Tag Archives: Jon Favreau

Say Hello to My Little Friend

Star Wars: The Mandalorian and Grogu

by Hope Madden

Star Wars has been around for nearly a half century. We’ve seen films, sequels, prequels, TV series, books, animation, Legos, and one epically weird Christmas special. But we haven’t seen a feature film since 2019, and we’ve never seen a feature film based on a TV show. Until now, with Jon Favreau’s Star Wars: The Mandalorian and Grogu.

Much is still the same. Bad guys still have terrible aim, faulty weapons, and super cool monsters. Good guys have decent aim, reliable weapons but unreliable transportation, and cute and friendly beasties.

The film picks up where Season 3 left off as a sort of replacement for Season 4. And that’s kind of how it feels—not like an epic adventure, more like an extended episode. The X Files movie of the Star Wars franchise.

Mando (Pedro Pascal) and Grogu agree to save Rotta the Hutt (voiced by Jeremy Allen White) from a gladiator-style imprisonment in return for information from his aunt and uncle, “The Twins.”

Naturally, it involves star fights, surprise monster battles, a barroom brawl, and dirty dealings. But no matter the odds, the Mandalorian is noble and Grogu is cute. The CGI, though? Sketchy.

Mando’s co-pilot Zeb Orrelios (Steve Blum) looks bad, especially his face. There is one gorgeously rendered dragon snake thing, but otherwise, most of the monsters are under articulated. The action, whether hand-to-hand or in the air, feels uninspired.

There is a long break in the live-action action that’s pretty great. First, we travel with Grogu and the Anzellans—gripey little mechanics who make baby Yoda look big. And later, Grogu has an episode all his own. Both sequences let the film breathe and let the audience spend some quality time with the character we probably came for.

Otherwise, the story is capably written and told. The score is adequate and the cinematography is OK. There are questions. Why does actor Jonny Coyne go by his actual name in this movie? And why is it so sexy to hear Sigourney Weaver (as Colonel Ward) say: “Going in weapons hot”?

But narratively, no. They cover everything. And it’s fine. It’s sometimes really fun, often super cute, frequently amusing, and easily the most forgettable film in the whole Star Wars galaxy.

Animal Planet

The Jungle Book

by George Wolf

Much like the “man-cub” Mowgli prancing gracefully on a thin tree branch, director Jon Favreau’s new live action version of Disney’s The Jungle Book finds an artful balance between modern wizardry and beloved tradition.

The film looks utterly amazing, and feels nearly as special.

Impossibly realistic animals and deeply nuanced landscaping completely immerse you in the jungle environment where the young Mowgli (a wonderfully natural Neel Sethi), after being rescued as an infant by pragmatic panther Bagheera (voiced by Ben Kingsley), lives happily among the wolf pack of Akela (Giancarlo Esposito) and Raksha (Lupita Nyong’o).

But after threats on the man-cub’s life by the fearsome tiger Shere Khan (Idris Elba), Bagheera decides it is time to lead the boy back to the “man village” for good.

Based on the stories of Rudyard Kipling, Disney’s 1967 animated feature showcased impeccable voice casting and memorable songs to carve its way into the hearts of countless children (myself included). Clearly, Favreau is also one of the faithful, as he gives the reboot a loving treatment with sincere, effective tweaks more in line with Kipling’s vision, and just the right amount of homage to the original film.

And this group of voices ain’t too shabby, either.

Kingsley is perfectly elegant, Elba commanding and scary, while Scarlett Johansson gives Kaa the snake a hypnotic makeover oozing with seduction. Then, in the heart of the batting order, along comes Bill Murray to fill Baloo the bear full of sarcastic gold and Christopher Walken to re-imagine King Louie as an immense orangutanian Godfather.

All the elements blend seamlessly, never giving the impression that the CGI is just for flash or the cast merely here for star power. The characters are rich, the story engrossing and the suspense heartfelt. Credit Favreau for having impressive fun with all these fancy toys, while not forgetting where the magic of this tale truly lives.

Verdict-4-0-Stars