Two Prosecutors
by Rachel Willis
For anyone who has forgotten their history of Soviet Russia under Stalin, director Sergey Loznitsa is happy to remind us with his latest, Two Prosecutors.
In a provincial prison, political prisoner Stepniak (Aleksandr Flippenko) is ordered to burn hundreds of letters. We get snippets of these letters, addressed to Stalin, pleading for intervention in Stepniak’s case. He pleads his innocence and claims his confession was a result of torture.
Despite the letter burning, one of these damning letters finds its way into the hands of Kornyev (Alexander Kuznetsov), a young, idealist prosecutor.
What unfolds is a slow, but very intense look into the corruption and chaos that helped to define Stalin’s reign of terror.
And while Loznitsa’s film is set in the past, its themes are applicable to present-day Russia (as well as any other country in which oppression and authoritarianism rule the day). There is an inherent paranoia that underscores all of Kornyev’s interactions. Throughout the entire film, only his one-on-one meeting with Stepniak feels authentic.
One of the most unsettling scenes is carried out in near silence, as several prison guards attempt to intimidate the steely Kornyev. But this is not the last time the film will leave the audience squirming, unsure if the mistrust imbued throughout the film is warranted.
This is not a film that offers a new take on what it means to live under the iron fist of a ruthless dictator, but it is nonetheless effective in what it does give the audience. Kornev’s idealism is hard not to appreciate, even while it feels tremendously futile.
It’s also a stark reminder of what happens when we don’t just forget the past but idealize it.
