The Amateur
by Hope Madden
A lot had changed in black ops, terrorism and surveillance since 1981, when Robert Littell wrote the novel and film The Amateur. The Cold War gave way to a surveillance state where it’s even easier to believe that a guy from CIA’s encryption team could undermine their entire operation.
Rami Malek plays that guy, Charlie Heller. Malek can be an acquired taste, but he brings a believable fragility and oddball quality to Heller that suits the film. When his wife—a photographer in London for a conference—is killed by terrorists, Heller uses compromising intel he has on his department head to get the training he needs to find the four responsible.
Of course, it’s all a double cross, but maybe Heller’s smart enough to have predicted that?
Director James Hawes (One Life, TV’s Slow Horses) keeps the story one step ahead of the audience, building in just enough layers to satisfy without overwhelming.
Malek’s the key ingredient. He projects a vulnerability that makes the ridiculousness believable. His is an unselfconsciously gawky, awkward performance that never leans toward caricature or mockery.
A solid supporting cast including Julianne Nicholson, Holt McCallany, Jon Bernthal, Rachel Brosnahan and Laurence Fishburn help to elevate scenes of exposition or, worse still, naked sentimentality. The script from Ken Nolan and Gary Spinelli boasts a somewhat nuanced view of tech-aided murder. It also contains ham-fisted red herrings and silly moments of audience pandering.
Are there leaps in logic? More than a Bourne, fewer than a Bond. It’s the kind of laid-back spy thriller we used to get in the ‘80s and ‘90s—no gorgeous humans jet setting, no big explosions, no breathless vehicular gimmickry. Just normal looking people trying to outsmart one another and an audience that’s fitting the puzzle together as quickly as we can.
The Amateur is no masterpiece. (You should really see Black Bag.) But it is a nice change of pace.
