Tag Archives: Daniel Baldwin

Work Is Murder

Employee of the Month

by Daniel Baldwin

Ines is a 45-year-old paralegal doing the work of five people and getting the salary of less than one. She’s worked for the same cleaning products company for almost two decades and has yet to receive a raise. Paired with her is Melody, a college student intent on finishing out her accounting degree by completing an internship at said company – EcoCleanPro – which has recently laid off her own mother to save a few bucks. EcoCleanPro is run by a bunch of lazy, greedy, chauvinistic men who see little value in the women who work beneath them, save for whenever they want coffee or for the toilet paper to be refilled.

Ines is, understandably, fed up. She hasn’t had a raise in over a decade and a half and no one at the office takes her seriously. Melody views her internship as a means to an end; a hardship that must be endured so that she can complete her degree and bounce as soon as possible. To say these women are not enjoying their time working at EcoCleanPro would be putting it very, very mildly.

When Ines finally confronts the office manager about all of this, a (perhaps not so) tragic accident occurs that results in death. From there, the situation only continues to snowball for Ines and Melody. That doesn’t necessarily mean it’s a bad thing, however, for as the body count rises, so too do their spirits and camaraderie.

Writer/director Veronique Jadin has crafted a biting black comedy that takes female workplace anxieties and unleashes them like a bullet from the barrel of a gun. There’s a delightful throwback nature to the film that calls to mind the similar darkly comedic thrillers of the ‘90s. Enough so that Employee of the Month would not feel out of place in a movie marathon that also contained the likes of Office Killer, Very Bad Things, Curdled, and (of course) Office Space.

The stars of the show here are Jasmina Douieb and Laetitia Mampaka as Ines and Melody, respectively. Both are equally compelling in their separate performances, but their chemistry together really makes Jadin’s and co-screenwriter Nina Vanspranghe’s script sing. Single location films of any genre are not an easy feat to pull off and to do so with a comedy is exceptionally hard. Douieb and Mampaka carry this one across the finish line hand-in-hand.

Screening Room: Are You There God? It’s Me, Margaret, Sisu, Big George Foreman, Peter Pan & Wendy, Showing Up and More

This Property Is Condemning You to Death

The Tank

by Daniel Baldwin

Picture this: a loved one has passed away and you inherit a piece of property from them that they’ve never mentioned. You’ve been handed a house along the coast that comes with its own private beach. We’re talking beautiful, untouched land. An absolute dream come true, with no catch in sight.

Well, except for that weird water tank that’s hidden underground on the property. A tank that may or may not contain an ancient beast that loves to run amok when unleashed. That right, you didn’t just inherit your dream home. You inherited a horror movie as well. Congratulations!

Scott Walker’s New Zealand creature feature The Tank knows its tropes and revels in them constantly. If you’re rolling up to this coastal oasis of terror looking for heaps of originality, you’re going to swim away disappointed. However, if you’re the type that loves a good meat & potatoes monster movie, then you will find quite a bit to enjoy here.

There are two true stars of this bestial B-movie endeavor, with the first being the practical monster effects work on display from WETA Workshop. Their efforts here are just as good as you’d expect coming from the imaginative minds that brought forth the cinematic beasties on display in The Lord of the Rings trilogy, 30 Days of Night, District 9, and the cult classic Black Sheep. Richard Taylor and his team are in fine form, serving up a cool monster and delivering delicious creature carnage.

The other star is actress Lucianne Buchanan. While the other performances in the film are fine, Buchanan stands tall above the rest, gifting us with a new horror heroine to root for in family matriarch, Jules. Between her turn in this and her leading role on the recent hit Netflix action series The Night Agent, Buchanan is one to keep your eye on.

The Tank does have its issues. The pacing in the first two acts can be sluggish at times, the color palette can get a bit monotonous, and the family drama subplots don’t really amount to much. Of course, that’s not what we’re here for. The Tank promises you some lean, mean, and low budget monster escapism. For the most part, it delivers on that promise, so if this type of movie is up your alley, give it a look.

Screening Room: Evil Dead Rise, Beau Is Afraid, Guy Ritchie’s The Covenant & More

Forbidden Photo of a Man Above Suspicion

Ran Mi Lowo (Help Me)

by Daniel Baldwin

The synopsis for writer/director Akorede Alli’s Ran Mi Lowo describes a film about a young lady, Yemisi (Omowunmi Dada), in high school within Nigeria who is tasked with solving a mystery. That mystery? Exactly who is sexually assaulting her fellow female students, including her best friend, and threatening their lives if they expose who he is to anyone. Nearly all of the victims quit school shortly after their assault, with some committing suicide…or were they murdered?

Yemisi believes that the perpetrator has a connection to the school, but the administrator won’t take her concerns seriously. But who is doing it? Is it the lecherous gatekeeper who constantly hits on the female students as they arrive every morning? Is it one of the male teachers? And if it is one of the teachers, would anyone even believe Yemisi (or the victims) without hard evidence? After all, they’re respectable members of the community and how often do people actually believe women in these circumstances? If they won’t believe them, then what is Yemisi to do?

