Category Archives: Outtakes

Movie-related whatnot

Outtakes: Buy a Ticket, Save a Film Series

Cinema Classics, WCBE’s weekly program that eavesdrops on film-related conversations between John DeSando and Johnny DiLoretto, boasts a freeform broadcast of informative, insightful, sometimes argumentative discussions. John and Johnny pick a cinematic topic – from a classic flick to the importance of Oscar nominee ages – and hash it out every Thursday night at 8 o’clock.

Says DiLoretto, “Cinema Classics started as a spinoff of John DeSando’s It’s Movie Time show. He asked me if I wanted to work with him, and I said, ‘Yes, but if you want to do this, it’s going to be all conversational, off the cuff and improvised.’”

DeSando reluctantly agreed, and an award-winning show was born. “It’s been great. John and I have been friends for years, we have an instant rapport, and what’s great is that Cinema Classics has become whatever we want to talk about.”

This Friday night, they’re inviting you to join them live and in person as their program spills over into Johnny’s other gig as the director of operations at Gateway Film Center, which has added its own Cinema Classics film program. John and Johnny will be on hand as the film center screens Raging Bull as part of that series.

But hurry, this may be a limited offer.

According to DiLoretto, the program was intended to be a monthly series, which he and DeSando were to help Gateway president Chris Hamel curate.

“It launched last September,” says DiLoretto. “We kicked off with Dr. Strangelove, then we did Touch of Evil, then I convinced these guys to book Tootsie in November. But what happened was, it was football season and nobody came.”

Nobody?

“Nobody. Literally nobody to Tootsie, and I had to put myself on the line for that one. One of the best comedies of all time, I was thinking. Who wouldn’t want to see this movie? They don’t make movies like this anymore, it’s great! And zero people came.”

It was time to regroup.

“I told Chris, we don’t have to do a movie series. Maybe we regroup after the new year, or maybe we just scrap it. But let me see Raging Bull on the big screen first,” said DiLoretto. “Then you can scrap it.”

Hamel remembers it somewhat differently.

“How did he say we ended up with Raging Bull?” Hamel asked. “It was me. I wanted to see Raging Bull.”

“Raging Bull is kind of Chris’s gift to me,” counter-claims DiLoretto.

Whatever the reasoning behind it, Cinema Classics returns for perhaps the last time to the Gateway this weekend, offering Scorsese’s masterpiece boxing biopic. Robert DeNiro delivers a searing performance as boxer Jake LaMotta – one that nabbed him a richly deserved Oscar – in a film dripping with brutality, humanity, pathos and rot.

The violent ballet of the boxing sequences and the primal glory of DeNiro’s performance, all filmed in sparkling black and white by Oscar nominated cinematographer Michael Chapman, beg for the big screen treatment. And maybe cocktails.

“We’re not doing a whole lot built around it,” says DiLoretto. “I am just saying, unofficially, I will be available and John will be available an hour before the movie, so we’ll have some drinks, we’ll talk, whatever you want. And if you want to hang out after the movie and discuss it, we will too. I love cocktail fueled conversation about movies.”

The whole thing puts DiLoretto in an optimistic mood.

“You know what? This really is a great idea, to show these movies. And I want people to come see this film on the big screen. It’s one of my favorite films. It’s an astonishing film and it features one of the most amazing performances. So, if we can get an audience here to see it, maybe there will be another Cinema Classics screening.”

And if not?

“I don’t care, because I will have seen Raging Bull on the big screen.”

 

originally published on Columbus Underground

Outtakes: Fearless Oscar Picks

 

That’s right, fearless, because we’re not afraid to go on record saying Daniel Day-Lewis will win for “Lincoln.” Hey, sometimes you gotta go with your gut.

 

Best Picture

“Argo”

 

Best Director

Steven Spielberg, “Lincoln”

 

Best Actress 

Jennifer Lawrence, “Silver Linings Playbook”

 

Best Actor

Daniel Day-Lewis, “Lincoln”

 

Best Supporting Actress

Anne Hathaway, “Les Miserables”

 

Best Supporting Actor

Tommy Lee Jones, “Lincoln”

 

Best Original Screenplay

Mark Boal, “Zero Dark Thirty”

 

Best Adapted Screenplay

Chris Terrio, “Argo”

 

Best Animated Feature

“Brave”

 

Best Foreign Language Film

“Amour”

 

Best Documentary

“How to Survive a Plague”

 

Best Cinematography

Claudio Miranda, “Life of Pi”

 

Best Original Score

John Williams, “Lincoln”

 

Best Original Song

Adele & Paul Epworth, “Skyfall”

 

Best Animated Short

“Head Over Heels”

 

Best Live Action Short

“Asad”

 

Outtakes: Party Like a Movie Star

by Hope Madden

Oscar party? Hells yeah!

