Tag Archives: Theo James

New In Theaters

Furious George

Leave a comment

The Monkey

by Hope Madden & George Wolf

Why is it that so many kids’ toys are creepy? Not that you should call The Monkey a toy. You should not, ever. Because this windup organ grinder monkey, with its red eyes and horrifyingly realistic teeth, is more of a furry, murder happy nightmare.

The film itself is a match made in horror heaven. Osgood Perkins (Longlegs, Gretel & Hansel, The Blackcoat’s Daughter) adapts and directs the short story by Stephen King about sibling rivalry and the unpredictability of death.

The delightfully low-key Christian Convery (Cocaine Bear) carries the first half of the film as young Hal and Bill, twins who discover their dad’s old closet full of knickknacks and collectibles, one of which will indiscriminately kill a lot of people. They boys eventually believe they’ve eliminated the beast, but decades later, the adult brothers (played with deadpan precision and one impressive mullet by Theo James) must contend with bloody monkey business once more.

Perkins surrounds his deliberately low energy leads with bizarre, colorful characters—even more colorful when they catch fire, explode, are disemboweled, etcetera. The film is laced with wonderful bursts of Final Destination-like bloodletting, as the Monkey’s executions are carried out via Rube Goldberg chain reactions that quickly become fun to anticipate.

Yes, fun. And funny.

There is a different tone at work here for Perkins. It’s one that is somehow both bone dry and silly, creating a dark humor that wallows delightfully in the pulpy carnage. His usual aesthetic of dreamy Gothic beauty is replaced by a more grimy, Earth tone palette that seems purposefully at odds with the stated time stamps.

And yet, underneath all of it you’ll find a meaningful layer that speaks to absentee fathers and generational trauma. There are disjointed moments, but only a few, thanks mainly to grounded reminders about the monkey’s shoulder-shrugging mantra: “everybody dies.”

Indeed. And if sometimes they need a little help, well, you can always wind up Furious George and take your chances.

New In Theaters, Slider

Apparently High School Still Sucks

Leave a comment

Divergent

by Hope Madden

High school sucks, but like all harrowing experiences and universal truths, it can lead to valid and valued artistic expression – nearly all modern adolescent literature, for instance.

Whether it’s The Hunger Games, Ender’s Game or the more clearly allegorical Divergent, the story is basically the same: a powerful system requires helpless parents to submit their precious children to bloodsport (high school); cliques are mindless and dangerous; the kid with the most power is a manipulative asshole; only the outcast can ultimately thrive. (Hell, even the magnificent Harry Potter series plays off the same riff.)

While it doesn’t make prom seem very appealing, in the hands of professionals, it can make for a compelling tale.

Director Neil Burger does a lot right with this film. Not everything, but a lot. He’s blessed with a straightforward script that won’t confuse the uninitiated. A hundred years after a great war, the world is broken into factions, each of which match individual personality types (and, to a certain degree, high school cliques): the smart kids (Erudite), the nice kids (Abnegation), the pot heads – I mean, happy, peaceful types (Amity), the honest (Candor), and the brave/fun/bully/popular kids (Dauntless). And then there are the dreaded factionless – a fate worse than death, like unpopularity.

People stay with their faction, and all is peaceful. But unique souls who don’t really fit – divergents –  threaten the system.

Divergent also boasts two profound talents: Kate Winslet and Shailene Woodley. Winslet commands respect and awe as leader of the Erudites and general evildoer. Woodley plays our hero, the divergent Tris.

Both performers deserve stronger material, to be honest. While the screenplay, adapted from Veronica Roth’s novel by Evan Daugherty and Vanessa Taylor, offers a fairly smooth streamlining of the story, it too often proves a bit toothless. The strength of the performers helps to compel attention. Woodley’s onscreen chemistry with Theo James as love interest Four gives the film a pulse, and her big-eyed vulnerability makes the sense of loss and longing palpable.

Too bad Berger felt it necessary to include so much exposition. An unfortunate symptom lately of Episodes 1 of a trilogy, Divergent simply takes so long to get to the action that you get bored.

Roth’s source material offers several clever conceits to play with, and both Woodley and Winslet seem game, but Berger can’t quite settle on a tone or a pace. It’s too bad, because comparisons to The Hunger Games are inevitable, and Divergent could easily have become a worthwhile companion to JLaw’s Kickass Quadrilogy. Instead it’s a fun but forgettable way to waste time before the real blockbusters release this summer.

 

Verdict-3-0-Stars

 

 

http://www.youtube.com/watch?v=336qJITnDi0