Tag Archives: Brooklyn Ewing

Snuff Films and Cats

Freelance

by Brooklyn Ewing

As a fan of early 2000s horror thrillers, I found myself feeling nostalgic as I watched Freelance.

The opening credits won me over immediately giving Seven vibes with a touch of 8mm, and Feardotcom

Katie (Nicole Pastor), a freelance video editor, is in desperate need of a job. Her life seems to be falling apart, until she receives an anonymous offer to edit a bizarre video clip. This snuff film style horror movie clip comes with a lot of cash, and Katie is facing eviction.  She spends most of her time between various men who think they are saving her, as she struggles to make ends meet editing pornography. When she has to decide how far she will go to keep her lights on things start to take a turn for the worst, and that’s when the viewer gets to start playing detective. 

Freelance, from Melbourne-based filmmaker John Balazs, looks gorgeous. The rich color grading, and thoughtful shot choices make this one more than worth giving a chance. 

Pastor is great as the out of work, and obviously talented, Katie. Her love for her cat and hatred for her nasty landlord are extremely relatable, and help make her even more likable. Her ability to attract successful men and use them for free meals and advice helps amp up the tension when we can’t seem to pinpoint who is hiring Katie for these seedy editing jobs.  

For folks who work in freelance type jobs, this one will feel very relatable, especially if you’ve taken on gigs you weren’t proud of, and your parents are always asking if you got a new job. I definitely enjoyed the tension, and cat and mouse game that keeps you guessing throughout the film. 

Freelance feels like it belongs in the early 2000s, but the creative editing, and writing keep us grounded in today’s filmmaking. My only issue is with the almost 2 hour run time, but I think that’s because I just wanted to verify if my theories were correct about who, or what, is behind all the mystery videos. 

This is an exciting independent release from Australia, and will definitely keep people guessing. Give Freelance a chance, especially if you’re into Dark Web focused films. 

Club Creepy

Dooba Dooba

by Brooklyn Ewing

Dooba Dooba feels like something special — like a movie from the 70s or 80s that you borrowed on bootleg VHS from a new kid in your town. 

The movie opens as Amna (Amna Vegha) shows up for a night of babysitting and learns that her ward —a sheltered sixteen year old girl named Monroe (Betsy Sligh) — is being watched at all times by in-home security cameras.

Vegha makes it all work. She brings together the absurdity of Monroe’s parents with the reality of this cringy babysitting job.

There are only four characters in the film and each one makes me feel some type of way. The parents generate equal levels of unease, and their interactions with Amna make me want to run out of the room. Monroe is wildly odd, at one point critiquing Amna’s musical endeavors, making me want to climb out the window because I’m so embarrassed for her. 

Dooba Dooba’s vintage vibes make it deeply creepy. You feel like you’re watching something secretly, and you want to warn Amna that something doesn’t feel right. If you are a fan of The House of The Devil or The Loved Ones, this will pull you right in. I loved the creative cinematography.

Director Ehrland Hollingsworth is new to horror, but I think he has a new home in the horror community, and I cannot wait to see how audiences respond to this movie. I feel like part of a secret club after being able to see Dooba Dooba and I’m ready to talk about it with the world. 

Mommy Issues on Steroids

The Matriarch

by Brooklyn Ewing

Have you ever found yourself gripping the edge of your seat while watching a movie? Well, Jayden Creighton’s The Matriarch had me holding on for dear life. 

The film kicks off when 13 year old Missy Taylor, (Juliette Greenfield) kills her addict mother’s nasty boyfriend in self defense, and is subsequently terrorized by her very own mother all night long. This horror thriller offers up some incredible cat and mouse moments that had me yelling at the screen. 

Fans of The Evil Dead, The Texas Chainsaw Massacre, and The Shining will love spotting Creighton’s horror homages. I found myself excitedly watching for more influences as the film progressed. If you love the tension in movies like Hush or Don’t Breathe, then you will absolutely fall in love with The Matriarch

Creighton created a mother we don’t want to love, and it was a blast rooting for Missy as she does everything in her power to survive the night. Newcomer Greenfield knocks it out of the park. Taking on such strong material and really going for it is hard for any actor, and she nailed it.

Kate Logan tackles her character Annette, the mother, like a monster. If you love the jacked-up delivery of Bruce Campbell and Jack Nicholson, then get ready to see Logan take it there. She’s a true talent who isn’t afraid to push this movie into the absurd and terrifying. It’s fun to watch her work. 

The Matriarch features a killer score that reminded me of classics like The Evil Dead, and a lot of 90s and early 2000s horror. It moves the already quick paced flick to full fledged heart attack mode. This would be a really fun movie to watch in the dark with a group of friends who scream during great jump scares. 

If you have Mommy issues, or just love a great game of hide and seek on the big screen, then The Matriarch is a do not miss. 

Spooky Fun for Halloween

Carved

by Brooklyn Ewing

Each Halloween season, horror fans go looking for new seasonal movies. This year, director Justin Harding (Making Monsters)brings his fun, spooky splatter-fest, Carved to Nightmares Film Festival and Hulu’s Huluween. 

A group of survivors — including comedy favorites DJ Qualls and Chris Elliott — find themselves trapped in a historical reenactment village on Halloween. There they must unite to battle an evil and vengeful pumpkin. 

This is not your typical killer food movie. Carved delivers inspired kills that almost made me root for the pumpkin. The special fx are a blast and the cinematography is gorgeous. They make this one a do not miss addition to your yearly 31 Day of Halloween watchlist. 

The standout in the cast is newcomer Peyton Elizabeth Lee. I loved the rocky relationship between Lee and Corey Fogelmanis. Lee brings the Halloween final girl baddie to the forefront again, and I couldn’t get enough of it. 

Some of my favorite scenes featured Stranger Things alum Matty Cardarople as a corn truck employee.  And Carved rounds out the fun ensemble with a comedy heavy hitter from the 2000s. DJ Qualls plays the perfect uptight jerk, and has some of the most memorable one liners. He brings the polish and snark to the screen and I couldn’t help but love his character.

If you love killer food movies, autumn ambiance, creative kills, and a delightfully talented cast, then add Carved to your Spooky Season watchlist.