Tag Archives: Daniel Baldwin

Playing (Murder) House

American Dollhouse

Screens Friday, October 16 at 6:30pm at Nightmares Film Festival.

by Daniel Baldwin

Most slasher movies these days tend to harken back to either the “unstoppable killer” fare of the late ’80s popularized by Freddy and Jason or they set their sights on attempting to be the next Scream-style meta-slasher. While there’s nothing wrong with either pathway, it is nice when we are occasionally still handed one that falls more in line with the subgenre’s earlier efforts from the late ’70s and early ’80s.

John Valley’s American Dollhouse is such a film. There may be some DNA from the other two aforementioned classes of slasher present here, but this is way more a maniac psychodrama than it is a masked killer riff.

There is no mystery as to who is bringing the violence to suburbia here. Kelsey Pribilski’s Sandy is creepy terror on two legs and she makes an absolute meal out of her viciously weird villain.

Sandy inhabits a world that resides between the psycho slashers of old – think The Texas Chainsaw Massacre and When a Stranger Calls – and the modern horror masters of today. There are also shades of Hereditary and Weapons here, as well as some visual stylings akin to the work of Oz Perkins. The cinematography is just as standout an element as Pribilski’s performance, making American Dollhouse even more of a must-see for horror fans.

This is one to watch out for, folks.

Uh Oh, You Saw It!

When You See It

Screens Saturday, October 17 at 8pm at Nightmares Film Festival.

by Daniel Baldwin

Found footage is a tricky subgenre. Its very appeal – the gimmick of being shown first-hand footage of some sort of horrifying incident – can also be its prison. One is bound tightly by the format. Deviating from it too much can break an audience’s suspension of disbelief. On the other hand, if one doesn’t deviate enough, their film won’t stand out from an ever-increasing pool of titles.

When You See It manages to deftly walk that line, delivering an increasingly tense experience akin to the subgenres titans, The Blair Witch Project and Paranormal Activity. While it does opt for the stock “paranormal investigators actually may have finally encountered the paranormal” narrative that most films of this type have these days, it does do it better than most.  

Without giving anything away, director John Abbott’s When You See It manages to play around in that sandbox in some interesting ways. This is aided in a major way by the performances, which are a lot more natural than in most similar films. The editing is also on point, ratcheting up the tension at a steady pace from start to finish.

Found footage fans will find a lot to love here. If this is your subgenre of choice, you’re going to want to seek it out, be it on the festival circuit or when it arrives in wider release on down the road. Those with an aversion to the subgenre are unlikely to be converted, but if you’re open to this kind of tale, When You See It will deliver the goods.

I Must (Un)Break You

Dolph: Unbreakable

by Daniel Baldwin

Before the age of 27, Dolph Lundgren was an international karate champion, had a master’s degree in chemical engineering, was set to go MIT on a Fullbright Scholarship for his doctorate, and was both the bodyguard and boyfriend of singer/model/actress Grace Jones. In other words, he had already had a wildly successful and varied life by that point. The fact that he also became an international movie star after all that is just icing on the cake.

Dolph: Unbreakable covers all of the important mile-markers in Lundgren’s life. His early years in Sweden. His time abroad as a college student/martial artist. And then, yes, his crazy ride through the Hollywood system as a bodyguard turned action star turned director. Many of your favorite Dolph movies get some play here, but one should not sit down with this film expecting it to be an expose on his action movies.

Sure, the likes of Rocky IV, Masters of the Universe, The Punisher, Universal Soldier, The Expendables, Creed II, and many more are all brought up, but only ever in relation to where Dolph was at in his life and in his head as they occurred. This is a documentary about the man, not the movie star. Instead, we are given a story about an incredibly intelligent and athletically-gifted child who has endured an unending barrage of life’s pains and pleasures across decades, growing into a man who is grateful to still be around in this world.

Childhood abuse, academic success, athletic championship, failed relationships, blockbuster stardom, embarrassing paycheck gigs, substance abuse, severe kidney cancer, etc. All of it is covered in a manner more open and personal than one tends to find in similar documentaries. Our subject is unafraid to talk about his failures as much as he does his successes. You will see Dolph break stones and Rocky Balboa, but you’ll also see him break down crying as well.

If there’s a fault with this film, it’s only in that it isn’t longer. At 74 minutes, the film leaves a few areas of Lundgren’s life that could have been covered a bit more deeply. As it stands, it’s still an engaging and emotional piece of work. One that will no doubt be of interest to Dolph’s fans, as well as perhaps others who have casually enjoyed his work throughout the decades.

Dolph: Unbreakable is an intimate portrait of a man who has lived a very remarkable life full of extreme highs and extreme lows, and it’s a pretty good portrait at that.

Screening Room: One Night Only, Cookie Queens, Ice Cream Man & More

Hope & George review this week’s new releases: One Night Only, Super Troopers 3, Ice Cream Man, Cookie Queens, Tinsman Road, Big Baby and The Yeti. PLUS! News & Notes from The Schlocketeer Daniel Baldwin!

Screening Room: Motor City, Hadestown, Her Private Hell & More

This week, Hope & George review Her Private Hell, Hadestown: The Musical, Motor City, The Dink, Cruel Hands, and What Tomorrow Brings, PLUS News & Notes with The Schlocketeer Daniel Baldwin!

Screening Room: Mortal Kombat II, The Sheep Detectives, Remarkably Bright Creatures & More

This week, Hope & George review Mortal Kombat II, The Sheep Detectives, Remarkably Bright Creatures, and Two Pianos. PLUS! A visit from The Schlocketeer Daniel Baldwin!

Screening Room: Devil Wears Prada 2, Hokum, Deep Water & More

On this week’s Screening Room Podcast, Hope & George look at the new releases: The Devil Wears Prada 2, Hokum, Deep Water, Animal Farm, Swapped, Heresy, Salt Along the Tongue, and Didn’t Die. PLUS! The Schlocketeer Daniel Baldwin joins us with movie news & notes!

Screening Room: They Will Kill You, Forbidden Fruits, Alpha & More

This week Hope & George review They Will Kill You, Forbidden Fruits, Alpha, Mike & Nick & Nick & Alice, A Magnificent Life, Refuge, and The Serpent’s Skin. Plus News & Notes from The Schlocketeer, Daniel Baldwin!

Screening Room: Scream 7, Pillion, The President’s Cake & More!

Hope and George review this week’s new releases: Scream 7, Pillion, The President’s Cake, Dreams, Dolly, Crazy Old Lady, PLUS movie news and notes from The Schlocketeer Daniel Baldwin!