Tag Archives: Evil Dead 2

Fright Club: Amputees in Horror

If you watch much of horror, there’s something you might notice. People lose a lot of limbs in these movies. Naturally, we decided to look into this. We spent some time with the tragic (or maybe deserving) amputees of Audition and American Mary and others, but there turned out to be so many badasses who only get cooler once the limb is missing that we decided to hang out with them.

Thanks to the B Movie Bros for joining us for the podcast to talk through the list. Listen in HERE.

6. Arlen (Suki Waterhouse) – The Bad Batch (2017)

Writer/director Ana Lily Amirpour creates another unusual heroine with this one. Arlen’s a vane bit of white trash deemed part of “the bad batch.” Shortly into her investigation of her new home, she learns that at least one of the neighborhood communities is less welcoming – if better fed – than the other.

No crybaby, though, Arlen faces life as a double amputee with a lot of nerve and eventually some hallucinogenic drugs. What she does more than anything is refuse to conform and instead paves her own path.


5. Alonzo (Lon Chaney) – The Unknown (1927)

When Tod Browning makes a movie about side show freaks, color us excited. In this unseemly tale, the great silent monster Lon Chaney is The Amazing Alonzo, an armless knife thrower/sharp shooter/guitar player/smoker in a circus. He has eyes for his show partner Nanon (Joan Crawford, pre-wire hanger), but the circus strongman is hot for her.

So, it all sounds a tad like Browning’s infamous Freaks. But Nanon spurns the strongman because she can’t stand to be groped by men’s hands – which makes it seem like Alonzo is a shoe-in, except that he is not what he appears to be.

Camera trickery, an actual circus performer, and Chaney’s convincing performance work together to create a believable side show character in Alonzo. Browning couples this unsettling performance with an air of seediness and some bizarre plot twists to leave a lasting impression.

4. Candyman (Tony Todd) – Candyman (1992)

Oh my God, that voice! Yes, Candyman is a bad dude, but isn’t he kind of dreamy?

Like a vampire, the villain of Cabrini Green needed to be both repellant and seductive for this storyline to work, and Todd more than managed both. With those bees in his mouth and that hook for a hand, he is effortlessly terrifying. But it’s Todd’s presence, his somehow soothing promise of pain and eternity, that makes the seduction of grad school researcher Helen (Virginia Madsen) realistic.

Todd would go on to love again in the Candyman sequel Farewell to the Flesh, proving that you do not need two working hands to wreak bloody havoc.


3. Mia (Jane Levy) – Evil Dead (2013)

With the helpful pen of Oscar winner Diablo Cody (uncredited), Fede Alvarez turns all the particulars of the Evil Dead franchise on end. You can tick off so many familiar characters, moments and bits of dialog, but you can’t predict what will happen.

One of the best revisions is the character of Mia: the first to go and yet the sole survivor. She’s the damaged one, and the female who’s there without a male counterpart, which means (by horror standards), she’s the one most likely to be a number in the body count. But because of what she has endured in her life she’s able to make seriously tough decisions to survive – like tearing off her own damn arm. Nice!


2. Cherry (Rose McGowan) – Planet Terror (2007)

Losing a leg – in most horror movies, this would spell doom for a character. Not in Robert Rodriguez’s half of Grindhouse, though. Indeed, for Rose McGowan’s Cherry Baby, an amputated limb turns her to the film’s most daring badass.

A machine gun for a leg! How awesome is that?! McGowan strikes the right blend of hard knock and vulnerability to keep the character interesting – beyond the whole leg of death thing. I mean, you’d hardly call her boring.

The entire film is a whole lot of throw-back fun – gory, lewd, funny, gross (so, so gross). It’s so much fun that even a lengthy Tarantino cameo doesn’t spoil things. And it makes the point that people who’ve been struck by physical disabilities can still be total badasses – not to mention hot as F.


1. Ash (Bruce Campbell) – Evil Dead 2 (1987)

What?! Like you didn’t know he’d be #1. Hell, he’s the entire reason we did this list.

When his hand turns evil, Ash does what he needs to do. Of course he does – he’s already dismembered nearly everyone who’s ever meant anything to him, what loyalty does he owe his own hand at this point?

Plus, if Cherry Baby was cool with a machine gun leg, how awesome is Ash with a chainsaw for an arm?!

Super cool. Groovy, even.


Fright Club: Best Horror Sequels

Who says a sequel can’t be better – or at least as good – as the original? If you look closely, there are loads of excellent horror sequels: New Nightmare, Scream 2, 28 Weeks Later, Ringu 2, The Devil’s Rejects. But which are the best of the best? We have the answer!

