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Outtakes: Central Ohio Film Critics 2012 nominees

www.cofca.org

Nominees for the 11th annual Central Ohio Film Critics Association awards

(Columbus, December 29, 2012) The Central Ohio Film Critics Association is pleased to announce the nominees for its 11th annual awards.  Winners will be announced on the evening of January 3rd, 2013.

Notes on the nominees:

-Ties in the nomination round produced eleven nominees in the Best Film category and six nominees in the Best Director category.

-Although eleven films are nominated for Best Film, voting will finalize a Top 10 list.

The 2012 Central Ohio Film Critics Association awards nominees are:

Founded in 2002, the Central Ohio Film Critics Association is comprised of film critics based in Columbus, Ohio and the surrounding areas. Its membership consists of more than 20 print, radio, television, and internet critics. COFCA’s official website at www.cofca.org contains links to member reviews and past award winners.

The 2012 Central Ohio Film Critics Association awards nominees are:

Best Film

Argo

Beasts of the Southern Wild

The Cabin in the Woods

Django Unchained

Les Misérables

Lincoln

Looper

The Master

Moonrise Kingdom

Silver Linings Playbook

Zero Dark Thirty

Best Director

-Ben Affleck, Argo

-Paul Thomas Anderson, The Master

-Wes Anderson, Moonrise Kingdom

-Kathryn Bigelow, Zero Dark Thirty

-Tom Hooper, Les Misérables

-Steven Spielberg, Lincoln

 

Best Actor

-Bradley Cooper, Silver Linings Playbook

-Daniel Day-Lewis, Lincoln

-John Hawkes, The Sessions

-Hugh Jackman, Les Misérables

-Denis Lavant, Holy Motors

-Joaquin Phoenix, The Master

Best Actress

-Jessica Chastain, Zero Dark Thirty

-Jennifer Lawrence, Silver Linings Playbook

-Helen Mirren, Hitchcock

-Quvenzhané Wallis, Beasts of the Southern Wild

-Naomi Watts, The Impossible

Best Supporting Actor

-Alan Arkin, Argo

-Leonardo DiCaprio, Django Unchained

-Philip Seymour Hoffman, The Master

-Tommy Lee Jones, Lincoln

-Christoph Waltz, Django Unchained

Best Supporting Actress

-Amy Adams, The Master

-Ann Dowd, Compliance

-Sally Field, Lincoln

-Anne Hathaway, Les Misérables

-Helen Hunt, The Sessions

Best Ensemble

Argo

Les Misérables

Lincoln

Moonrise Kingdom

Silver Linings Playbook

Actor of the Year (for an exemplary body of work)

-Joseph Gordon-Levitt (The Dark Knight Rises, Lincoln, Looper, and Premium Rush)

-Anne Hathaway (The Dark Knight Rises and Les Misérables)

-Jennifer Lawrence (House at the End of the Street, The Hunger Games, and Silver Linings Playbook)

-Matthew McConaughey (Bernie, Killer Joe, Magic Mike, and The Paperboy)

-Channing Tatum (21 Jump Street, Haywire, Magic Mike, and The Vow)

Breakthrough Film Artist

-Tom Holland, The Impossible – (for acting)

-Bart Layton, The Imposter – (for directing)

-Quvenzhané Wallis, Beasts of the Southern Wild – (for acting)

-Benh Zeitlin, Beasts of the Southern Wild – (for composing, directing, and screenwriting)

 

Best Cinematography

-Danny Cohen, Les Misérables

-Roger Deakins, Skyfall

-Mihai Malaimare Jr., The Master

-Claudio Miranda, Life of Pi

-Robert Yeoman, Moonrise Kingdom

Best Adapted Screenplay

-Stephen Chbosky, The Perks of Being a Wallflower

-Tony Kushner, Lincoln

-David Magee, Life of Pi

-David O. Russell, Silver Linings Playbook

-Chris Terrio, Argo

Best Original Screenplay

-Wes Anderson and Roman Coppola, Moonrise Kingdom

-Mark Boal, Zero Dark Thirty

-Drew Goddard and Joss Whedon, The Cabin in the Woods

-Rian Johnson, Looper

-Quentin Tarantino, Django Unchained

Best Score

-Alexandre Desplat, Argo

-Alexandre Desplat, Moonrise Kingdom

-Reinhold Heil, Johnny Klimek, and Tom Tykwer, Cloud Atlas

-Howard Shore, The Hobbit: An Unexpected Journey

-Hans Zimmer, The Dark Knight Rises

 

