Tag Archives: Przemyslaw Przestrzelski

Migrant Fairy Tale

Her Will Be Done

by Hope Madden

Julia Kowalski grounds each moment of Her Will Be Done in an utterly authentic day-to-day. Every chore, every mismatched but sturdy layer of clothing, every slap of a rubber glove or boot makes you ache with Naw (Maria Wróbel) for something more than the French farm life of a Polish migrant.

But that’s 20-year-old Naw’s life, with her kind but religious father (Wojciech Skibinski) and her two rowdy brothers (Przemyslaw Przestrzelski and Kuba Dyniewicz). Naw yearns to be a veterinarian, or to do anything that gets her out of this house, this life. Even if she believes, as her father does, that she carries her mother’s curse.

The realism of Kowalski’s approach keeps you guessing: are Naw’s episodes medical? Supernatural? Just plain rage? The filmmaker mixes messages, confounds clues, and transfixes you in the mystery, mainly through Wróbel’s convincing, wide-eyed observational performance.

Wróbel’s quite wonderful, rarely speaking, communicating the entire arc of the character with her enormous, searching eyes. Thanks to the performance it’s easy to question Naw’s reality and to worry about the way she interprets the reality around her.

Naw’s life of quietly raging frustration takes quite a turn when the neighbor’s daughter (Roxane Mesquida)—scandalous for some reason Naw’s father won’t tell her—moves back home.

From this moment, Kowalski spins a folk horror rooted in misogyny, patriarchy, religion, power, and superstition. All of this as observed by the sheltered, innocent Naw. It’s like a fairy tale where the beautiful fairy finds herself somehow in Naw’s miserable world rather than vice versa, and the filmmaker mines that concept to create a kind of backward folktale.

In its best moments, Her Will Be Done conjures Marcin Wrona’s 2015 treasure Demon. At other moments, the understated realism calls Emma Benestan’s feminist horror Animale to mind. Kowalski, who writes with Simon Beaufils, complicates characters, makes them tough to predict. And yet, the bones of both reality and fairy tale dictate what must be.