by Hope Madden
How bittersweet that the great James Gandolfini goes out on such a high note. The man who may have been the all time best onscreen Mafia boss showed surprising versatility throughout his film career, and this talent is on beautiful display in one of his final performances.
Both are divorced and facing the prospect of empty nests as their daughters head off to college, and together they develop a sweet crush that is a joy to watch as it blossoms.
Disheveled and genuine, Louis-Dreyfus has never been better, and together these veterans best known for their epically impressive television careers sparkle with tender onscreen chemistry.
Holofcener’s made a career of exploring the issues facing privileged, urban dwelling women. While this may seem too trite to tolerate, her laid back style, dialed-down neuroticism and eye for casting tend to balance things out.
Characteristically, Holofcener’s focus in Enough Said is the day to day struggle with intimacy, connection, and the compromise that accompanies a relationship. Still, this film is probably her most mainstream and accessible to date because the problems themselves are more universal.
Expect the loose narrative and slice of life structure, but with Louis-Dreyfus and her infectious chuckle driving the story, everything seems cheerier, more forgivable, and ultimately hopeful.
The film’s conflict feels a little contrived, but Louis-Dreyfus’s comic timing and unadorned performance keep things honest. She’s aided immeasurably by a cast eyeball deep in talent.
The always excellent Catherine Keener and Toni Collette are impressive, of course. Ben Falcone also gets in some good lines, and keep a look out for Toby Huss as Eva’s ex. (He’s The Wiz, and nobody beats him! Seriously, it’s that guy from Seinfeld. You’re welcome.)
Holofcener’s crafted a wise and affectionate look at middle age. Her writing is just as incisive as ever, but this cast finds more heart in the humor – Gandolfini in particular. As he did with all of his best work, he uncovers the vulnerability in the character that makes him human, recognizably flawed and therefore compelling.
That’s right. He could even play the romantic lead. The guy could do anything.