Best Documentary

How to Survive a Plague

The Imposter

The Queen of Versailles

Samsara

Searching for Sugar Man

 

Best Foreign Language Film

Headhunters (Hodejegerne)

Hipsters (Stilyagi)

Holy Motors

The Kid with a Bike (Le gamin au vélo)

Let the Bullets Fly (Rang zidan fei)

Best Animated Film

Brave

Frankenweenie

Madagascar 3: Europe’s Most Wanted

ParaNorman

Wreck-It Ralph

 

Best Overlooked Film

Bernie

Goon

Killer Joe

Safety Not Guaranteed

Seven Psychopaths

 

 

COFCA offers its congratulations to the nominees.

Previous Best Film winners:

2002:  Punch-Drunk Love

2003:   Lost in Translation

2004:   Million Dollar Baby

2005:   A History of Violence

2006:   Children of Men

2007:  No Country for Old Men

2008:  WALL·E

2009:  Up in the Air

2010:  Inception

2011Drive

For more information about the Central Ohio Film Critics Association, please visit www.cofca.org or e-mail info@cofca.org.

The complete list of members and their affiliations:

Richard Ades (The Other Paper); Kevin Carr (www.7mpictures.com, FilmSchoolRejects.com); Bill Clark (www.fromthebalcony.com); John DeSando (90.5 WCBE); Chad Dull (The Other Paper); Frank Gabrenya (The Columbus Dispatch); James Hansen (Out 1 Film Journal); Nicholas Herum (Columbus Underground; Movies Hate You Too); Brad Keefe (Columbus Alive); Kaizaad Kotwal (C Magazine, Gay Peoples Chronicle); Kristin Dreyer Kramer (NightsAndWeekends.com, 90.5 WCBE); Joyce Long (WOSU Public Media); Rico Long (WOSU Public Media); Hope Madden (The Other Paper); Paul Markoff (WOCC-TV3; Otterbein.TV); David Medsker (Bullz-Eye.com); Lori Pearson (Kids-in-Mind.com, critics.com); Mark Pfeiffer (Reel Times: Reflections on Cinema; WOCC-TV3; Otterbein.TV); Melissa Starker (Columbus Alive, The Columbus Dispatch); George Wolf (The Other Paper); Jason Zingale (Bullz-Eye.com); Nathan Zoebl (PictureShowPundits.com).

For Your Queue: Freaky Fine Friedkin!

 

By Hope and George

 

They snuck a whole additional DVD release date in this week, did you notice that? Sneaky bastards!

Well, the good news is that they are unleashing one of the year’s best and weirdest with their secret-second Christmas release. Today, film fans, today director William F. Friedkin offers something bold and nasty: Killer Joe. Matthew McConaughey plays the titular killer, a predator in a cowboy hat making deals with some Texas white trash. The deal goes haywire, and some crazy, mean, vividly depicted shit befalls those unthinking trailer folk.

Subdued, charming, merciless, weird, and oh-so-Southern, Joe scares the living hell out of any thinking person. Unfortunately, that doesn’t really describe the Smiths – an exquisitely cast Emile Hirsch, Juno Temple, Thomas Hayden Church and a flawless Gina Gershon. This is an ugly and unsettlingly funny film about compromises, bad ideas and bruised women. And it is the best thing Friedkin has done since The Exorcist.

If you enjoy it, try Friedkin’s 2006 White Trash Weirdness, Bug. Working for the first time with Tracy Letts, the playwright/scripter who also penned Killer Joe, Friedkin invites you into a world of paranoia, poverty, regret and tinfoil. Ashley Judd has never been better, playing a desperate waitress with a tragic past living in a cheap motel. She befriends a seriously damaged drifter – the creepy and wonderful Michael Shannon – and a nightmare unspools. Bug lacks the wrong-headed humor of Killer Joe, but it is an absorbing, bizarre, and beautifully executed ride.

So That Happened….Santa Happens!

 

By Hope Madden

 

Christmas approaches, and George proves once again that he makes a fine Santa.

He played the part first at 15. A pubescent redhead weighing in at about a buck and a half – very authentic. Well played, Cambridge, Ohio Sears.