MaddWolf will celebrate Hollywood’s biggest night by annoying people with our jocularity at the 16th Annual Drexel Red Carpet Bash. (Seriously, last year a woman pooped on the party by shushing us, saying, “I don’t appreciate your banter.”) So come on out to the Drexel (2254 E. Main St.), witness the mayhem, and feast your eyes on Bradley Cooper by way of the theater’s brand spanking new digital projection system.

Oscar Night Co-Host George Wolf will bring his “A” banter while Hope hands out a fantastic assortment of prizes. How can you partake? Just bedeck yourself in a Hollwood-themed costume for a chance to win. For those less bedeckable, you might also answer some trivia, or beat us all with your Oscar picks (which could win you a full year of free movie tickets!).

Take in the glitter and glam on the big screen, take home some fun prizes, and enjoy a cash bar and tasty, free hors d’oeuvres from local restaurants. What’s not to love?

So join MaddWolf, won’t you? This Sunday night, help us ring in Oscar with the Drexel folks and their sparkling new digital theaters. Tickets are $30 in advance / $35 at the door. (DREXEL MEMBERS are $20 in advance / $25 at the door.) The event begins at 6:30 and runs until the last statuette is given to Ben Affleck for the best picture he (apparently only adequately) directed.

Hope to see you there!

Outtakes: Kickstart a homegrown movie

By George Wolf
One of last year’s most interesting documentaries, The Revisionaries, was funded primarily through kickstarter.com. If you missed being a part of that project, you’ve got a new chance to back a film, and help out a hometown boy in the process.
 
Columbus native Andy Newman just launched a Kickstarter campaign for his original film, Ink, and he could use your support! Newman sums up his story as a thriller wrapped in a love story, centered on a writer struggling to complete his first novel. After receiving a chance phone call from a stranger, his budding infatuation with the woman on the other end of the lines inspires him to re-write his novel. But when the lines between his fiction and her reality begin to blur, the story unravels.
Newman hopes to have the movie wrapped by year’s end.  He says, “We plan to shoot Ink in and around Chicago this June. Production will take two and a half weeks. We’ll have a very small crew. The script has been written to only contain the characters and locations absolutely required to tell a great story for you. From there we have a post-production schedule that would allow us to submit to film festivals by the end of the year.
Newman credits films such as Memento, No Country for Old Men, Insomnia and Brick as inspirations for Ink, which leaves no doubt his aspirations are high.
 
Donation levels start at just one dollar, and If you’d like to get involved, you can back the project here: http://www.kickstarter.com/projects/andynewman/ink-a-thriller-wrapped-in-a-love-story-feature-fil

Outtakes: Looking for Valentine Romance?

Looking for a shot at romancing your way into a fine Valentine’s Day? The Gateway Film Center (1550 North High St.) is way ahead of you. How better to woo your guy or gal than with the best romantic comedy since Fight Club, Shaun of the Dead?
 
For the third year running, the theater with a special place in its heart for horror unspools the hilarious zombie romp starring Simon Pegg and Nick Frost. As bromantics Shaun and Ed, the duo need to come to terms with one unhappy girlfriend, one unwanted stepdad, and one zombie horde. Best place for that? The pub.
 
It’s a truly brilliant film, one worth seeing again and again with the one you love. It’s also an excellent choice for viewing when you’re trying to avoid all the ‘one you love’ shenanigans this time of year. 
 
Bonus: both Valentine screenings (7:30 and 9:30 pm this Thursday, 2/14) will open with the short “Til Death”, a macabre take on love gone wrong. The film comes from local filmmaker Jason Tostevin, who won the Gateway’s Homemade Horror Short contest in October with his medical spookfest “Room 4C”. 
 
It’s a film pairing that, like love itself, tells you to aim for the heart. 
 
Wait. Scratch that. The heart will do you no good. Apparently you’re supposed to aim for the head.
Tickets are $6.50. Expect prizes, trivia, and drink specials (which couldn’t hurt your Valentiney chances).

Outtakes: Oscar Thoughts

 

By Hope and George

 

The Oscar nominations this morning celebrated some excellent, often overlooked films and performances from 2012. We are thrilled that The Master received three performance nods – Phillip Seymour Hoffman, Amy Adams, and the often unappreciated turn from Joaquin Phoenix. Hooray. Great, also, to see wee Quvenzhane Walls in the best actress category for her powerhouse performance in Beasts of the Southern Wild.

