Tag Archives: Hacksaw Ridge

God and Country

Hacksaw Ridge

by Hope Madden

Bathing an audience in violence – but violence in service of a noble cause – has become filmmaker Mel Gibson’s stock and trade.

Braveheart was a great movie – thrilling, self-righteous and violent as hell. But Gibson really hit paydirt as a director when he underpinned his gorefests with images of the victimhood of the Christian. (Or, of Christ himself.)

Gibson returns to what works with his latest, Hacksaw Ridge.

There is no question that the story of WWII veteran Desmond Doss not only deserves but requires our attention. A conscientious objector and devout Seventh Day Adventist, Doss refused to bear arms and yet he single-handedly carried 75 injured soldiers to safety during a particularly bloody battle in Okinawa.

Screenwriters Andrew Knight and Robert Schenkkan burden the film with every cliché in the WWII movie arsenal, from the wholesome hometown love to the flatly stereotyped platoon mates to nearly every line in the film.

Yet, between Gibson’s skill behind the camera and Andrew Garfield’s commitment to his character, Hacksaw Ridge always manages to be better than the material. And there is really no denying Gibson’s knack for action, carnage and viscera – all in the service of non-violence, of course.

It was Doss’s faith that kept him strong in his non-violent beliefs, just as it was his faith that kept him courageous in battle. Whether you believe in God or you do not, you will admire Desmond Doss, and Garfield does him justice.

He’s goofy and layered and at no point does Doss’s own explanation of his faith feel like a sermon. Thank God.

Garfield also boasts lovely chemistry with just about every actor onscreen – this is particularly touching in some early scenes with Teresa Palmer, playing Doss’s hometown sweetheart Dorothy.

So, come for the wholesome message, stay for the flaming soldiers who’ll flail in unimaginable agony before your very eyes.

It isn’t tough to shock with violence when you’re re-telling the greatest story ever told, but to one-up the carnage in a war movie? Have you seen Platoon? Saving Private Ryan?

Well, Gibson has, and he won’t be intimidated. But give the man credit, these sequences are breathtakingly choreographed, as full of energy and clarity as they are human entrails. If you’re looking for an opportunity to satisfy your bloodlust while also celebrating pacifism, well, Gibson’s got you covered.