quite-as-terrible film Troll), they are pillaging a single apartment building and terrifying all those trapped inside. It’s a comedy, really, the kind with farting furballs and dunderheaded people. Which is to say, one that’s not particularly funny.

Serving up the same derivative comedy/horror pap you can find in one out of every three films made that decade, Critters 3 has a lot of hair in scrunchies, oversized blouses belted over colorful leggings, stereotypes, and actors on their careers’ last legs. And Leonardo DiCaprio, which will forever be the only reason this movie was released to DVD.

Into the Woods

Antlers

by Hope Madden

Hey, do you remember what a non-stop laugh riot Scott Cooper’s Out of the Furnace was? No? Well, compared to his latest — the long, long-awaited horror Antlers — it is.

The film takes us to depressed, smalltown Oregon at the height of the opioid crisis. Julia (Keri Russell) has returned after decades away. She lives with her brother, the town sheriff (Jesse Plemons), teaches middle school and deals with her demons.

Someone else’s demons are less metaphorical.

Cooper co-wrote the screenplay with Henry Chaisson and Nick Antosca, who adapts his own short The Quiet Boy. The short uses fairy tale language to cast an image of abuse and horror — an idea Antlers plays with but eventually abandons for more heavy-handed parallels between child abuse, addiction and economic blight.

At the center of the action is 12-year-old Lucas Weaver (Jeremy T. Thomas) in a remarkable turn. Hollow-eyed and tragic, he conveys secrecy and desperation in equal measure. And as soon as your heart breaks for Lucas, you see his little brother Aidan (a crushingly adorable Sawyer Jones).

The boys have a problem that seems unsolvable, but it might have played better if Cooper could have kept the focus a little more on the monster movie and a little less on the metaphor.

There is a monster —literal and figurative—in this film. The creature effects for the literal monster amaze and unnerve, thanks to an impressive design and to emotional seeds planted early in the film by actor Scott Haze.

Antlers looks great, whether cinematographer Florian Hoffmeister’s camera lingers in the woods, tiptoes down hallways, or witnesses red-flare lit doom in a mine. But Cooper is an odd choice for a supernatural film, and perhaps an entirely wrong-headed filmmaker to take on the perspective of a child to tell a horrific fairy tale.

Whimsical he ain’t.

In the end, the film suffers from a lack of imagination. Cooper and team lead us through a dour metaphor full of familiar genre tropes and leave us with a brutal, great-looking, well-acted lecture.