Tag Archives: Ghost in the Shell

I Don’t Want to Go Out – Week of July 25

It is too damn hot to leave the house. You got your Cheetos or Pop Tarts and your beverage of choice – what to watch? Brand-spankin’ zombie movie? Captain America melting hearts? ScarJo’s conflicted cyborg? Glen Baby Glen Ross? We have the answers!

Click the title for a full review. And as always, please use this information for good, not evil.

Gifted

Verdict-3-0-Stars

Ghost in the Shell

Verdict-3-0-Stars

It Stains the Sands Red

Verdict-3-0-Stars

The Boss Baby

Verdict-2-5-Stars

Major Upgrade

Ghost in the Shell

by George Wolf

For all the celebrated vision of the 1995 Japanese anime standard Ghost in the Shell, it resembled the inspirations of a teenage boy hopped up on the works of Phillip K. Dick and Hugh Hefner. There was warmed-over sci-fi pondering, and there was plenty of gratuitous boobage.

Director Rupert Sanders delivers the live action remake as a visually rich feast, bringing a welcome upgrade to both character and storytelling.

In a technically dizzying future where the line between human and machine is growing constantly thinner, Major (Scarlett Johansson) emerges as the first true “ghost in the shell”: human brain in a cyber body.

She’s viewed as the perfect weapon, but her mission to locate Kuze (Michael Pitt), a cyber-terrorist capable of hacking into human minds, leads to some revelations that will have Major questioning her loyalties.

The studio defense of Johansson’s casting amounts to a weak tap dance around the truth: she’s a big star who looks the part and they think she’ll combine butts with seats. While the “whitewash” criticism is fair, Johansson also brings a necessary shift away from Major as merely a ridiculous adolescent fantasy.

Johansson conveys well the clash of mind and machine at work in Major, while Pilou Asbaek (A War) steals scenes as Batou, Major’s macho partner who’s sporting a nifty new set of cyber eyeballs.

Sanders (Snow White and the Huntsman) and his visual team work wonders (the 3D version is worth the investment), re-creating various scenes from Mamoru Oshii’s original film with stunning new flourish. This future world pops with visual style in every corner while maintaining a cold, unforgiving and detached aesthetic that feels right.

Screenwriters Jamie Moss and William Wheeler do provide crisper dialogue and a more polished narrative than the original film, but it’s a tale still rooted in overwrought tropes and stale cliches. Ironically, with a moral so consumed by the preservation of humanity, Ghost in the Shell doesn’t give you much to think about.

This beautiful body needs more of a soul.

Verdict-3-0-Stars