He donned the beard and boots again more recently. Perhaps you saw a bunch of Santas at various Columbus intersections dancing around with signs urging you to “Honk for Santa and Sunny 95!” George was one of those, and he had a lot of fun, even though he did get a one-finger Christmas salute from a guy who apparently saw right through a moonwalking Santa and his war on traditional holiday dance.

In between these stints, I would sometimes lend George out over the phone for nieces, nephews and friends’ kids. He has that nice, full baritone, does a great ho ho ho, and has literally no choice as I promise his services without checking.

He retired a few years back. A couple of 4-year-olds wore him down. My niece Ruby and our little friend Eva were to receive calls from ”Santa” on Christmas Eve. First he called Eva, who’d recently turned 4. She answered the phone with a shy, “Hello.”

“Hello. Is this Eva? This is Santa.”

Thud.

Eva dropped the phone and hid under a nearby table.

I should point out that George has been known to frighten children to tears. Usually the children sit in their itty bitty  jerseys or cheerleading onesies and George startles them from across a restaurant with a burst of fan passion. George is loud.

The children sometimes cry.

Of course, being a Browns fan, sometimes George cries, too.

Eva’s mom Heather picked up the phone, coaxing some conversation from her wee one, still safely tucked beneath the kitchen table.

“Eva, Santa says hi.”

“Hi.”

“Santa, Eva says hi.”

And so on.

George was a bit wearied by the time he got off the phone, but he needed to gumption up because Ruby was waiting.

“Ruby? This is Santa.”

“Oh, hello Santa.”

“Well hello, Ruby!”

“Santa, what is your favorite color?”

“Well…”

“What snack do you like best? How do you see when we’re good and when we’re bad? What do you dream about?”

At that point, Santa was dreaming of a gracious way out, but Ruby was having none of it.

“Are you sometimes invisible? Do you like to dance?”

How did she know about the moonwalk?

George has been on Santa vacation since then, but I was just thinking of a fun new plan, what with that fetching suit and all.

Skype!

So That Happened…Meet the Chirpers!

 

By Hope Madden

 

I edit college textbooks for a living, with all the associated hoopla, madness and zaniness you might expect to go along with that job. Exactly that much zaniness. My wing of the building is routinely referred to by our sales reps as The Mausoleum.

Yes, we’re quiet, we’re boring, we’re nerdy. We’re also under attack, forever harassed by the encroachment of the sales force. When I first started working here, our sales group’s wing ended about ten feet to the left of my office door.

But they constantly hire more sales people, and so began the cubical creep.

First, new cubicles lined the short wall across from my office.

Then they mushroomed in what was once the free space just beyond that wall.

Now they sit butt-up against the editorial assistants’ cubes.

If you look out my door, sales cubes are to my left, directly across from me, and to my right. I am surrounded.

With the sales force comes a different vibe than the one you find in editorial. There are a lot of happy hours, a lot of games, decorations and confetti and sometimes costumes. But mainly, with those cubicles comes sales people.

Like that one pod of cubes very near my door, and the new neighbors who work there: a revolving set of eager, young, shiny, chatty women. Very chatty. Chirpy, even.

And try as I might to ignore their constant chirping, sometimes it seeps through.

Like yesterday:

Chirper #1: Selena Gomez and the Bieb are back together

Chirper #2: Nuh-uh

Chirper #1: How do you spell ‘combination’

Chirper #2: C-O-M-B

Chirper #1: Is it C-O-M-B-O?

Chirper #2: No.

 

Aaah, Chripers. The adventure begins.

 

For Your Queue: Bayous and Ozarks

 

By Hope and George

 

The award-bedecked indie masterpiece Beasts of the Southern Wild is finally available on DVD today. Get it. Do it right now.

The brilliant tale spins quite a yarn, following 6-year-old Hushpuppy through tumultuous times in an area of the Louisiana Delta called The Bathtub. The wee heroine, played by Quvenzhane Wallis (a force of nature to match the hurricane that’s coming) puzzles through the upsetting events of her father’s failing health and the suddenly ferocious weather with the poetic logic of a child – gloriously nonsensical yet frighteningly reasonable. Wallis joins her director Benh Zeitlin in astonishing debuts, as does the equally fierce and amazing Dwight Henry, playing Hushpuppy’s father Wink. Full of folklore and enchantment, their collaboration amounts to one wonderfully original vision of freedom, self-determination and loss.

