Tag Archives: Mark Ruffalo

Please Put Your Pants On

Thanks for Sharing

by Hope Madden

In 2010, Stuart Blumberg wrote a film that frankly depicted the crisis of a loving but stagnant marriage upended by infidelity. Though it may have been the intrigue of “new era family” that piqued audience interest in The Kids Are All Right, it was the talented cast and the casually insightful writing that made the film worth seeing.

In fact, Blumberg has made a career out of clever scripts that take a familiar approach to an unfamiliar topic, such as  The Girl Next Door, the teen romance between a shy young man and his porn star neighbor.

For his directorial debut he pulled from a screenplay he co-wrote with Matt Winston. Thanks for Sharing offers a romantic dramedy about sex addiction.

The great Mark Ruffalo anchors the cast as Adam, sex addict. Adam’s been sober for 5 years, thanks in part to the salty wisdom of his sponsor, Mike (Tim Robbins), though he’s having trouble with his new court-appointed sponsee Neil (Josh Gad), who isn’t taking the program seriously.

Complications arise for all three addicts, who face temptation anew as life asks them to juggle adversity and addiction simultaneously. The film is refreshingly clear on the point that overcoming addition is harder than most movies make it out to be.

Credit Blumberg once again for his script’s candor. Every character is gifted with sharp dialogue that does more than shape the role; it articulates profound difficulty of overcoming this particular problem. This cast takes advantage.

Ruffalo finds humanity in every character, and his take on Adam’s wobbly sense of control is touching. Gwyneth Paltrow offers another strong turn, and both actors benefit as much from Blumberg’s bright dialogue as the film benefits from the duo’s easy onscreen chemistry.

Though Robbins delivers a lot of the film’s funnier lines, Gad brings schlubby humor while sparring with a charmingly vulgar Alecia Moore (taking a break from her day job as pop star “Pink”).

Unfortunately, Blumberg the director is less confident than Blumberg the writer. He’s too uncomfortable with the tension he creates, switching from one storyline to the next when things get dark and confining his characters with predictable, tidy formulas.

It may be impossible to watch a film about sex addiction without remembering Michael Fassbender’s scarring performance in 2011’s Shame. While that film wallows in the filth and self loathing, Thanks for Sharing dips a toe and quickly hoses off. For a man who’s made a career of exploiting the mundane inner workings of naughtiness, he should be more comfortable getting a little messy.

 

Verdict-3-0-Stars

 

 

http://www.youtube.com/watch?v=bvituQpwkfI

Nothing to See Here

Now You See Me

By Hope Madden

In the fall of 2006 we saw back to back films about magicians – The Illusionist and The Prestige. I remember thinking, really? Why?

Well, with just two months separating the release of The Incredible Bomb about Burt Wonderstone from this weekend’s Now You See Me, it’s hard not to scratch your head again at Hollywood’s insistence on our interest in magic.

At least Prestige and Illusionist were half decent films.

Jesse Eisenberg and Woody Harrelson lead a group of magicians who seem to pull off a bank heist during their show, and promise more of the same. Mark Ruffalo turns into the Hulk and smashes up their hall of mirrors.

If only!

No, instead he teams with Inglorious Basterds’s Melanie Laurent – an INTERPOL agent – to prove there’s no such thing as magic and that these guys are plain old crooks.

Unless it’s all an illusion…

Cons, comeuppance, love and daddy issues crisscross with lackluster acting to keep you from wondering whether Michael Caine (who was also in The Prestige. Of course he was!) or Morgan Freeman have milkier eyes. They’re both getting quite old. Maybe they should turn down one or two of the films released in any given year. Perhaps see an ophthalmologist.

They both certainly deserve better than this undercooked mess, directed by style-over-substance maestro Louis Leterrier (The Transporter, Clash of the Titans). With his characters talking incessantly about sleight of hand, you’d think Leterrier might employ that particular tactic on his own. Maybe razzle dazzle us while the con happens right under our noses.

Instead, perfectly ludicrous tricks and schemes are re-enacted without regard to plausibility. Rather than lifting the curtain to unveil anything tricky, the approach only uncovers some very lazy filmmaking.

Wasting a cast that has accumulated a combined 3 Oscars and another 4 nominations is a trick in itself, but aside from Harrelson’s natural charm, nothing about the performers impresses. Workhorses Freeman and Caine come closest to delivering something akin to acting. When push comes to shove, the usually impressive Ruffalo is badly miscast, Isla Fisher flails against hideous dialogue, and Eisenberg phones in just another turn as a hyper-intelligent dick.

And on top of it all, they play magicians.

Seriously, who gives a shit about magicians?

Verdict-2-0-Stars

http://www.youtube.com/watch?v=CNfiXZzmhjw