If you’re thinking that this Nigerian film is a hard-hitting drama…you’re wrong! As deathly serious as all of the above sounds, Ran Mi Lowo couldn’t be further from awards season-style brutal dramatic fare. In fact, its closest cinematic cousin is that of the ‘70s Italian thriller, aka the giallo!

Many of the classic gialli hallmarks are on display here. There’s the protagonist with a connection to the arts, as Yemisi wants to be an investigative journalist. She’s surrounded by an overly-horny cast of characters. There are occasional swirling camera movements and POV shots. We’re also presented with weird dolls, strange subplots with no direct connection to the main story, and even the director’s own hands being those that commit onscreen murder. Speaking of the the festishistic fiend, once revealed they even give an appropriately-twitchy psychotic performance and lay out a traumatic backstory befitting the subgenre.

This is not to say that Akorede Alli entirely nails the subgenre. The writing falls flat at times and while gialli fans can appreciate superfluous subplots and (intentional or not) wonky subtitles, those aren’t exactly the best things to copy from the decades-old subgenre. Still, it’s a surprising and intriguing debut from Alli. One worth seeing for those who appreciate wilder foreign genre fare.

Screening Room: Air, Super Mario Bros., Paint, The Five Devils & More

Kindness Has No Borders

A Handful of Water

by Daniel Baldwin

Jakob Zapf’s quiet drama A Handful of Water revolves around grieving widower Konrad Hausnick (Jurgen Prochnow) living out his days going through his usual routine in a very cold and robotic manner, with the only light in his life coming not from his adult daughter and her new family, but instead from his fish-filled basement aquarium. He is a man who has found himself unable to move beyond his sorrow, nor to find room in his heart for the joy of others. Enter Thurba Al-Sherbini (Milena Pribak).

Thurba is a 12-year-old Yemeni refugee who is on the run . She set off into the world on her own when German police come knocking at her home, forcing her to leave her mother and two siblings behind. Per German law, the family cannot be deported back to Bulgaria unless all members are accounted for. If you’re guessing that Thurba manages to take up residence in Konrad’s home, you’re right on the Deutsche Mark!

A young person managing to bring a bereaved aging man out of his shell is a tale as old as time. Sometimes it comes in the form of fantastical animation like Up!, a violent comic book blockbuster like Logan, or a soaring sports drama like Creed. And sometimes it arrives in a much smaller package, as it does here. This is a tried and true formula because it’s one that often sings and that holds true for this film as well.

Those of you who are primarily used to seeing Prochnow vamp it up in a villainous manner across decades of genre cinema are in for a treat here, as this is a very different side of the man. Jurgen has rarely been better than he is as Konrad, and his performance is matched pound for pound by newcomer Pribak. They are the heart and soul of the film. It doesn’t matter if you can guess where things will go at almost every turn, as the flavors they add to the journey make it worthwhile.

A Handful of Water might not contain very many surprises, but it also avoids the pitfalls of many dramas of this type. It’s never too on the nose with its message and it’s never too saccharine for its own good either. Zapf, Prochnow, and Pribak get the recipe right from moment one and the end result is a fine little drama.

How to Train Your Latin Dragon

The Fist of the Condor

by Daniel Baldwin

Since 2006, the Chilean powerhouse team of writer/director Ernesto Diaz Espinoza and martial arts superstar Marko Zaror has been delivering some of the best independent action cinema in the world. From raucous martial arts mayhem (Kiltro) to street-level superhero satire (Mirageman) to Eurospy parody (Mandrill), their wild body of work together has been a diabolical fondue of influences ranging from kung fu movies to spaghetti westerns to blaxploitation cinema and beyond. What makes them all the more impressive is that of the four previous films they’ve made together, no two are alike in terms of style and tone. Other than a good time, you never know what you’re going to get from an Espinoza and Zaror pairing.

The Fist of the Condor sees this duo reuniting for the first time in almost a decade. Their last outing, the rogue assassin tale Redeemer, had been their weakest effort to date, but I’m happy to report that they’ve bounced back here and then some. A deep-flowing love of classic kung fu cinema has always run throughout their collaborations, but it’s never flowed as deeply or as lovingly as it does here.

This is a martial arts adventure just as concerned with evoking the philosophy of both the genre and the real-life practices behind it as it is in showcasing expertly-choreographed fights. There is a poeticism behind the fisticuffs on display here that calls to mind the Hong Kong classics of yore, leaving us with a masterful modern piece of meditative martial arts cinema that would make the Shaw Brothers smile.

Espinoza has always had a way with striking imagery that is a delicious mix of exquisite location photography and beautiful artifice that holds decades of movie knowledge behind it. Condor is no different, as it births some of the best sequences his wonderful mind has conjured to date. All backed by another excellent ‘70s-infused score by longtime collaborator Rocco, of course!

Those whose only experience with Marko “The Latin Dragon” Zaror are his villainous turns in Hollywood films such as John Wick: Chapter 4 and Machete Kills might be surprised to see the monk-like heroism of his primary role here. Fear not, however, as he also plays his own evil twin! His heroic (but not innocent) protagonist Guerrero is his best role since Kiltro and one we’ll be lucky to see continue, since this is meant to be the first in a trilogy. The next two cannot get here soon enough.

Screening Room: John Wick 4, A Good Person, One Fine Morning, Return to Seoul & More