Tag Archives: Isla Johnston

Rising Son

The Carpenter’s Son

by George Wolf

There are plenty of great reasons to want Nicolas Cage in your movie. Downplaying it alongside a young Jesus probably isn’t one of them.

But writer/director Lotfy Nathan seems undaunted, and he guides The Carpenter’s Son around Cage’s often distracting presence for a Biblical tale rooted in a more historical approach.

Nathan has based his script on “the Infancy Gospel of Thomas,” one of the apocryphal writings by early Christians that describe events missing in the New Testament. Cage is The Carpenter, who smuggles The Mother (FKA Twigs, saddled with an underdeveloped role) and their infant son out of the city before King Herod’s officers can sentence The Boy to death.

The family lays low for years, but by the time The Boy is a teenager (Noah Jupe), whispers are starting to spread about his mysterious powers. How Nic Cage lays low is another mysterious question, with his neatly trimmed beard and distinctly American accent adding to the feeling that he may have wandered in from another set.

And early on, the film seems headed for a disastrous collision of awkward tone and misguided ambition. But slowly, as Nathan focuses more on The Boy’s growing friendship with The Stranger (Isla Johnston), a compelling narrative begins to emerge.

Jupe (Suburbicon, Honey Boy, A Quiet Place, Ford v Ferrari) continues to impress as a now young adult, and Johnston delivers a standout supporting turn of intrigue. With their relationship at the center, the film becomes a unique coming-of-age story that offers both a relatable humanity and a possibility of Divine Providence.

Another part of the curiosity around this film is just what audience Nathan is going after. The faith-based crowd will find moments of blasphemy while the non-believers will scoff at the silliness. Folk horror fans will question how it earned that label, and plenty more will be waiting for a Cage rage that never materializes.

While it’s not the trainwreck you’re afraid it’s going to be, The Carpenter’s Son can’t build anything that’s truly satisfying. The blueprint may be provocative, but the support system remains plenty wobbly.