by Brandon Thomas
Confession: I’ve never seen an entire Japanese animated film.
Spirited Away? Nope.
Howl’s Moving Castle? Sorry.
Akira? Not even a single frame.
I don’t have any kind of unreasonable hatred for this type of film, but I’ve never had much interest either. Thankfully, Mirai was a nice introduction for this anime novice.
Kun is a typical toddler. He enjoys playing with his toys, looking at books, and being the center of attention to his mom and dad. That changes when his baby sister, Mirai, is brought home. Confused by the changes happening around him, Kun retreats to a world where he is able to meet family members at different periods of their lives.
What struck me first about Mamoru Hosoda’s Mirai is how the film doesn’t shy away from letting Kun behave like a real kid. He’s selfish, loud and cannot control his emotions. He’s not the easiest protagonist to like at first. The delightful part is seeing Kun grow, and learn to put these bad behaviors to bed.
Mirai is interested in looking at how difficult it is to be a family. It’s tough for parents to bring home another baby when they already have one at home. Cleaning still needs to be done, dinner still needs cooking, life still happens… and that can cause friction. Likewise, it’s hard to be a kid in this kind of dynamic. One minute, you’re the center of mom and dad’s universe, and the next – you’re not.
Kun’s travels through time via the garden never feel like cutesy spectacle, as each of his meetings is rooted in character. Kun learns about empathy, and that his own parents struggled with things when they were younger. By becoming more in touch with previous generations, Kun is able to fully realize his place in his own family.
Emotional yes, but there’s still plenty of fun to be had with Mirai. Kun finds himself turned into a half-boy half-dog at one point, and takes an exciting motorcycle ride with his great-grandfather at another. There’s a joyfulness to Kun’s interactions with this fantastical world that’s perfectly childlike.
Mirai might lack the belly laughs that accompany a Pixar movie, but the message is just as potent. Once the credits start to roll, that message is what sticks with us.