Tag Archives: Tom Wilkinson

Love…Exciting and (Not So) New

The Second Best Exotic Marigold Hotel

by George Wolf

The efforts of a talented, veteran cast, coupled with a refreshing attitude toward the love lives of senior citizens, enabled The Best Exotic Marigold Hotel to rise above a tendency for silly contrivance.

The Second Best Exotic Marigold Hotel can’t quite measure up.

Director John Madden and screenwriter Ol Parker return, along with most of the original cast, for a trip back to India where things are busy at the eccentric hotel which caters to “the elderly and beautiful.”

Hotel proprietor Sonny (Dev Patel) and girlfriend Sunaina (Tina Desai) are planning their wedding, but Sunny is distracted by business. He wants to expand, and has reached out to a U.S. firm for financial backing. When American “writer” Guy Chambers (Richard Gere) checks in to the hotel, Sonny is convinced he’s actually a spy sent by the prospective business partners.

Guy has barely gotten his room key before Madge (Celia Imrie) has the hots for him, he has his eye on Sonny’s mom (Lillette Dubey), Sonny is jealous of Sunaina’s childhood friend “Kush” (Shazad Latif), and Norman (Ronald Pickup) is afraid he accidentally took out a hit on his girlfriend Carol (Diana Hardcastle). Plus, Douglas (Bill Nighy) and Evelyn (Judi Dench) still haven’t gotten together!

Maybe Captain Stubing can talk some sense into everyone!

It doesn’t take long to realize how much this installment misses the dear departed Graham, as played by Tom Wilkinson. Beyond Wilkinson’s immeasurable talent, Graham’s thoughtful storyline grounded part one in a graceful humanity that the sequel sorely needs. Gere is a fine addition for sheer star power, but his character only serves as a means to add more empty conflict to all the sit-comery.

It’s too bad, because even with Wilkinson gone, this cast features a vast wealth of talent that can instantly improve most any flailing script. The odd man out again is Patel, whose exaggerated histrionics serve as an annoying distraction from his sublime co-stars.

Despite a few charming moments, this sequel is overlong, overdone, and easily Second Best.

 

Verdict-2-5-Stars

 

A Fresh Take on History For Your Queue

Who’s in the mood for a couple of fascinating historical dramas, the kind that make you rethink your history lessons? Because Belle, releases to DVD today, and it’s the fact-based tale of a bi-racial girl raised by her aristocratic grandparents in 18th Century England. Well told and perfectly cast, with the always flawless Tom Wilkinson playing the family patriarch and a wondrous break out turn by Gugu Mbath-Raw in the lead, the film draws parallels you never knew existed between past and present.

If you’re looking for a little wilder, true ish (or at least rumored to be true) story that may cause you to rethink everything you know about British history and literature, have a gander at Anonymous. The usually unwatchably bombastic Roland Emmerich dials it back a bit – but not too much – to sketch a treacherous, traitorous, sordid story of the real William Shakespeare. Excellent performances and a savvy screenplay by John Orloff keep this one fresh and entertaining.

https://www.youtube.com/watch?v=-jbILbHJrAI

Portrait of a Lady

 

Belle

by George Wolf

 

A scandalous affair. An innocent child. A society obsessed with money, power, and its own prejudices.

Belle is the latest historical drama to remind us that sometimes, the past looks pretty familiar.

It’s based on the true story of Dido Elizabeth Belle, born in the 1700s as the bi-racial daughter of a slave and an Admiral in the British Navy. She was raised by members of her father’s aristocratic family, standing alone as an anachronistic mix of wealth, prestige, and brown skin.

Actually, the story of how writer Misan Sagay came to find Belle could be a movie in itself.

Inspiration leapt from a painting of Belle and her cousin, Lady Elizabeth Murray, that Sagay (who adapted Their Eyes Were Watching God for TV) encountered while in Scotland as a college student. After years of research, Sagay’s screenplay mixes fact with poetic liberties to make Belle’s story truly compelling.

The cast is letter-perfect. In the lead, Gugu Mbatha-Raw delivers a breakout performance, infusing Belle with an effective mix of intellect, wonder, spirit and hurt. As family patriarch Lord Mansfield, Tom Wilkinson is…well, Tom Wilkinson, an actor who’s seemingly impervious to missteps.

Director Amma Asante not only gives the film a fitting majestic sheen, but delicately balances Jane Austen-style period romance with serious social commentary and historical heft. At times, Belle flirts with overplaying its hand on both fronts, but Asante displays fine instincts for restraint before the storytelling takes too obvious a turn.

It is a fascinating story and a completely satisfying film. When Asante finally throws her trump card and you glimpse the inspirational portrait, it’s clear that, whatever barbs historians may throw, they can’t keep Belle from hitting a bullseye.

 

Verdict-3-5-Stars