Tag Archives: Isiah Whitlock Jr.

Leave It to Beaver

Hoppers

by Hope Madden

Funny, relevant, overstuffed and a little too busy, Pixar’s latest, Hoppers, throws a lot at you.

Mabel (Piper Curda) has always been a handful. In the film’s opening act, after she gets caught trying to break every elementary school classroom animal out of captivity, her frustrated mother drops her off with her grandmother. Grandma Tanaka (Karen Huie) introduces Mabel to the calming effect of nature. As they age together, the two sit on a rock by the glade behind Granny’s, learning to be silent and feel a part of something bigger.

Then the mayor, Jerry (Jon Hamm), decides to bulldoze the glade to extend the city’s beltway, shortening commutes by 4 minutes! Through a series of events both clever and complicated, Mabel hijacks a research experiment, avatars her way into the robotic body of a beaver, infiltrates the local wildlife community, learns more than any human has ever learned about their hierarchy, and just about gets Jerry squished.

Hamm is perfect as Mabel’s foil, but the entire cast is excellent. From smaller supporting turns (Meryl Streep, Vanessa Bayer, and Isiah Whitlock, Jr. in one of his final roles) to larger roles (Bobby Moynihan, Dave Franco, Kathy Najimy), each voice brings life and wit to Pixar’s characteristically enthralling animation.

Co-writer/director Daniel Chong’s script, co-written with Jesse Andrews (Elio, Luca, Me and Earl and the Dying Girl), is warm, forgiving and quite funny. Pixar has a knack with movies about a world unknown, even forbidden, to humans. Hoppers plays with that idea, and the thrill of being part of the animal world offers contagious joy.

It’s also an honestly emotional film, and Curda makes an excellent anchor for that emotion.

The film’s one big drawback is that it simply tries to do too much. At an hour and 45 minutes, it feels slightly longer than necessary, but more than anything, it is very complicated. Had Chong pruned some of the human world complexities, favoring instead the merry time spent in the surprising world of the animals, his film might find broader appeal. As is, it will delight older children and adults, although the littlest viewers may struggle to keep up.

Mercy, Mercy Me

Da 5 Bloods

by Hope Madden

Leave it to Spike Lee to follow up the socially searing masterwork in direction BlackKklansman with something bigger, badder and even more immediately relevant.

Da 5 Bloods follows four Vietnam Vets (Delroy Lindo, Clarke Peters, Isiah Whitlock Jr., Norm Lewis) back to the jungle where they left so much. They left a lot more than most, actually, including a beloved brother and a lot of gold.

Chadwick Boseman haunts the frames and the buddies as Stormin’ Norm, the young platoon leader and inspiration that didn’t make it home. If he represents past tragedies, Jonathan Majors represents the way those pains echo into today.

A heist movie on the surface, Da 5 Bloods is clearly about a great deal more than making it rich. Lee has a lot to say about how those in power tell us what we want to hear so we will do what they want us to do.

As is always the case with Lee’s films, even the most overtly political, deeply felt performances give the message meaning. The entire cast is excellent, but Delroy Lindo is transcendent.

Lindo’s never given a bad performance in his 45 years on screen. As commanding a presence as ever at 68 playing Paul, Lindo again blends vulnerability into every action, whether funny, menacing or melancholy. His MAGA hat-wearing, self-loathing, dangerously conflicted character gives Lee’s themes a pulse. This may finally be the performance to get Lindo the Oscar he’s deserved for ages.

Staggeringly equal to the effort is Majors (The Last Black Man in San Francisco) as Paul’s son David. His performance illustrates a resilience as well as a tenderness that is utterly heartbreaking.

Even so, here Lee avoids the sentimentality that undermined his 2008 war film Miracle at St. Anna. In its place is a clear-eyed look at the many, insidious effects of not just war but systemic oppression.

It should surprise no one that Lee’s latest happens to hit the exact nerve that throbs so loudly and painfully right now, given that he’s been telling this exact story in minor variations for 30+ years.