5. Exorcist III (1990)

William Peter Blatty wrote and directed this dialogue-dense sequel to the 1973 phenomenon William Friedken had made of his novel. Blatty starts strong enough, garnishing shots with vivid, elegantly creepy images. He enlists George C. Scott to anchor the tale of a cop drawn back into a supernatural case. In other inspired casting, New York Nicks great Patrick Ewing plays the angel of death in one of Kinderman’s freaky dream sequences, joined by romance novel coverboy Fabio as another angel. Also, the always great character actress Nancy Fish plays the bitchy but reluctantly helpful Nurse Allerton.

There are also two of the scariest scenes in cinema. Eventually the story moves into a hospital and stays there, but just before that move, there’s a terrific confessional scare – crazy spooky voice, effective cackle, blood – that elevates the entire project.

And then there’s that insane flash of terror as one nurse crosses the narrow hallway in front of the camera, quickly followed by some gauze-draped figure, arms outstretched. Eep!

4. Dawn of the Dead (1978)

Romero returned to the land of the undead in ’78 with a full-color sequel to Night of the Living Dead. The film follows a news producer, her chopper pilot boyfriend, and two Philly SWAT cops ready to abandon the organized zombie fight and find peace elsewhere. The four board a helicopter, eventually landing on the roof of a mall, which they turn into their private hideaway.

Romero, make-up legend Tom Savini, and Italian horror director Dario Argento teamed up for this sequel. You feel Argento’s presence in the score and the vivid red of the gore. Bloated, dated, and suffering from blue zombie make up, the film does not stand up as well as the original, but it still packs a punch.

Ken Foree and Scott Reiniger as the buddies from SWAT create the most effective moments, whether character-driven tension or zombie-driven action. Romero’s politics are on his sleeve with this one. He uses the “z” word, digs at Eighties consumerism, shows full-color entrails, and reminds us again that the undead may not be our biggest enemy once the zombie-tastrophe falls.

3. The Texas Chainsaw Massacre 2 (1986)

Tobe Hooper revisited his southern cannibal clan 12 years after unleashing The Texas Chain Saw Massacre on an unsuspecting world, and he had the great Dennis Hopper in tow. Hopper plays a retired Texas Marshall. He joins forces with a radio host, played gamely by Caroline Williams. Together they flush the Sawyer family out of hiding. And just in case we’d missed how Leatherface got his name, the act of removing someone’s face to wear as a mask is revisited in a kind of weird wooing ritual.

TCM2 certainly gets weird, and boasts an unhinged performance by Hopper as a lawman willing to make some ugly choices to follow his obsession. Jim Siedow (The Cook) returns, and veteran genre favorite Bill Moseley adds a quirky ugliness to the proceedings. There’s also an awful lot of screaming, even for this kind of a film, but it’s a worthy genre flick. It pales in comparison to the original, but it deserves its own appreciation. Hold it up against any other low-rent horror output of 1986 and it’s a standout.


2. Evil Dead II: Dead by Dawn (1987)

In 1981, Sam Raimi and Bruce Campbell crafted the single bloodiest film ever made. Six years later, Raimi gets a little Ray Harryhausen and Campbell gets a makeover in a sequel that’s mostly a remake. An even broader comedy, with clay-mation monsters aplenty, Evil Dead II works harder for laughs than for scares.

Expect a lot of the same: Necronomicon, possessed friends, demonic woods, dismemberment, and fun. Plus hundreds of gallons of black, green, and red goo. Nice.

The wide eyed, romantic Ash from episode one slowly morphs into the ass kicking, catch phrase spouting, boom-boom stick toting badass we’ll see in all his glory in the third installment. Ash would finally learn how important it is not to listen to tapes left by the owners of the cabin you’re secretly squatting in for the weekend. And we’d eventually learn never to wear Michigan State paraphernalia when camping with Bruce Campbell.

1. The Bride of Frankenstein (1935)

James Whale and Boris Karloff returned to Castle Frankenstein for an altogether superior tale of horror. What makes this one a stronger picture is the dark humor and subversive attitude, mostly animated by Frankenstein’s colleague Dr. Pretorius (Ernest Thesiger).

Thesiger’s mad doctor makes for a suitable counterpart to the earnest and contrite Henry Frankenstein (Colin Clive, again), and a sly vehicle for Whale. This fey and peculiar monster-maker handles the most brilliant dialogue the film has to offer, including the iconic toast, “To gods and monsters.”

The sequel casts off the earnestness of the original, presenting a darker film that’s far funnier, often outrageous for its time, with a fuller story. Karloff again combines tenderness and menace, and Elsa Lanchester becomes the greatest goth goddess of all film history as his Bride.

Listen to the whole conversation on our FRIGHT CLUB PODCAST.