For another, more chilling, tale of subculture survival, try Winter’s Bone. In her breakout role, Jennifer Lawrence is riveting as Ree, a young Ozark Mountain girl in danger of crossing the wrong people as she searches for her father and uncovers some dark family secrets. John Hawkes leads a stupendous supporting cast and, along with the unflinching writing and gritty direction of Debra Granik, joins Lawerence to make Winter’s Bone a must.

For Your Queue: Two from Hillcoat

 

By Hope Madden

 

Out on DVD/BluRay/OnDemand/assorted other whatnot this week is the period shoot-em-up Lawless. It’s prohibition time, and the bootlegging Bondurant boys turn down the pricy “protection” offered by big city law. A showdown between official muscle and hardened backwoodsmen is inevitable.

Director John Hillcoat’s assembled an impressive cast, including the great Tom Hardy and Jessica Chastain, whose skill and onscreen chemistry command attention. It’s worth a look.

Even better, dig back in the catalogue for Hillcoat’s first film, The Proposition. A magnificent, brutal, fascinating Outback Western, it’s an underseen gem any fan of the genre is guaranteed to love.

For Your Queue: Laughing and Wincing

 

By Hope and George

 

An underseen film being released to DVD/BluRay today is the newest flick from Todd Solondz.

In Dark Horse, misanthrope/filmmaker Solondz turns his pitiless gaze toward the entitled underachiever. Abe (a perfect Jordan Gelber), waddling through his thirties, drives a hummer, lives at home, slacks off at his father’s office, collects action figures, and believes himself to be put-upon.

A game supporting cast, including Mia Farrow and Christopher Walken as coddling parents, keeps things interesting. As usual, Solondz’s humor comes from a dark place, although Dark Horse is hardly his blackest comedy (that would be Happiness, the one about the pedophile). Nor is it his best (see also: Happiness). But a middling effort from Solondz is still too brilliantly awful to go unseen.

If you’re up for a double scoop of dark laughs, consider Carnage, Roman Polanksi’s adaptation of the hit play from Yasmina Reza (who also wrote the script).

The film is set almost entirely in one room, where two sets of parents are meeting to cordially discuss a recent altercation at school involving their respective sons.

Cordial doesn’t stand a chance.

In short order, the meeting spirals into chaos amid brilliant slices of coal black comedy and stellar performances from Jodie Foster, John C. Reilly, Kate Wislet and Christoph Waltz.

Uncomfortable? Oh, yes. But its also intelligent and hilarious, and worth a look if you missed it in theaters.

So that happened…

God Bless America

Voting lines in our precinct were longer than we’d expected. We could have voted early.  I think we might have done it, too, if someone would have been motivated enough to remind us 634 times, but 633? Get bent!

Anyway, we like to get up on election day, put on our best sweatpants and bad-hair-day hats,  walk the block to our local elementary school and queue up to perform our civic duty.

As do a lot of our neighbors. Lots and lots. And it would seem that the vast majority of Grandviewans (Grandviewers? SpongeView GrandPants?) regardless of political affiliation have a last name in the L-Z bracket. As we waited and sweated, and read the artwork adorning the hallway to learn which second graders believed themselves to be the class’s best drawers and/or cutest, we heard the constant announcement: A-K? A-K? If your name starts with letters A through K, you can go ahead in. A-K?

I began to really hate A-K, not to mention question the logic of this line jumping.

Also, I was a bit distracted by the person in line whose phone kept going off with the “cock-a-doodle-doo” ringtone. So, if that was you, I apologize for yelling “Okay, who brought the rooster?”

To be honest, I think it brought about PTSD flashbacks from the concession stand line at the Obama/Springsteen/Jay-Z rally the day before. Because George and I have built our home on the corner of Liberal Politics and E Street, naturally we attended. How could we not?

Doors opened at noon, with Obama allegedly taking the stage at 4pm, so we and 16,000 other left-minded Ohioans queued up at 9am. By the time we got inside, we’d been standing since breakfast, knew we wouldn’t be leaving until dinnertime, so we all – all 16K of us – started looking for concessions.

16 thousand people, all of whom had been in line for hours and were now starving, and Nationwide Arena only opened two food kiosks? With a total of 6 (three apiece) workers? I’ll tell you right now, had I been one of those six, I’d have taken my own life.

C’mon, it’s Bruce!  Baby, we were born to eat!

It’s Jay-Z! I got 99 problems, and right now number one is not having direct access to super nachos!