A few others were more predictable but nonetheless merited: Anne Hathaway (this year’s surest lock) for her turn in Les Miserables, Daniel Day-Lewis as Lincoln (second surest best).

Not all was well, however. Where is the love for Moonrise Kingdom? One measely nomination (best original screenplay)? Nothing for visionary director Wes Anderson, and no best picture nod. They only nominated 9 for best picture – it’s not like they would have bumped anybody to include this miraculous little film.

And while best actor was no doubt the most competitive race this year, it’s unbelievable that John Hawkes got no love for his beautiful performance in The Session.

Still, the most aggregious oversight was in leaving Ben Affleck out of the conversation for best director. Argo – an excellent film with several nominations, including best picture and best supporting actor (Alan Arkin) – was truly a feat in direction. With scores of speaking roles, a story that weaved from Capital Hill tension to Hollywood comedy to international intrigue, and a pace that kept you breathless, Argo announced Affleck as a director of vision and skill. Not that Oscar noticed.

Surely Ben could have bumped Ang Lee from the list. Or maybe that spot should have gone to Kathryn Bigelow, who found power through restraint in her riveting film Zero Dark Thirty.

And where is Tom Hooper (Les Miserables)? Surprise nominees Michael Haneke (Amour) and Benh Zeitlin (Beasts of the Southern Wild) knocked some liklier candidates out of contention. But, to be fair, Haneke is a genius and every film he’s made deserves multiple viewings, and newcomer Zeitlin crafted perhaps the most wildly original film of  2012, so no grudges held.

Other random thoughts:

Really surprised that The Imposter didn’t make it in as a documentary nominee, but very glad that How to Survive a Plague is there and here’s hoping it wins.

The Original Song category should be interesting. Though the new Les Mis song “Suddenly” is a worthy addition to a movie getting tons of award season love, Adele’s “Skyfall” has a brilliant retro-Bond sound that made it a classic from the very first listen.

Speaking of Skyfall, it should give Life of Pi a little competition in the Best Cinematography category. While the look of Pi was simply incredible (and really, the best reason to see the film), the use of color and shadow in Skyfall was more subtle, but very impressive as well.

Outtakes: Best overlooked films of 2012

As the new year rolls in, no thanks to the Mayans, we wanted to remember all the great movies that went underseen in 2012 in the hopes that they might find a little love in their next life on DVD. Each of us picked a couple titles we think you might have missed. Do yourself a favor and seek them out now.

George’s pick: The Imposter. It’s hard to pick one, but The Imposter is a masterfully assembled documentary, with a story that takes so many unbelievable turns you will have to scrape your jaw off the floor.

Runners Up: 

Hope’s pick: Killer Joe. Wow, this was one wild, wrong-headed mess of a brilliant piece of filmmaking. Astonishing performances showcase a cast ready to do whatever is asked of them, and that is a lot. I will pass on that chicken dinner, thanks. 

Runners Up: 

So, keep an eye out and have a great 2013!

Outtakes: Film critic offspring shames family, enjoys Expendables 2

A local teen rocked his household this weekend when he returned from a showing of Expendables 2 with the evaluation, “It was pretty good.”

The boy, son of The Other Paper movie reviewers George Wolf and Hope Madden, shows no remorse when extolling the virtues of the Stallone pic.

“It was fun,” he claims, with no apparent irony.

The film critic pair deemed the film’s predecessor, The Expendables, the worst film of 2010 in a year-end blog. Though neither have taken in the sequel – which, shockingly, did not screen for film critics – they feel confident in their prediction that the movie “blows.”

And yet, their son claims otherwise.

“Terry Crews is under-appreciated,” says the boy.

Madden responded, “At least he didn’t say Dolph Lundgren.”

The boy insists they have no real ground for arguing the point until they see the film.

Wolf retorted, “I could get a good look a T-bone by sticking my head up a bull’s ass, but I’d rather take a butcher’s word for it!”

His foolish pride at this archaic turn of phrase evaporated as the boy reminded him that he too, had seen Tommy Boy. Both critics finally resigned themselves to the fact that they would, indeed, have to watch the film if they wanted to continue to argue the point.

“God damn it,” they said.

Neighbors report that the back and forth comments continue to be of the snide variety, and that the young man’s excitement upon hearing recent “Larry the Cable Guy” concert dates threatens to escalate the situation even further.