Tag Archives: Kathy Najimy

Leave It to Beaver

Hoppers

by Hope Madden

Funny, relevant, overstuffed and a little too busy, Pixar’s latest, Hoppers, throws a lot at you.

Mabel (Piper Curda) has always been a handful. In the film’s opening act, after she gets caught trying to break every elementary school classroom animal out of captivity, her frustrated mother drops her off with her grandmother. Grandma Tanaka (Karen Huie) introduces Mabel to the calming effect of nature. As they age together, the two sit on a rock by the glade behind Granny’s, learning to be silent and feel a part of something bigger.

Then the mayor, Jerry (Jon Hamm), decides to bulldoze the glade to extend the city’s beltway, shortening commutes by 4 minutes! Through a series of events both clever and complicated, Mabel hijacks a research experiment, avatars her way into the robotic body of a beaver, infiltrates the local wildlife community, learns more than any human has ever learned about their hierarchy, and just about gets Jerry squished.

Hamm is perfect as Mabel’s foil, but the entire cast is excellent. From smaller supporting turns (Meryl Streep, Vanessa Bayer, and Isiah Whitlock, Jr. in one of his final roles) to larger roles (Bobby Moynihan, Dave Franco, Kathy Najimy), each voice brings life and wit to Pixar’s characteristically enthralling animation.

Co-writer/director Daniel Chong’s script, co-written with Jesse Andrews (Elio, Luca, Me and Earl and the Dying Girl), is warm, forgiving and quite funny. Pixar has a knack with movies about a world unknown, even forbidden, to humans. Hoppers plays with that idea, and the thrill of being part of the animal world offers contagious joy.

It’s also an honestly emotional film, and Curda makes an excellent anchor for that emotion.

The film’s one big drawback is that it simply tries to do too much. At an hour and 45 minutes, it feels slightly longer than necessary, but more than anything, it is very complicated. Had Chong pruned some of the human world complexities, favoring instead the merry time spent in the surprising world of the animals, his film might find broader appeal. As is, it will delight older children and adults, although the littlest viewers may struggle to keep up.

Resting Witch Face

Hocus Pocus 2

by Hope Madden

Thirty years ago (more or less), Disney released a family friendly seasonal comedy that underperformed and was forgotten. Forgotten, except by every 8-year-old who watched Hocus Pocus then or would go on to rewatch it annually during spooky season.

The entertainment behemoth finally realized what it had and commissioned a sequel. Hocus Pocus 2 reunites willful witches Winnifred (Bette Midler), Sarah (Sarah Jessica Parker) and Mary (Kathy Najimy) with Salem, the town that hates them.

What is it that reawakens the evil Sanderson sisters? A somewhat convoluted storyline, actually, but it involves female empowerment and community and it’s charmingly, inoffensively told.

Halloween’s here, and with it, Becca’s (Whitney Peak) 16th birthday. She’ll celebrate this year as every year by sharing a little spookiness in the woods with her bestie, Izzy (Belissa Escobedo). It’ll be the first year that the third in their trio, Cassie (Lilia Buckingham), doesn’t join because she’s hanging out with her boyfriend. Meh!

Anyhoo, the Sandersons are accidentally conjured. Somehow the local crystals and essential oils purveyor (Sam Richardson, likable as ever) is mixed up in things. And Cassie’s dad – kindly Mayor Traske (Tony Hale) – is in mortal danger!

Director Anne Fletcher (The Proposal) hits enough nostalgic notes that adult fans of the original will feel seen. Its contemporary story allows for brand new witch-out-of-water scenarios to explore, and, of course, the sisters are always up for a musical number. But this is definitely a kids’ film.

The original was a kind of sibling to Fred Dekker and Shane Black’s 1987 family film Monster Squad. Both showed poorly at the box office and went on to become beloved seasonal fixtures. Hocus Pocus brought the sensibilities into the nineties by, for one thing, recognizing that boys can also be virgins. HP2 modernizes further.

To begin with, not every citizen of Salem is white. And though it’s impossible to entirely redeem three characters looking to eat children, at least the sequel skims the ideas of systemic misogyny. But mainly it offers campy, scrappy, bland but amiable fun.

Midler, Najimy and Parker reinhabit the old trio well enough to remind us why so many kids loved the original. Whether HP2 can strike the same chord with today’s youth is tough to tell, but at least there’s a Halloween flick everyone can watch together.