It’s Obama! I thought free condiments were now part of my health care!

I waited 90 minutes. At about minute 30, a large young woman appeared ahead of me. This simply doesn’t happen in a line. So I said, “Ma’am, don’t do this. We’ve been here half an hour already.”

She returned to her rightful spot behind me and began loudly calming herself. “I’m just going to settle down, I’m going to let it go, I’m not going to start anything. But I am going to say one thing, and that one thing is, pay attention.”

She turned to me.

“Pay attention. That is the rule for today, for all you fools. Pay attention.”

It seemed needless to point out that, had I not been paying attention, I probably wouldn’t have noticed her ditching the line. But I said it anyway.

Lines breed testiness. Just ask those guys in my same concession stand line that came to blows.

But then we all remembered that great Tesla song, “Lines, lines, everywhere a line…”

Wait, did I just use the words “great,” “Tesla” and “song” in a row?

Whatevs.  The point is, wimpy hair metal is offensive.

After 90 minutes, I gave up. I could hear speakers speaking and figured it wasn’t worth missing it all for a super nacho and a couple of naked hot dogs (no way was I trying to get to that condiment stand).

I hope someone checked that rooster’s ID…

For Your Queue

When is a time travel movie not really about time travel? When it’s Safety Not Guaranteed, a love letter to the geeks, nerds and outcasts who were nice and all, but just a little too weird to hang with the cool kids.

Aubrey Plaza (April on TV’s Parks and Recreation) gets a breakout film role as Darius, a bored intern for a Seattle magazine. When staff reporter Jeff (Jake M. Johnson from TV’s New Girl) sees a classified ad seeking a partner in time travel, he takes Darius and fellow intern Arnau (Karan Soni) on a journey to find the ad’s author and get his story.

The movie is based on a real classified ad, placed as a joke in 1997 (by a man who appears briefly in the film). It works best once Darius gains the trust of the curious Kenneth (Mark Duplass), who’s planning a trip back to 2001, and not for the reason you think.

Duplass, a veteran “mumblecore” filmmaker/actor, gives Kenneth a depth that resonates, and Plaza delivers a star-making performance that takes Darius from condescending hipster to caring human being with nary a false note. Their scenes together are never less than touching.

Director Colin Trevorrow and writer Derek Connolly both make stellar debuts. Their first feature is more about seizing the possibilities of the present than about erasing the mistakes of the past, and they infuse it with heart, soul and wit.  (i.e. “She needs to go back in time and kill whoever gave her that haircut.”)

Don’t expect dazzling time-travel wizardry, or you’ll be disappointed. Or maybe you won’t, as the charming Safety Not Guaranteed is bound to win you over.

If you enjoy Safety Not Guaranteed, have a look at 2007’s Spanish import Timecrimes. Like Safety, this film’s most appealing element is its deceptively un-SciFi setting. The offbeat time travel mind bender never actually leaves a single neighborhood, taking a borderline comic approach – think Groundhog Day – to pique tension and engage viewers so that, when the film turns dark, the human aspect of the story goes unforgotten.

For Your Queue

Hooray – Moonrise Kingdom is now available on DVD and BluRay and other assorted whatnot, allowing you to watch it in your own home. So, by all means, do that!

In the dreamlike world of Wes Anderson’s seventh feature, simple scenes are woven together into a funny, rich love story that captivates from start to finish.

Admittedly, director/co-writer Anderson can be an acquired taste. Deliberately quirky and full of droll humor, his films have fluctuated from deep and meaningful (Rushmore, The Royal Tenenbaums) to groundless and uneven (The Darjeeling Limited). Moonrise Kingdom is perhaps his most complete to date.

Set in an island town off the New England coast in 1965, it follows youngsters Sam and Suzy, kindred spirits who look to each other for comfort as they navigate the minefield that is puberty.

The script is an endearing and never-condescending tribute to adolescence, not only a celebration of it but also a subtle yearning for innocence lost. The direction, production design, cinematography, cast, music—you name it—are all impeccable. Together, they render Moonrise Kingdom downright poetic, and easily one of the best films of the year.

Make it a double feature with an underseen, early Anderson gem, Bottle Rocket. Anderson’s first film as director, working from a script he co-wrote with star Owen Wilson, is an endearing, off kilter heist comedy that ranks among the best films Owen Wilson, his brother Luke, or even Anderson has ever made.